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IONS
EF 15mm f/2.8 Fisheye
A full-frame fisheye lens that’s
ideal for special effects with any
EOS camera, film or digital.
It focuses as close as 8 inches
(0.2m), and is tack-sharp
throughout its focus range. Up to
three gel filters can be inserted
into its built-in rear filter holder.
EF 14mm f/2.8L USM
This is a true rectilinear
ultra-wide-angle lens that’s
absolutely corrected for linear
distortion – straight lines remain
straight. It’s outstanding for
shooting in confined areas and
interiors, and is often used by
professionals because of the
unique “look” its extreme
wide-angle perspective provides.
The optics are superb, highlighted
by a ground and polished
Aspherical element. It has a gel
filter holder in the rear that allows
up to three gel filters to be used
for colour correction.
EF 20mm f/2.8 USM
The optical performance, fast f/2.8
speed and ultra-wide-angle
coverage make this a great choice
for many applications, like
interiors, scenics, travel and
photojournalism. It uses a
“floating” optical system for
excellent sharpness even at its
minimum focusing distance of
under 10 inches (0.25m), and with
a ring-type USM and full-time
manual focusing capability,
offers the speed and handling
pros expect.
EF 24mm f/1.4L USM
That f/1.4 is not a typo; this is the
fastest ultra-wide-angle lens in the
world. The first EF lens to combine
Aspherical and UD Ultra-low
Dispersion glass L-series optical
technologies, the 24mm f/1.4L
provides outstanding sharpness
and contrast even wide open.
It focuses down to 10 inches
(0.25m), and the AF is what you’d
expect from a professional Canon
lens with USM – fast and silent,
with smooth full-time manual
focus available at any time.
8
Fluorite lens
Super UD lens
Aspherical lens
UD lens
EF 100-300mm f/4.5-5.6 USM
This affordable and lightweight
zoom differs from the 75-300mm
models with its higher-performance
ring-type Ultrasonic focusing motor
and superior AF speed. It also uses
rear group focusing, so the front
elements never rotate during
focusing, and adds full-time
manual focusing capability.
It’s excellent not just for outdoor
sports, but any subjects requiring
the versatility of a telephoto zoom.
EF 100-400mm f/4.5-5.6L IS USM
A truly professional L-series
telephoto zoom lens with Image
Stabilizer, making hand-holding
practical even at its 400mm focal
length. Both a Fluorite and a Super
UD-glass element ensure
outstanding contrast and
sharpness, and it accepts the
EF Extenders 1.4x II and 2x II.
A ring-type USM makes AF fast
and silent down to 5.9 feet (1.8m),
and, of course, it offers full-time
manual focus override.
This durable L-series lens is
regarded by many pros as one of
the world’s finest telephoto zooms
for hand-held outdoor use.
7
TELEPHOTO ZOOM LENSES
EF 100-400mm f/4.5-5.6L IS USM
•f/14 •1/80 sec.
ULTRA-WIDE & WIDE LENSES
Wide and fast
If you need an ultra-wide angle and a large aperture, one of the following lenses will fit the bill. Ultra-wide-angle lenses
can capture scenes beyond your natural field of vision. The EF 15mm f/2.8 Fisheye, the widest of them all, has a 180˚
angle of view. For more normal-looking wide-angle shots, there are longer wide-angle lenses up to 35mm with the
maximum aperture you need.
EF 15mm f/2.8 Fisheye
•f/16 •1/640 sec.
EF 24mm f/1.4L USM
•f/8 •5 sec.
EF 90-300mm f/4.5-5.6 USM
EF 90-300mm f/4.5-5.6
The most affordable of Canon’s
long telephoto zooms, this lens is
excellent for subjects from
portraits to wildlife and nature.
With the addition of a Micro USM
(USM version only) for faster and
even quieter autofocus, the lens is
well-suited for sports and other
applications requiring fast AF.
Its compact size and close
focusing range make it an ideal
lens for many advanced amateurs,
as it represents a versatile entry
into telephoto photography.
EF 75-300mm f/4-5.6 IS USM
A significant lens in the history of
Canon optics, this was the first SLR
lens in the world to offer Image
Stabilizer, providing up to two
stops of improvement in hand-held
capability at slow shutter speeds.
Its 15-element optical formula is
unique, but it offers capabilities
similar to Canon’s 75-300 versions
without IS. Image Stabilizer gives
this lens amazing real-world
sharpness in many situations,
and is especially advantageous
when combined with lightweight
camera bodies.
Содержание EF 35-80mm f/4-5.6 III
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