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MC6 R

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ANEL

INPUT JACKS:

Use 1/4” TS or TRS (unbalanced or balanced) phone plugs to connect to these inputs from
your source. The MC6's INPUT jacks accept either balanced or unbalanced signals in LINE
mode and unbalanced signals in INST mode. Nominal input level is -10dBV in Line mode, and
-20dBV in INSTRUMENT mode. When a source is plugged into the input labeled “LEFT
(mono)”, the input signal is routed through both channels and thus appears at both output
jacks.This feature can come in handy as an active splitter to send the same signal to two guitar
amps, for example.

OUTPUT JACKS:

The OUTPUT jacks accept 1/4” balanced or unbalanced phone plugs in both LINE and INST.
modes, although the outputs are optimized for unbalanced operation when in INST. mode.
Nominal output signal level is the same as the nominal input level when the OUTPUT GAIN
control is set to the mid-position. Maximum output signal level is +21dBu, typical of profes-
sional gear running on a ±15 Volt power supply.

OPERATING LEVEL SWITCH:

This switch selects between “LINE” and “INSTRUMENT” operating levels.When the switch is in
the OUT position, a Line operating level is selected. It is optimized for -10dBV, although
“hotter” signals may be processed with a corresponding reduction in headroom (see specifi-
cations on page 11). When it is in the IN position, an “instrument level” operating level is
selected. It is optimized for low-level sources (-20dBV) requiring a high (500k

½

) input imped-

ance.This allows intruments, such as electric guitars,and high impedance unbalanced mics to
be plugged directly into the MC6 (typically into the “LEFT (mono)” input). Note that the oper-
ating level switch affects both input and output nominal levels simultaneously.

DC POWER CORD RECEPTACLE:

Plug the DC power adapter (supplied) into the MC6. Plug the other end into a standard wall
receptacle.Take care to route power cables away from audio lines. Note that the MC6 does not
have a power switch. Since power consumption is low, the MC6 may be left on for extended
periods of time. If you do not plan to use the MC6 for an extended period of time, unplug it.

BYPASS FOOTSWITCH JACK:

In addition to the front panel BYPASS SWITCH, the bypass function of the MC6 may be
accessed via the rear panel BYPASS FOOTSWITCH. When a standard latching footswitch
controller is attached to the BYPASS FOOTSWITCH JACK, the MC6 is toggled in and out of
bypass mode.The switch must be one whose 1/4” plug tip is shorted to sleeve when latched.

Содержание mc6 Mini-Comp

Страница 1: ... ...

Страница 2: ... inside the unit Do not open the unit Do not attempt to service the unit your self Refer all servicing to qualified personnel Opening the chassis for any reason will void the manufacturerÕs warranty Do not get the unit wet If liquid is spilled on the unit shut it off immediately and take it to a dealer for service Disconnect the unit during storms to prevent damage CAUTION ATTENTION RISQUE DE CHOC...

Страница 3: ...1 MANUAL CONTENTS MC6 FRONT PANEL 2 MC6 REAR PANEL 6 CONNECTING THE MC6 TO YOUR SYSTEM 7 APPLICATIONS 8 FACTORY SERVICE WARRANTY 10 SPECIFICATIONS 11 ...

Страница 4: ...bx compression made famous by our 160 line of compressors But there s more The MC6 operates in stereo mode or in mono mode with the mono input being fed to both channels Stereo signals are compressed using our True RMS Power Summing algorithm giving a perfect stereo image every time With True RMS Power Summing the detectors are linked and respond to the sum of the energy power of each channel s si...

Страница 5: ...sy mode the threshold of compression is roughly the middle of the OverEasy range The threeTHRESHOLD LEDs indicate the relationship of the input signal level to the threshold of compression In hard knee mode the green LED lights when the signal is BELOW threshold the red LED lights when the signal is above threshold and the yellow LED does not light In OverEasy mode the green LED lights when the si...

Страница 6: ...increase in signal above threshold will produce a 1dB increase in output signal A setting of 1 indicates that an infinite increase in input level would be required to raise the output level by 1dB ATTACK AND RELEASE CONTROLS The ATTACK control sets the amount of time it takes the MC6 to begin compressing a signal once the detector has sensed a signal above threshold The ATTACK range is from FAST f...

Страница 7: ...dely dynamic signals such as vocals The INSTRUMENT setting has slower attack and release times ideal for adding sustain to instrument parts without squashing the initial attack of the signal The LED labeled AUTO is lit when the AUTO SWITCH is engaged or in the in position The two modes are then able to be selected via the MODE SWITCH The LEDs indicating which mode theAUTO setting is using only lig...

Страница 8: ... level is selected It is optimized for 10dBV although hotter signals may be processed with a corresponding reduction in headroom see specifi cations on page 11 When it is in the IN position an instrument level operating level is selected It is optimized for low level sources 20dBV requiring a high 500k input imped ance This allows intruments such as electric guitars and high impedance unbalanced m...

Страница 9: ...tch points include a mixer s channel or subgroup inserts when using the MC6 on individual instruments or tracks the mixer s main outputs when mixing an instrument preamp s effects loop when using the MC6 for guitar or bass main outs of a submixer i e keyboard mixer as the signal is sent to main mixer between a DAT s output and an analog cassette input When using a chain of processors the MC6 may b...

Страница 10: ... the signal goes to your multi track recorder The MC6 s True RMS Power Summing will track your stereo image perfectly every time Use the dbx MC6 Mini Comp Compressor in your live sound rig by putting it before your other signal processors Or put it in line before you send to your mixer or recorder Get that great dbx compression that no other guitar processor or recorder has input input input input...

Страница 11: ...ng to give the part some intensity An equalizer e g a dbx 242 Parametric Equalizer dbx 20 or 30 Series Graphic Equalizers or a vocal effects device e g reverb delay distortion can be added to further define the performance Note When compressing a stereo program with the MC6 the factors affecting a compression curve and the actual RATIO and THRESHOLD settings are the same as those previously covere...

Страница 12: ...the shipper and with these words in red DELICATE INSTRUMENT FRAGILE Insure the package properly Ship prepaid not collect Do not ship parcel post We appreciate your feedback After you have an opportunity to use your new MC6 please complete the Registration Card and return it This warranty is valid only for the original purchaser and only in the United States 1 The warranty registration card that ac...

Страница 13: ...Hz Compressor Threshold Range 60dB Ratio 1 1 to 1 Threshold Characteristic OverEasy or hard knee with switch and LED Compressor Threshold Meter 3 segment LED bar graph Below OverEasy and Above Attack Release Characteristic Manual Mode AutoDynamic Auto Mode Automatic Program Dependent Attack Release Modes Manual Vocal Auto and Instrument Auto with switch and LED indicators Manual Attack Time Scalab...

Страница 14: ...NOTES 12 ...

Страница 15: ......

Страница 16: ...8760 South Sandy Pkwy Sandy Utah 84070 Phone 801 568 7660 Fax 801 568 7662 IntÕl Fax 219 462 4596 E mail customer dbxpro com World Wide Web www dbxpro com A Harman International Company 18 2210 A 8 11 96 ...

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