Cloud 36-50 MULTI-ZONE Скачать руководство пользователя страница 14

36-50 Installation and User Guide V1.0

14

TERM8

TERM2

H

O

T

C

O

LD

G

N

D

Z1

Z2

Z3

Z4

MICROPHONE

INPUT

Z1

Z2 UTIL

0 V

PM4 PAGING MICROPHONE

36-50

Z5

Z6

Z7

Z8

TERM1

0V

+V

1

3

2

Note that the default factory setting is for all three 

ACCESS

 

port  inputs  to  be  permanently  enabled.  In  order  for  the 

 

36-50’s  mic  input  to  function  correctly  with  a  paging  mic, 

internal  jumpers  J2  (Zone  1),  J3  (Zone  2)  and  Z4  (Utility 

output)  should  be  removed.  See  page  4  for  jumper 
locations.
For  automatic  music  ducking  during  an  announcement,  set 
the rear panel 

PRIORITY switch to ON. See

 

page 18

 for 

further information.

Connecting a PM1 paging mic

The  PM  1  is  a  simple,  passive  paging  microphone  suitable 

for  situations  where  announcements  are  always  made  to 
the same zone(s). It can be connected directly to the 36-50 
Mixing Amplifier, the control cable being wired to the pin(s) of 

the Zone Access port corresponding to the zone(s) in which 
announcements are required. Any or all of the zones may be 

paralleled if multiple zones need to operate from the PM1.
Either  a  single  2-pair  individually-screened  cable  may  be 

used (this gives the neatest finish), or two separate standard 
microphone cables. Connections on the PM1 are made via the 

rear cable gland in the base and the screw terminal blocks on 

the internal PCB (U2 and U3). Full connection details can be 

found in the PM1 Installation and User Guide. Note that the 

PM1 does not require DC power.
The following diagram shows the connections between a PM1 
and a 36-50. Use of 2-pair cable is assumed; the same wiring 

principle is adopted if separate cables are being used for audio 
and control.

PAGING MIC INPUT

SCN    COLD    HOT

N/O    N/C    GND

U2 AUDIO

U3 ACCESS

ZONE ACCESS CONNECTOR

CONNECT TO

ZONE(S) IN USE

1        2        3

0V Z1 Z2 Z3 Z4 Z5 Z6 Z7 Z8 +V

36-50

PM1

Note that the default factory setting is for all three 

ACCESS

 

port  inputs  to  be  permanently  enabled.  In  order  for  the 

 

36-50’s  mic  input  to  function  correctly  with  a  paging  mic, 
internal  jumpers  J2  (Zone  1),  J3  (Zone  2)  and  Z4  (Utility 
output)  should  be  removed.  See  page  4  for  jumper 
locations.
For  automatic  music  ducking  during  an  announcement,  set 

the rear panel 

PRIORITY switch to ON. See

 

page 18

 for 

further information.

Music control

Like  many  other  Cloud  products,  the  36-50  allows  remote 

control  of  music  level  and  source  selection  in  each  of  the 

primary zones. Cloud remote control plates from the RL-1 

Series  (music  level  only)  and  RSL-6  Series  (music  level  and 
source selection) provide an elegant solution, though control 

via a DC voltage from third-party systems is also possible (see 

page 19).

Both  types  of  plate  connect  via  the  REMOTE  SOURCE  & 
LEVEL  port  for  the  relevant  zone  (see  [10]  on  page  11). 

This  connector  is  a  3-pin  5  mm-pitch  screw  terminal  type. 
Please refer to page 19 for additional information regarding 

cable lengths, etc.

Connecting an RL-1 Series remote control plate

Wire the remote control plate as shown below. Either single-

core screened or twin-and-screen cable may be used; in the 

case of the latter, ignore one of the cores. Maximum reliable 

cable run is 100 m.

Содержание 36-50 MULTI-ZONE

Страница 1: ...36 50 Installation and User GuideV1 0 36 50 MULTI ZONE MIXING AMPLIFIER Installation and User Guide...

Страница 2: ...N AVIS RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR The lightning flash with the arrowhead symbol within an equilateral triangle is intended to alert you to the presence of uninsulated dangerous voltages w...

Страница 3: ...ing storms or when unused for long periods of time 14 Refer all servicing to qualified service personnel Servicing is required when the apparatus has been damaged in any way such as power supply cord...

Страница 4: ...in the box 7 36 50 Main features 7 Optional system components 8 RL 1 Series Remote Music Level Control 8 RSL 6 Series Remote Music Level Source Control 8 PM Series microphones 8 Block Diagram 9 Front...

Страница 5: ...7 Priorities 18 Mic over Music priority 18 Line 6 priority 18 OPTIONS AND ADDITIONAL INFORMATION 19 RL 1 and RSL 6 Series remote control plates general considerations 19 Control of music source and le...

Страница 6: ...ters overhead power lines etc the performance of the unit may be degraded The product conforms to the following European electrical safety standard BS EN 60065 2012 Safety Considerations and Informati...

Страница 7: ...again for placing your confidence in Cloud products What s in the box Unpack the 36 50 and its accessories with care It is always a good idea to store all packaging if practical in case you ever need...

Страница 8: ...4 5 6 1 2 3 7 9 10 0 8 The RSL 6 Series is a range of plates allowing local per zone music source selection as well as music level control They are the same size as the RL 1s and connect in a similar...

Страница 9: ...36 50 Installation and User GuideV1 0 9 Block Diagram The simplified block diagram above illustrates the basic signal architecture of the 36 50...

Страница 10: ...evel of the microphone connected to the rear panel mic input in each zone See page 16 4 Power rocker switch with internal illumination 5 Zone idents a space is provided above each zone s controls for...

Страница 11: ...e 17 9 UTILITY MIC MUSIC two pre set controls adjusting the level of the microphone input and chosen music source respectively at the Utility Output See page 17 10 REMOTE SOURCE LEVEL 3 pin 5 mm pitch...

Страница 12: ...he correct fuse types VERSION RATING FUSE TYPE 230V 3 15 A 20 mm x 5 mm slo blo T3 15AH 115V 6 3 A 20 mm x 5 mm slo blo T6 3AH The fuseholder may be accessed by prising the slide below the connector o...

Страница 13: ...cements automatically reduce the music level in that zone while the announcement is in progress see page 18 for more details Paging system connections Cloud PM Series paging microphones may be connect...

Страница 14: ...lowing diagram shows the connections between a PM1 and a 36 50 Use of 2 pair cable is assumed the same wiring principle is adopted if separate cables are being used for audio and control PAGING MIC IN...

Страница 15: ...l i e music should be muted in an emergency to ensure that any emergency messages are clearly audible The MUSIC MUTE input is on a 2 pin 5 mm pitch screw terminal connector It should be connected to t...

Страница 16: ...so that there is no appreciable difference in volume between any of the sources With a typical music source setting the gain on its channel to mid way is a good starting point Note that consideration...

Страница 17: ...have different models of loudspeaker installed The 36 50 is fitted with HF and LF EQ adjustments 8 on page 11 for the music signal of each primary zone output to enable the audio frequency response to...

Страница 18: ...to all music ducking regardless of whether initiated by the mic input or Line 6 priority see below See page 4 for location of the internal jumpers Line 6 priority It may sometimes be necessary for on...

Страница 19: ...source is not isolated from the power earth there is a small risk of creating a ground loop by linking the mixer technical ground 0V to the ground 0V of the equipment supplying the control voltages To...

Страница 20: ...with the hex spacer 6 Use the screw from step 3 to secure the adaptor to the spacer 7 Plug the EQ card into the 12 pin socket on the adaptor 8 Replace the top panel See theAppendix section PCB jumper...

Страница 21: ...nse ON 65 Hz hi pass filter enabled for Zone 1 OFF J6 Music source selection Zone 1 SW Source follows rear panel MUSIC CONTROL switch FR Always via front panel only Z1 SW J7 Music source selection Zon...

Страница 22: ...ional problems and under normal circumstances no special precautions need to be taken If the unit is to be used within close proximity to potential sources of HF disturbance such as high power communi...

Страница 23: ...dB 1 kHz Headroom 20 dB Noise 126 dB EIN 22 Hz to 22 kHz Rs 150 ohms Equalisation HF 10 dB 5 kHz LF 10 dB 100 Hz Outputs Low Impedance Outputs 4 ohm load s 1ch driven 60 W 2chs driven 52 W 3chs drive...

Страница 24: ...ngland Tel 44 0 114 244 7051 Fax 44 0 114 242 5462 email info cloud co uk web www cloud co uk Cloud Electronics USA 2065 Sidewinder Drive Suite 200 Park City Utah 84060 United States of America Toll F...

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