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Type IV™ White Paper

20

Appendix 

ProVocal

paranoid of overdriving the converter input and end up recording at lower levels to ensure that there is ample head-
room to allow for the large peaks that would ruin an otherwise perfect recording. This, of course, compromises signal-
to-noise performance since the signal is now closer to the noise floor. Because users of digital equipment have to be
extremely careful not to exceed 0dB FS (full-scale), they must use peak-reading headroom meters. On the other hand,
the forgiving nature of analog tape allows users of analog recording equipment the luxury of only needing to monitor
the average level using VU meters, often having no peak indicators whatsoever. If only digital were more forgiving like
analog, we could really exploit its wide dynamic range and more completely capture the essence of the musical perfor-
mance.

Enter the dbx Type IV™ Conversion System. Like its related predecessor technologies—Type I™, Type II™, and

Type III™—dbx Type IV™ succeeds in preserving the wide dynamic range of the original analog signal within a limit-
ed dynamic range medium. Whereas Type I™ and Type II™ expand the dynamic range of analog tape and other limit-
ed dynamic range media, and the simultaneous encode/decode process of Type III™ similarly expands the limited
dynamic range through minimum-delay devices, Type IV™ breaks new ground by greatly enhancing the useable dynam-
ic range of the analog-to-digital conversion process.

The dbx Type IV™ Conversion System combines proprietary analog and digital processing techniques to cap-

ture a much wider dynamic range than the A/D converter could by itself, preserving the maximum amount of informa-
tion from the analog signal. This information is then encoded within the available bits of whichever A/D converter is
used. This means that Type IV™ improves the performance of any A/D converter, from low-cost 16-bit to high-perfor-
mance 24-bit! And no decoding is necessary beyond the conversion process!

As we have previously mentioned, digital systems have a wide linear region compared to analog tape and the

dynamic range of A/D converters has improved significantly in recent years. The dbx Type IV™ Conversion System takes
advantage of this and utilizes the top 4dB of the A/D converter’s linear dynamic range to create a logarithmic “overload
region.” This allows high-level transient signals passing far above the point where the overload region begins to be ade-
quately represented in just 4dB of the converter’s dynamic range, whereas a typical A/D converter would clip. With Type
IV™, you can never clip the A/D converter!

Fig. 1 illustrates this concept showing the level of the converted signal below and above the start of the overload region.
The converted signal level is plotted along the Y-axis (vertical axis) of the plot vs. the level of the input signal along the
X-axis (horizontal axis). The logarithmic mapping of the overload region begins 4 dB below 0 dB FS (full-scale) of the
A/D converter. What this shows is that below -4 dB FS, in the linear region, the output signal is the same as the input
signal. Above this, in the logarithmic region, high-level input signals get “mapped” into the top 4 dB of the A/D con-
verter. This mapping is analogous to the signal compression effect that occurs when recording high-level signals onto
analog tape.

ProVocal™ User Manual

Содержание ProVocal

Страница 1: ...ProVocal User Manual Digital Vocal Processor...

Страница 2: ...panel To reduce the risk of fire or electric shock refer servicing to qualified service personnel or equiv alent This Equipment is intended for rack mount use only SAFETY INSTRUCTIONS NOTICE FOR CUST...

Страница 3: ...sfara vid felaktigt batteribyte Anv nd samma batteri typ eller en ekvivalent typ som rekommenderas av apparattil lverkaren Kassera anv nt batteri enligt fabrikantens instruk tion IMPORTANT SAFETY INST...

Страница 4: ...ions 3 Section 2 Detailed Parameters Basic Operation and Utility Functions 2 1 Detailed Parameters 6 2 2 Basic Operation 9 2 3 Utility Functions 11 2 4 Program List 12 Section 3 Application Guide Basi...

Страница 5: ...INTRO CUSTOMER SERVICE INFO ProVocal DEFINED WARRANTY INFO INTRODUCTION ProVocal...

Страница 6: ...ble 44 1 or 48kHz sample rate and MIDI control This manual will be your guide to understanding the full functionality of the powerful ProVocal After you have become familiar with the unit we encourage...

Страница 7: ...paid not collect Do not ship parcel post This warranty is valid only for the original purchaser and only in the United States 1 The warranty registration card that accompanies this product must be mai...

Страница 8: ...1U above and 1U below the unit to allow proper ventilation The ProVocal should not be mounted above or below anything that generates excessive heat Ambient temperatures should not exceed 1130 F 450 C...

Страница 9: ...Getting Started Getting Started Section 1 ProVocal...

Страница 10: ...offers both front panel XLR Microphone and 1 4 TS instrument rear panel 1 4 TRS Line electronically balanced connections The 1 4 con nector may be used in a balanced or unbalanced configuration Using...

Страница 11: ...e sure to always lower levels prior to using the the 48 Volt Switch 20dB Pad Switch This switch attenuates the microphone input signal by 20dB Note The 48 Volt and 20dB Pad functions are only availabl...

Страница 12: ...hted in performance mode when the effect mod ule is on or used in the current program Store Button This button is used to store any program changes that have been made Parameter Edit knobs These five...

Страница 13: ...DETAILED PARAMETERS BASIC OPERATION AND UTILITY Operation Section 2 ProVocal...

Страница 14: ...ica AT4033 C2 Large Diaphragm Condenser Mic measured 13 Shure KSM32 C3 Large Diaphragm Condenser Mic 14 AKG 414 C4 AKG 414 Large Diaphragm Condenser Mic 15 AKG C12 C5 AKG C12 Tube Condenser Mic 16 RCA...

Страница 15: ...z 60 7610 38kHz 61 8000kHz EQ Mid Q 0 to 10 25 16 This parameter is used to select the mid Q curve of the EQ Selections are from 0 to 10 giv ing Qs of 25 5 75 1 0 1 25 2 0 4 0 8 0 and 16 0 EQ Mid Gain...

Страница 16: ...he frequency that the De Esser module will process De Esser Gate De Ess Amount 1 to 99 This parameter is used to set the overall sensitivity amount of the De Esser module De Esser Gate Gate Threshold...

Страница 17: ...Mix Decay 0 99 1 The Mix 1 parameter is used to set the amount of Reverb effect that is mixed into the dry signal The Decay 2 parameter is used to select the length of the reverb decay The following...

Страница 18: ...ed 1 40 and Factory Programs are numbered 41 80 Program Editing Once a program has been selected you can fine tune the program to your requirements and then save it as a User program by using the foll...

Страница 19: ...y menu MIDI Channel Selection Turn the power button on while holding Program UP button The display will read Ut Now press the Store button and the display will read CH use Mic Type Parameter knob to c...

Страница 20: ...Live 4 Dynamic modeled as a condenser Chorus Delay Reverb 20 Male Live 5 Dynamic modeled as a condenser Chorus Delay Reverb 21 Female Studio 1 Dynamic modeled as a condenser pre amp modeling 22 Femal...

Страница 21: ...APPLICATION GUIDE DIGITAL APPLICATIONS Section 3 ProVocal...

Страница 22: ...the ProVocal Apply power to the ProVocal Connect the AC power cord to the AC power receptacle on the back of the unit Route the AC power cord to a convenient power outlet away from audio lines The uni...

Страница 23: ...nds to the track to which the ProVocal is connected As you increase the setting of the GAIN control you should begin to hear the input of the ProVocal running through the recorder and returning to you...

Страница 24: ...a DAW or digi tal recorder and route the analog signal to a monitoring device such as a mixer or headphone amplifier simultaneously Connections Connect the source to the desired 1 4 TRS or XLR input C...

Страница 25: ...APPENDIX BlockDiagram dbxTypeIV WhitePaper Specifications APPENDIX Appendix ProVocal...

Страница 26: ...Block Diagram 18 Appendix ProVocal Block Diagram ProVocal User Manual...

Страница 27: ...vorable characteristic of analog recording which those who abandoned analog and jumped on the dig ital bandwagon were either never aware of or simply took for granted Anyone who has ever used analog t...

Страница 28: ...ch wider dynamic range than the A D converter could by itself preserving the maximum amount of informa tion from the analog signal This information is then encoded within the available bits of whichev...

Страница 29: ...tilize the increased signal resolution afforded by this density of digital codes to represent more input dynamic range in this region Another advantage of the logarithmic mapping of our dbx Type IV Co...

Страница 30: ...Type IV White Paper 22 Appendix ProVocal ProVocal User Manual...

Страница 31: ...dbx would bring you this technology All microphones were measured in a semi anechoic environment using an Audio Precision System Two Cascade Plus The microphones were measured at several different SPL...

Страница 32: ...A Impedance 75 A D System Performance A D Conversion 24 bit dbx Type IV Conversion System Convertor Dynamic Range 105dB typical A weighted 22kHz bandwidth 102dB typical unweighted 22kHz bandwidth Type...

Страница 33: ...0 South Sandy Pkwy Sandy Utah 84070 Phone 801 568 7660 Fax 801 568 7662 Questions or comments E mail us at customer dbxpro com or visit our World Wide Web home page at www dbxpro com A Harman Internat...

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