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CX263 Installation and User Guide v1.1

10

Microphone inputs

MIC 1

 and 

MIC 2

 inputs are intended for the direct 

connection of microphones. They are electronically balanced 
and transformerless with an input impedance of greater than 

2 kohms and optimised for use with microphones of 200 to 

600 ohms impedance. The screw terminal input connectors 

should be wired thus:

PIN

CONNECTION

1

Screen

2

Signal ‘-’ (cold)

3

Signal ‘+’ (hot)

Unbalanced microphones may be used by connecting pin 2 

to pin 1 (cable screen) in the mating (male) screw-terminal 

connector. 12 V phantom power is available, see “Phantom 
Power” on page 13.
Each mic input may be routed to any of the zones in use, 

at any level in each zone. All microphone announcements 
automatically reduce the music level in that zone while the 
announcement is in progress; 

MIC 1

 input also has priority 

over 

MIC 2

 input (see “Mic-over-Music priority” on page 

14

 for full details.)

Zone Outputs

Connect  the  inputs  of  the  power  amplifiers  feeding  the 

loudspeakers for each zone to the 

ZONE 1

 (

L

 & 

R), 

 

ZONE 2 

and 

ZONE 3

 connectors. Note that Zone 1 

output is stereo, while Zones 2 and 3 are mono; Zone 1 

may be reconfigured to operate in mono by moving internal 

PCB jumper J11 (see “PCB jumper location and settings” on 

page 19

).  The  outputs  are  balanced  and  will  drive  input 

impedances down to 600 ohms. Nominal output level is 0 

dBu (775 mV). The output is designed to drive professional/

industrial power amplifiers with balanced inputs (typically on 
XLRs). In this case, wire as the diagram below. Note that the 

screen can be left unconnected at the source end if earth 
loops are a problem.

1

3

+

-

+

-

SC

N

pin 1 ground

pin 2 hot

pin 3 cold

Balanced inputs (XLRs):

1

2

3

2

SC

SCN

CX263 Balanced output:

pin 1 ground
pin 2 cold
pin 3 hot

The screen connection at the 

zone end may be omitted if it 
helps reduce  earth loops

Amplifiers with unbalanced inputs:
If  audio  amplifiers  with  unbalanced  inputs  are  being  used 

 

(e.g., hi-fi amplifiers), the following wiring should be adopted: 

1

3

+

+

2

SC

SCN

CX263 Balanced output:

pin 1 ground
pin 2 cold

pin 3 hot

When using single-core cable, 
don’t connect ‘cold’ at the 
CX263

Unbalanced input  (e.g. phono) 

1

3

+

+

-

2

SC

SCN

CX263 Balanced output:

pin 1 ground
pin 2 cold
pin 3 hot

Unbalanced input  (e.g., phono) 

When using twin-and-screen 
cable, don’t  connect the screen 

at the amplifier end. 

-

Music Control

Like many other Cloud products, the CX263 allows remote 
control of music level and source selection in each zone. 

Cloud remote control plates from the RL-1 Series (music 

level only) and RSL-6 Series (music level and source selection) 

provide an elegant solution, though control via a DC voltage 

from third-party systems is also possible (see “Control of 
music source and level via external DC” on page 15

).

Both types of remote control plate connect via the 

REMOTE

 

port for the relevant zone (see [8] on “Description of rear 

panel” on page 8

). This  connector  is  a  3-pin  5  mm-pitch 

screw terminal type.

Connecting an RL-1 Series remote control plate

Wire the remote control plate as shown below. Either 

 

single-core screened or twin-and-screen cable may be used; 
in the case of the latter, ignore one of the cores. Maximum 

reliable cable run is 100 m.

1

2 3

REMOTE

PORT

1 2 3

REMOTE LEVEL CONTROL WIRING

RL-1

SINGLE-CORE SCREENED CABLE MAY BE USED

Содержание CX263

Страница 1: ...CX263 Installation and User Guide v1 1 CX263 ZONE MIXER Installation and User Guide...

Страница 2: ...LATION 9 Hardware Considerations 9 Power Supply 9 Fuses and ratings 9 System Connections 9 Music Sources 9 Microphone inputs 10 Zone Outputs 10 Music Control 10 Music Mute 11 SETTING UP OPERATION 12 M...

Страница 3: ...ies and RSL 6 Series remote control plates general considerations 15 Control of music source and level via external DC 16 Music level 16 Music source 17 Fitting loudspeaker EQ cards 17 APPENDIX 18 App...

Страница 4: ...magnitude to constitute a risk of electric shock The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance servicing ins...

Страница 5: ...equire installation by a qualified person CAUTION Mains Fuse Replace the mains fuse only with the same type and rating as marked on the rear panel Fuse type T1AH 250V Fuse rating 1 A Fuse Size 20 mm x...

Страница 6: ...dio loudspeakers What s in the box Unpack the CX263 and its accessories with care It is always a good idea to store all packaging if practical in case you ever need to return the unit to your Cloud de...

Страница 7: ...MIC 1 LEVEL adjusts level of Mic input 1 in each Zone See page 13 4 MIC 2 LEVEL adjusts level of Mic input 2 in each Zone See page 13 5 MICROPHONE EQ preset controls adjusting HF LF EQ for each Mic I...

Страница 8: ...s Zone 1 is stereo Zones 2 3 are mono See Zone Outputs on page 10 6 Zone LF HF preset controls for EQ adjustment in each Zone See EQ on page 14 7 MIC 1 ACC external paging control input for MIC 1 See...

Страница 9: ...to Zones 2 and 3 but remain separate for the stereo Zone 1 If connecting a mono source with only a single output it may be connected to either the left or the right input but see Zone Outputs on page...

Страница 10: ...en can be left unconnected at the source end if earth loops are a problem 1 3 SCN pin 1 ground pin 2 hot pin 3 cold Balanced inputs XLRs 1 2 3 2 SC SCN CX263 Balanced output pin 1 ground pin 2 cold pi...

Страница 11: ...pressing it in In this setting the zone s front panel MUSIC LEVEL and SOURCE controls become inoperative Music Mute External muting of music is available at the MUSIC MUTE connector National or Local...

Страница 12: ...rol has no effect on microphone or paging volume Local remote control If a zone has an RL 1 or RSL 6 Series remote control plate connected the rear panel FR REM push button must be set to REM button i...

Страница 13: ...suitable It should be noted that Cloud PM Series paging microphones will need to be connected using the analogue interface the CX263 does not support the Cloud Digital Paging Interface also implemente...

Страница 14: ...abled independently for each zone by moving internal PCB jumpers J10a J10b Zone 1 J8a J8b Zone 2 and J9a J9b Zone 3 Note that there are two physical jumpers per zone The jumpers should be set to the O...

Страница 15: ...J5 and J6 set to ON as required A separate Installation Guide including full setup and operating instructions is supplied with the CDI S200 card RL 1 Series and RSL 6 Series remote control plates gene...

Страница 16: ...OURCE CONTROL CX263 NOTE If the control voltage source is not isolated from the power earth there is a small risk of creating a ground loop by linking the mixer technical ground 0 V to the ground 0 V...

Страница 17: ...ow enough to overcome the effect of this resistor Fitting loudspeaker EQ cards The CX263 is compatible with various popular installed sound loudspeakers a single channel loudspeaker equalisation modul...

Страница 18: ...ereo music and can set its own music source and volume by means of the local RSL 6 remote control optional Areas 2 and 3 are mono only Area 2 is fitted with an RL 1 remote control panel which allows l...

Страница 19: ...reo operation STEREO Zone 1 stereo operation MONO Zone 1 L R channels summed STEREO J12 Bypass EQ card Zone 1R PRESENT EQ card socket is bypassed ABSENT EQ card socket is enabled PRESENT J13 Bypass EQ...

Страница 20: ...isconnecting the input leads both left right channels on each line input until the hum disappears This problem is often caused by terminating a screened input cable into a signal source positioned a s...

Страница 21: ...s Frequency response 3 dB 100 Hz filter to 20 kHz 0 5 dB Distortion 0 05 20 Hz to 22 kHz Gain range 10 dB to 50 dB Input impedance 2 kohms Common mode rejection 70 dB 1 kHz Headroom 20 dB Noise 128 dB...

Страница 22: ...www cloud co uk www cloudusa pro...

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