Image 1: (Default Jumper Settings)
Short Delay Filter, no added latency, clas-
sic “Burl Sound”.
Image 3: (Jumper on B) Short Delay
Filter, AVID delay matching, classic “Burl
Sound”.
Image 2: (Jumper on A) Long Delay
Filter, longer delay, more forward
mid-range.
Image 4: (Jumper on A
&
B) Long Delay
Filter, more forward mid-range, AVID
delay matching. *(see chart below)
*NOTE: AVID delay matching applies to all sample rates for the Short Delay Filter, but only to 44.1k
and 48k for the Long Delay Filter. To match the delay of AVID at 88.2k, 96k, 176.4k, and 192k
with the Long Delay Filter, use the Hardware Insert Delay in Pro Tools.
This chart shows different DAC filter delay, sound and AVID delay compensation ac-
cording to jumpers on A and B.
Jumper B - AVID Delay Matching:
In default mode, there is no added delay.
Setting a jumper on B (Image 3) will increase delay to match the output delay of an
Avid HDIO.
Jumper A - DAC Filter Setting:
In default mode with no jumpers set (Image
1), the B22 Orca uses the Short Delay Filter with the classic “Burl Sound”. A jumper
on A (Image 2) will switch to the Long Delay Filter, with longer latency and a more
forward mid-range.
1. JUMPER SETTINGS for “JP2”
Image 5:
B22 ORCA side view
2