HALF INSERT DIRECT OUT
The half insert connection creates a send sig -
nal without breaking the channels signal path.
The insert in this mode is no longer used as
an insert but it becomes what is called an
“insert direct out”. An insert direct out func-
tions as a normal direct out but the plug has
to be half inserted. If an insert is needed on
the same channel, special cabling is required
to perform both functions. The half insertion
connects the tip of the plug being inserted to
the ring of the jack. See the fig. If the jack is
fully inserted to where the tip of the plug con-
nects to the tip of the jack, the internal jack
switch will open and the channel’s signal path
will be broken. The connection will still func-
tion as a direct out but the channel’s signal
will stop at the insert and not continue on to
the rest of the channel and the masters. The
result of the half insert is multiple outputs for
use in multi-track recording.
FULL INSERT
The insert jack is a Tip Ring Sleeve (TRS) 1/4”
phone jack, where the tip is the send, the ring is
the return and the sleeve is ground. When used
as an insert point or in full insert mode, the
channel is opened up to allow an external piece
of equipment to be inserted into the channels
signal path. The channel signal coming from
the microphone preamplifier will be forced to
go through the external equipment before it can
continue back through the channel re-entering
before the channel tone controls. Most external
equipment is not set up for the TRS plug direct-
ly so an adapter cable is required. The adapter
cable will have on one end the TRS plug and
two mono plugs either male or female, on the
other end. The two plugs each have the ground
connected to the sleeve, one has the return on
its tip and the other has the send on its tip. This
allows the send to be connected to the input of
the external equipment and the return to its out-
put completing the insert loop back to the chan-
nel.
INSERTS AND DIRECT OUTS
24
24
23
17-24
22
22
21
21
20
20
19
19
18
18
17
17
23
16
16
DIR - INSERT
LINE
MIC
15
PHANTOM
POWER
9-16
14
14
13
13
12
12
11
11
10
10
9
9
15
DIR - INSERT
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
8
7
6
5
4
3
2
1
8
7
6
5
4
3
2
1
PHANTOM
POWER
1-8
DIR - INSERT
LINE
MIC
DIR - INSERT
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
PHANTOM
POWER
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
MIC
DIR - INSERT
LINE
MIC
24
24
DIR - INSERT
LINE
MIC
STEREO RETURNS
L
R
TAPE IN
1
LEFT
3
TAPE OUT
RIGHT
CENTER
1
AUX SENDS
1L
1R
2
3
2L
2R
5
3L
3R
4L
4R
AUX 2
AUX 1
PHONES
1
AUX 4
AUX 3
2
3
4
TAPEIN
L-R
AUX 1
AUX 1
AUX 2
AUX 2
L-R
CENTER
L-R
CENTER
L-R
CENTER
L-R
CENTER
TAPE
SOURCE
OUT
L-R
AUX 3-4
POWER
PFL
PHONES
CONTROL
ROOM
L SUB TO
AUX 6
AUX 5
PFL
PFL
PFL
PFL
PFL
PFL
GROUPS
GROUP 3-4
GROUP 1-2
CENTER
L-R
C
L
R
C
L
R
+18
+12
+6
0
- 6
- 12
- 18
- 24
- 30
PEAK
L
R
dB
CONTROL
ROOM
2
1
L
3
4
R
C
SENDS
4
2
4
6
RETURN
GROUPS
12
+
0
- 12
- 24
- 30
- 50
+ 6
12
+
0
- 12
- 24
- 30
- 50
+ 6
12
+
0
- 12
- 24
- 30
- 50
+ 6
12
+
0
- 12
- 24
- 30
- 50
+ 6
12
+
0
- 12
- 24
- 30
- 50
+ 6
12
+
0
- 12
- 24
- 30
- 50
+ 6
12
+
0
- 12
- 24
- 30
- 50
+ 6
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
CENTER
CENTER
0
10
5
CONTROL ROOM
LISTEN
C
L
R
C
L
R
RETURN
RETURN
R SUB TO
PREPOST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
- 15 +15
0
- 15 +15
0
- 15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
- 12
- 24
- 30
- 50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PREPOST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
- 15 +15
0
- 15 +15
0
- 15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
- 12
- 24
- 30
- 50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PREPOST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
- 15 +15
0
- 15 +15
0
- 15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
- 12
- 24
- 30
- 50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PREPOST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
- 15 +15
0
- 15 +15
0
- 15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
- 12
- 24
- 30
- 50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PREPOST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
- 15 +15
0
- 15 +15
0
- 15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
- 12
- 24
- 30
- 50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PREPOST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
- 15 +15
0
- 15 +15
0
- 15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
- 12
- 24
- 30
- 50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PREPOST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
- 15 +15
0
- 15 +15
0
- 15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
- 12
- 24
- 30
- 50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PREPOST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
- 15 +15
0
- 15 +15
0
- 15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
- 12
- 24
- 30
- 50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PREPOST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
- 15 +15
0
- 15 +15
0
- 15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
- 12
- 24
- 30
- 50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PREPOST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
- 15 +15
0
- 15 +15
0
- 15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
- 12
- 24
- 30
- 50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PREPOST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
- 15 +15
0
- 15 +15
0
- 15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
- 12
- 24
- 30
- 50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PREPOST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
- 15 +15
0
- 15 +15
0
- 15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
- 12
- 24
- 30
- 50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PREPOST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
- 15 +15
0
- 15 +15
0
- 15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
- 12
- 24
- 30
- 50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PREPOST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
- 15 +15
0
- 15 +15
0
- 15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
- 12
- 24
- 30
- 50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PREPOST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
- 15 +15
0
- 15 +15
0
- 15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
- 12
- 24
- 30
- 50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PREPOST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
- 15 +15
0
- 15 +15
0
- 15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
- 12
- 24
- 30
- 50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PREPOST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
- 15 +15
0
- 15 +15
0
- 15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
- 12
- 24
- 30
- 50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PREPOST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
- 15 +15
0
- 15 +15
0
- 15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
- 12
- 24
- 30
- 50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PREPOST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
- 15 +15
0
- 15 +15
0
- 15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
- 12
- 24
- 30
- 50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PREPOST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
- 15 +15
0
- 15 +15
0
- 15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
- 12
- 24
- 30
- 50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PREPOST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
- 15 +15
0
- 15 +15
0
- 15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
- 12
- 24
- 30
- 50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PREPOST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
- 15 +15
0
- 15 +15
0
- 15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
- 12
- 24
- 30
- 50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PREPOST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
- 15 +15
0
- 15 +15
0
- 15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
- 12
- 24
- 30
- 50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PREPOST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
- 15 +15
0
- 15 +15
0
- 15 +15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
- 12
- 24
- 30
- 50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
MULTI-TRACK RECORDER
Multitrack IN
1/2 INSERT DIRECT OUT
TWO-TRACK
TAPE RECORDER
TAPE OUT
A multi-track recorder can be connected to the Channel Direct
Out jacks. This set up could be used with a live set up to record
a live show. Also shown in this illustration, is the connection of
a 2 track tape recorder connected to the RCA tape outs. One of
the great features of the C2440 is the Tape Out Source switch.
By assigning AUX 3-4 to the Tape Out Source, the operator can
create an alternate mix for 2 track recording and maintain an
unaltered main mix.
If a 4 track recorder is used, assign the channels to the 4 group
faders and use the group outputs for a 4 track recorder. For an
8 track recorder, parallel the 4 groups using group 1 for tracks 1
and 5, group 2 for 2 and 6, etc. Then use the 8 track recorder’s
track enable switches to select the track. Also both methods
can be combined using the groups and Direct Outs for multi-
tracking.
24
24
23
17-24
22
22
21
21
20
20
19
19
18
18
17
17
23
16
16
DIR - INSERT
LINE
MIC
15
PHANTOM
POWER
9-16
14
14
13
13
12
12
11
11
10
10
9
9
15
DIR - INSERT
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
8
7
6
5
4
3
2
1
8
7
6
5
4
3
2
1
PHANTOM
POWER
1-8
DIR - INSERT
LINE
MIC
DIR - INSERT
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
PHANTOM
POWER
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
LINE
MIC
DIR - INSERT
MIC
DIR - INSERT
LINE
MIC
24
24
DIR - INSERT
LINE
MIC
STEREO RETURNS
L
R
TAPE IN
1
LEFT
3
TAPE OUT
RIGHT
CENTER
1
AUX SENDS
1L
1R
2
3
2L
2R
5
3L
3R
4L
4R
AUX 2
AUX 1
PHONES
1
AUX 4
AUX 3
2
3
4
TAPEIN
L-R
AUX 1
AUX 1
AUX 2
AUX 2
L-R
CENTER
L-R
CENTER
L-R
CENTER
L-R
CENTER
TAPE
SOURCE
OUT
L-R
AUX 3-4
POWER
PFL
PHONES
CONTROL
ROOM
L SUB TO
AUX 6
AUX 5
PFL
PFL
PFL
PFL
PFL
PFL
GROUPS
G R O U P 3 - 4
G R O U P 1 - 2
CENTER
L-R
C
L
R
C
L
R
+18
+12
+6
0
- 6
-12
-18
-24
-30
PEAK
L
R
dB
CONTROL
ROOM
2
1
L
3
4
R
C
SENDS
4
2
4
6
RETURN
G R O U P S
12
+
0
-12
-24
-30
-50
+ 6
12
+
0
-12
-24
-30
-50
+ 6
12
+
0
-12
-24
-30
-50
+ 6
12
+
0
-12
-24
-30
-50
+ 6
12
+
0
-12
-24
-30
-50
+ 6
12
+
0
-12
-24
-30
-50
+ 6
12
+
0
-12
-24
-30
-50
+ 6
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
0
10
5
CENTER
CENTER
0
10
5
CONTROL ROOM
L I S T E N
C
L
R
C
L
R
RETURN
RETURN
R SUB TO
PRE
POST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-15
+15
0
-15
+15
0
-15
+15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-12
-24
-30
-50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-15
+15
0
-15
+15
0
-15
+15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-12
-24
-30
-50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-15
+15
0
-15
+15
0
-15
+15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-12
-24
-30
-50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-15
+15
0
-15
+15
0
-15
+15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-12
-24
-30
-50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-15
+15
0
-15
+15
0
-15
+15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-12
-24
-30
-50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-15
+15
0
-15
+15
0
-15
+15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-12
-24
-30
-50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-15
+15
0
-15
+15
0
-15
+15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-12
-24
-30
-50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-15
+15
0
-15
+15
0
-15
+15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-12
-24
-30
-50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-15
+15
0
-15
+15
0
-15
+15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-12
-24
-30
-50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-15
+15
0
-15
+15
0
-15
+15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-12
-24
-30
-50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-15
+15
0
-15
+15
0
-15
+15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-12
-24
-30
-50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-15
+15
0
-15
+15
0
-15
+15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-12
-24
-30
-50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-15
+15
0
-15
+15
0
-15
+15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-12
-24
-30
-50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-15
+15
0
-15
+15
0
-15
+15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-12
-24
-30
-50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-15
+15
0
-15
+15
0
-15
+15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-12
-24
-30
-50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-15
+15
0
-15
+15
0
-15
+15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-12
-24
-30
-50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-15
+15
0
-15
+15
0
-15
+15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-12
-24
-30
-50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-15
+15
0
-15
+15
0
-15
+15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-12
-24
-30
-50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-15
+15
0
-15
+15
0
-15
+15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-12
-24
-30
-50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-15
+15
0
-15
+15
0
-15
+15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-12
-24
-30
-50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-15
+15
0
-15
+15
0
-15
+15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-12
-24
-30
-50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-15
+15
0
-15
+15
0
-15
+15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-12
-24
-30
-50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-15
+15
0
-15
+15
0
-15
+15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-12
-24
-30
-50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
PRE
POST
LOCUT
MID
SHIFT
0
10
5
0
50
HI
GAIN
0
-15
+15
0
-15
+15
0
-15
+15
MID
LOW
0
10
5
0
10
5
0
10
5
PFL
MUTE
PEAK
C
L
R
PAN
SIG
+
0
-12
-24
-30
-50
12
+ 6
1-2
3-4
L-R
3-5
4-6
5-6
AUX
1
2
MULTI-TRACK RECORDER
Multitrack Out
TWO-TRACK
TAPE RECORDER
AUX EFFECTS PROCESSOR
IN
L &R
OUT
MULTI-TRACK RECORDING
Follow this set up for mixing down to a two track recorder.
Connect the Multi-track recorders’ outputs to the line
inputs of the channels. Use the headphones or connect a
professional power amplifier (Carvin’s DCM power amps)
and high quality studio monitors to your main LEFT &
RIGHT outputs to monitor your mixdown sessions. Mixing
is a practiced skill. A trained ear will know when to add EQ,
effects, compression, gate, and when not to. Listen to your
favorite CD through the same headphones or monitoring
system you plan to mix through. Note each instrument’s
level and position in the stereo mix. Use this as a guide to
help mix your project. Mixing down to a digital format such
as DAT or to an analog reel to reel will yield different
results. Digital recorders are meant to accurately represent
the original sound source, therefore you should get exactly
what you heard while mixing.
MULTI-TRACK MIXDOWN
L
R
1
LEFT
3
TAPE OUT
RIGHT
1
AUX SENDS
1L
2
3
2L
5
3L
4L
4
2
4
6
RETURN
GROUPS
RETURN
RETURN
MULTI-TRACK RECORDER
Multitrack IN
1
3
2
4
1
3
2
4
