background image

20

FEEDBACK DESTROYER PRO DSP1124P

10.2 MIDI connections

The MIDI connectors found on the rear panel are on internationally standardized 5-pin DIN jacks. You need

dedicated MIDI cables to connect the FEEDBACK DESTROYER PRO to other MIDI equipment. Normally,

complete  cables  will  be  purchased  for  this  use,  but  you  can  also  make  your  own,  using  a  high-quality

two-conductor shielded cables (e.g. microphone cable) and two rugged 180° DIN plugs: pin 2 (center) = shield,

pins 4 and 5 (right and left of pin 2) = internal conductors, pins 1 and 3 (the two outer pins) are not used. MIDI

cables should have a maximum length not exceeding 15 meters.

MIDI IN:

 Receives MIDI control data. The receive channel is determined in the SETUP menu.

MIDI THRU:

 Provides an unchanged copy of the signal received at the MIDI IN, for example, to daisy-chain

several FEEDBACK DESTROYER PROs.

MIDI  OUT

:  Transmits  MIDI  data  to  a  connected  computer  or  other  FEEDBACK DESTROYER PROs.

Transmitted are program data as well as status information for signal processing.

11. APPENDIX

11.1 Frequency chart

Display

 -9/60

 -8/60

 -6/60

 -4/60

 -2/60

ISO

 +2/60

 +4/60

  +6/60

 +8/60

 +10/60

Display

20 Hz

20

20,5

21

21,5

22

22,5

20 Hz

25 Hz

22,8

23

23,5

24

24,5

25

25,7

26,3

27

27,6

28,3

25 Hz

32 Hz

28,6

28,9

29,6

30,2

30,9

31,5

32,4

33,2

34,1

34,9

35,8

32 Hz

40 Hz

36,2

36,6

37,5

38,3

39,2

40

41

42

43

44

45

40 Hz

50 Hz

45,5

46

47

48

49

50

51

53

54

55

57

50 Hz

63 Hz

57

58

59

60

62

63

65

66

68

70

71,5

63 Hz

80 Hz

72,4

73

75

77

78

80

82

84

86

88

90

80 Hz

100 Hz

91

92

94

96

98

100

103

105

108

110

113

100 Hz

125 Hz

114

115

118

120

123

125

129

132

136

139

143

125 Hz

160 Hz

144

146

150

153

157

160

164

168

172

176

180

160 Hz

,20 kHz

182

184

188

192

196

200

205

210

215

220

225

,20 kHz

,25 kHz

228

230

235

240

245

250

257

263

270

276

283

,25 kHz

,32 kHz

286

289

296

302

309

315

324

332

341

349

358

,32 kHz

,40 kHz

362

366

375

383

392

400

410

420

430

440

450

,40 kHz

,50 kHz

455

460

470

480

490

500

513

526

539

552

565

,50 kHz

,63 kHz

572

578

591

604

617

630

647

664

681

698

715

,63 kHz

,80 kHz

724

732

749

766

783

800

820

840

860

880

900

,80 kHz

1,00 kHz

910

920

940

960

980

1000

1025

1050

1075

1100

1125

1,00 kHz

1,25 kHz

1138

1150

1175

1200

1225

1250

1285

1320

1355

1390

1425

1,25 kHz

1,60 kHz

1443

1460

1495

1530

1565

1600

1640

1680

1720

1760

1800

1,60 kHz

2,0 kHz

1820

1840

1880

1920

1960

2000

2050

2100

2150

2200

2250

2,0 kHz

2,5 kHz

2275

2300

2350

2400

2450

2500

2565

2630

2695

2760

2825

2,5 kHz

3,2 kHz

2858

2890

2955

3020

3085

3150

3235

3320

3405

3490

3575

3,2 kHz

4,0 kHz

3618

3660

3745

3830

3915

4000

4100

4200

4300

4400

4500

4,0 kHz

5,0 kHz

4550

4600

4700

4800

4900

5000

5130

5260

5390

5520

5650

5,0 kHz

6,3 kHz

5715

5780

5910

6040

6170

6300

6470

6640

6810

6980

7150

6,3 kHz

8,0 kHz

7235

7320

7490

7660

7830

8000

8200

8400

8600

8800

9000

8,0 kHz

10,0 kHz

9100

9200

9400

9600

9800

10000

10250

10500

10750

11000

11250

10,0 kHz

12,5 kHz

11375

11500

11750

12000

12250

12500

12850

13200

13550

13900

14250

12,5 kHz

16,0 kHz

14425

14600

14950

15300

15650

16000

16400

16800

17200

17600

18000

16,0 kHz

20 kHz

18200

18400

18800

19200

19600

20000

20 kHz

Tab. 11.1: Frequency chart

In order to maintain a better survey only every second value is registered in the table. The adjustable values do

not exactly fit into a 1/60 octave interval, because also the ISO frequencies do not perfectly fit into a physical

1/3 octave interval. Rather a linear approximation is used to specify the values.
Background

f

1

,f

2

, ...

ISO frequencies

1 third = 20/60 octave (idealized ISO interval)

11.APPENDIX

Downloaded from www.g7syw.com

www.g7syw.com

Содержание FEEDBACK DESTROYER PRO DSP1124P

Страница 1: ...User s Manual Version 1 0 February 2001 www behringer com FEEDBACK DESTROYER PRO DSP1124P ENGLISH Downloaded from www g7syw com www g7syw com...

Страница 2: ...hrough the ventilation openings Heat The appliance should be situated away from heat sources such as radiators heat registers stoves or other appliance including amplifiers that produce heat Power Sou...

Страница 3: ...ber of the BEHRINGER family With your highly competent suggestions for new products you ve greatly contributed to shaping our company and making it successful In return we guarantee you uncompromising...

Страница 4: ...ode allows for setting up to 2 x 12 fully parametric filters including frequency bandwidth and gain s Single Shot Auto and Manual modes are assignable for each filter s Free FEEDBACK DESTROYER design...

Страница 5: ...CTURE PRESETS FILTERS OPERATING MODES 13 5 1 Priming the DSP1124P for P A and monitor applications 13 6 OPERATING MODES OF THE DSP1124P 14 6 1 Off mode OF 14 6 2 Manual filters PA parametric equalizer...

Страница 6: ...itches and further selected components The FEEDBACK DESTROYER PRO employs SMD technology Surface Mounted Device These subminiature components known from aerospace technology allow for an extreme packi...

Страница 7: ...o produce feedback the first section is the so called front of house mix FOH i e the public address mix which is reproduced by one or several amplifiers plus several loudspeakers directed at the audie...

Страница 8: ...d a so called splitter to route the single microphone signals both to the FOH console and to the monitor mixer When using the FOH console for the monitor mix the stage microphones are connected direct...

Страница 9: ...pre compressor in this way the signal is taken at the insert jack passes the DSP1124P then the compressor and is finally routed back to the insert jack Ideally your mixer has sub groups with dedicate...

Страница 10: ...nitor paths is being used this procedure must be done separately for each path Repeat for each susceptible mic channel s Using the DSP1124P on channel sub group inserts Deliberately induce feedback by...

Страница 11: ...mode SI and Auto mode AU Please read chapter 6 OPERATING MODES OF THE DSP1124P Pressing the FILTER MODE and GAIN keys simultaneously allows you to adjust the sensitivity of the feedback suppression t...

Страница 12: ...elements 17 Use the OPERATING LEVEL switch to change from home recording level 10 dBV to studio level 4 dBu and vice versa The level meters are adapted automatically to the selected nominal level so...

Страница 13: ...0 be unlocked so as to be able to detect new feedback frequencies Basically all active filters both in AU or SI mode are represented by flashing LEDs in the STATUS INDICATOR When feedback has been det...

Страница 14: ...plications Example During a pure speech transmission the feedback sensitivity can be lowered to 9 dB In this way the algorithm would recognize and suppress feedback even faster On the other hand a hig...

Страница 15: ...each preset as you scroll through the preset list with the JOG WHEEL Thus the DSP1124P makes sure that no unwanted programs are loaded unintentionally Additionally you can rotate the JOG WHEEL at hig...

Страница 16: ...cal proportion between the displayed value and the absolute frequency as well as a guide to find the desired frequency quickly are listed in the appendix chapter 11 1 frequency chart The bandwidth of...

Страница 17: ...small c channel The JOG WHEEL adjusts a channel from 1 through 16 To switch off the MIDI function simply select 0 displayed as On the second page you can select MIDI Omni mode i e the unit transmits r...

Страница 18: ...ou press the IN OUT key again on the sixth page the FEEDBACK DESTROYER PRO quits MIDI mode You can also use any other key to leave the MIDI setup menu The full featured MIDI implementation of the FEED...

Страница 19: ...ease ensure that only qualified persons install and operate the FEEDBACK DESTROYER PRO During installation and operation the user must have sufficient electrical contact to earth Electrostatic charges...

Страница 20: ...192 196 200 205 210 215 220 225 20 kHz 25 kHz 228 230 235 240 245 250 257 263 270 276 283 25 kHz 32 kHz 286 289 296 302 309 315 324 332 341 349 358 32 kHz 40 kHz 362 366 375 383 392 400 410 420 430 44...

Страница 21: ...I SI SI SI SI SI PA def PA def PA def PA def 8 Couple PA PA PA d PA d SI SI SI SI SI SI SI SI 40 Hz 80 Hz 1 Oct 1 Oct 8 dB 4 dB 9 L R SI SI SI SI SI SI SI AU AU PA PA PA SI SI SI SI SI SI SI AU AU PA...

Страница 22: ...Time Clock Commands X X X X Aux Messages Local ON OFF All notes OFF Active Sense Reset X X X X X X X X Notes O YES X NO Mode 1 OMNI ON POLY Mode 2 OMNI ON MONO Mode 3 OMNI OFF POLY Mode 4 OMNI OFF MO...

Страница 23: ...et IN OUT THRU DIGITAL PROCESSING Converters 24 bit Sigma Delta 64 128 times Oversampling Sampling Rate 46 875 kHz DISPLAY Type 2 digit numeric LED Display POWER SUPPLY Mains Voltages USA Canada 120 V...

Страница 24: ...eipt of the product at BEHRINGER 2 If the product needs to be modified or adapted in order to comply with applicable technical or safety standards on a na tional or local level in any country which is...

Отзывы: