Master Section. Each channel can be assigned to the 1-
2, 3-4, and L-R Faders in stereo pairs. This feature allows
the operator to group certain channels (such as the chan-
nels used to mic an entire drum kit) and assign them to
one pair of the master faders in the 1-2, 3-4 sub group.
This sub-mixing feature decreases the number of channel
faders that need to be adjusted.
16. AUDIO TAPER FADERS
Slide all faders down when connecting your inputs.
Increase each channels fader to achieve the overall mix.
Calibrated 60mm faders with audio taper are featured for
smooth fade-outs.
MASTER SECTION
17. GROUPS 1 - 4
Once a channel has been assigned to one of the 4 groups
(see 15), 60mm faders control the level of each group.
The 4 output connections (see 38) are the output of these
4 faders. By assigning the 4 faders to the L & R faders
and/or the Center fader the operator can use the 4 groups
as sub-mixes. Each fader has assignment switches and a
sub-mix pan control for L-R assignments.
18. MASTER LEFT & RIGHT FADERS
These faders send the main stereo mix from all channels and
GROUPS assigned to the L-R Faders. This mix is then rout-
ed to the main balanced and unbalanced output connectors
(see 37). The left and right signals will be identical if all pan
controls are set to their center positions.
19. CENTER FADER
The Center fader gets its signal only from the center
assignment switches on the 4 groups and L-R. The Center
channel is great for a third main mix, a subwoofer out or
in the case of a main mono mix, group 1-4 and L-R creates
a 6 buss console.
20. CONTROL ROOM SELECTION SWITCHES
Use these switches to select what is heard through the
headphones and control room jacks. Select LEFT-RIGHT,
CENTER, GROUP 1-2 or GROUP 3-4
21. PFL RED LED
Indicates that the headphone, control room, and meters
are monitoring the channels where the
PFL
is switched on.
22. L-R SUB TO CENTER SWITCHES
Assignes the
LEFT-RIGHT
mix to the
CENTER
Fader.
23. PHONES CONTROL
The
PHONES
control sets the desired level of the
PHONES
jack for monitoring through headphones.
24. CONTROL ROOM
The
CONTROL ROOM
knob adjusts the level of
CONTROL
ROOM
output jack for monitoring.
25. L-R LED VU METERS
This group of LEDs are ten segment 6 dB resolution meters
that give the operator the mixer output from 30mv to 15.8vac.
26. AUX SENDS
These are the Master Sends for AUX 1-6. Each has its own
PFL switch to assist in adjusting the send level.
27. CONTROL ROOM LISTEN
These 5 switches function just like the Control Room
Selection Switches (see 20) providing a stereo listen for
the 4 returns and Tape In.
28. POWER LED
Verifies the mixer is on.
29. PHONES JACK
1/4” stereo jack for headphone or control room output.
30. TAPE IN TO L-R SWITCH
This switch assigns the source coming from the RCA
TA P E
I N
connections to the L-R mix.
31. TAPE IN CONTROL
This adjusts the level of the source coming from
TAPE IN
.
32. CONTROL ROOM JACK
This 1/4” stereo connection is for headphones or connecting
a control room power amp & studio reference monitors.
33. TAPE OUT SOURCE
This switch changes the tape out source from
L-R
to
AUX
3-4
. This is a great feature for 2 track live recording where
a different mix is needed
from the L-R house mix
34. STEREO RETURNS
Each return contains a mas-
ter level for the
L-R
mix and a
master level for the
A U X
(monitor mix) with
RETURN 1
& 2
going to
AUX 1
, and
3 &
4
going to
AUX 2
.
35. TAPE IN-OUT
Stereo RCA jacks for con-
necting a tape recorder or CD
player.
36. CENTER
XLR balanced output from
the
CENTER
fader.
37. LEFT / RIGHT XLR &
1/4” CONNECTORS
This set of balanced and
unbalanced connectors are
for connecting the main mix
to external power amp(s).
38. 1/4” GROUP OUT-
PUT CONNECTORS
1 through 4 offer output of
each individual
G R O U P
f a d e r
for use in multitrack recording
or connecting additional power
amps for stage monitors or
main house speakers.
39. AUX SENDS
Six 1/4” output connectors
drive external effects. Or, use
these sends to drive additional
power amps for stage moni-
tors. The
C 2 4 4 0
provides bal-
anced 1/4” outputs for long
cable runs on
AUX SENDS
1 & 2
.
40. AUX RETURNS
Four 1/4” stereo pairs (8
inputs) to return external
effects in stereo.
42. MIC PHANTOM
POWER SWITCH / RED
L E D
This switch provides phantom
power for condenser mics in
groups of 8 channels. This
allows other channel groups
to remain non-powered to use the LINE inputs for instru-
ments and MIC inputs for mics that don’t require phantom
p o w e r. The groups reduces noise and wasted power.
17
21
22
27
28
29
30
31
32
33
34
35
36
37
37
38
39
41
40
19
20
18
23
24
25
26
