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The River, User Manual
PAGE 14 PAGE 14
Select the layer 1: S KEY G # 4 "Layer 2". Select the sequencer: S KEY A # 3 "Sequencer". Enable not recording not: S Select the layer 1: S KEY G # 4 "Layer 2". Select the sequencer: S KEY A # 3 "Sequencer". Enable not recording not: S Select the layer 1: S KEY G # 4 "Layer 2". Select the sequencer: S KEY A # 3 "Sequencer". Enable not recording not: S Select the layer 1: S KEY G # 4 "Layer 2". Select the sequencer: S KEY A # 3 "Sequencer". Enable not recording not: S Select the layer 1: S KEY G # 4 "Layer 2". Select the sequencer: S KEY A # 3 "Sequencer". Enable not recording not: S Select the layer 1: S KEY G # 4 "Layer 2". Select the sequencer: S KEY A # 3 "Sequencer". Enable not recording not: S
KEY B3 "Record". Enter not the sequence. To finish recording, you can either start the sequence: S KEY C3 "Play | KEY B3 "Record". Enter not the sequence. To finish recording, you can either start the sequence: S KEY C3 "Play | KEY B3 "Record". Enter not the sequence. To finish recording, you can either start the sequence: S KEY C3 "Play | KEY B3 "Record". Enter not the sequence. To finish recording, you can either start the sequence: S KEY C3 "Play |
Stop" is remake S KEY A # 3 "Sequencer" (for more information on sequences, see "sequences"). Stop" is remake S KEY A # 3 "Sequencer" (for more information on sequences, see "sequences"). Stop" is remake S KEY A # 3 "Sequencer" (for more information on sequences, see "sequences").
So you get simultaneously an arpeggio and a sequence on an 8 voice channel.
4. Detune and unison 4. Detune and unison
Load the template 6. You watch the screen Riverkey two layers, each assigned to a channel. Channel 1 receives three voice in
unison fashion with a labeled detune. It is monophonic, but the sound is pretty big. The second channel is a classic polyphonic
him on 5 votes. Check that the channel 1 is selected and press the button
UNISON. You go in polyphonic mode on that channel, him on 5 votes. Check that the channel 1 is selected and press the button UNISON. You go in polyphonic mode on that channel, him on 5 votes. Check that the channel 1 is selected and press the button UNISON. You go in polyphonic mode on that channel,
but if you play, you will notice that it is not quite right: the detune Unison is still active. Move the detune to zero, should be more
acceptable.
5. Propagation All orders and Redirection 5. Propagation All orders and Redirection
Load the template 7. You watch the screen Riverkey a layer to output channel 1, the VOX, to which four voices are assigned.
Channel 2, its FM, also receives four votes. The MODE button is red, you are in fashion
All, it is recalled in the second small square Channel 2, its FM, also receives four votes. The MODE button is red, you are in fashion All, it is recalled in the second small square Channel 2, its FM, also receives four votes. The MODE button is red, you are in fashion All, it is recalled in the second small square
on the right of the screen. The mode All that all orders received from the keyboard are sent to all channels simultaneously. So when on the right of the screen. The mode All that all orders received from the keyboard are sent to all channels simultaneously. So when on the right of the screen. The mode All that all orders received from the keyboard are sent to all channels simultaneously. So when
you play a note, you hear VOX and FM simultaneously. While Channel 2 has no dedicated layer in fashion All it receives commands. you play a note, you hear VOX and FM simultaneously. While Channel 2 has no dedicated layer in fashion All it receives commands. you play a note, you hear VOX and FM simultaneously. While Channel 2 has no dedicated layer in fashion All it receives commands.
Make S SYSTEM and select with the left encoder parameter Propagate Cross All / RDIR, select Make S SYSTEM and select with the left encoder parameter Propagate Cross All / RDIR, select Make S SYSTEM and select with the left encoder parameter Propagate Cross All / RDIR, select Make S SYSTEM and select with the left encoder parameter Propagate Cross All / RDIR, select Make S SYSTEM and select with the left encoder parameter Propagate Cross All / RDIR, select
Yes with the right encoder then play with the CUTOFF potentiometer or EMPHASIS. You observe that both VOX and FM sounds are Yes with the right encoder then play with the CUTOFF potentiometer or EMPHASIS. You observe that both VOX and FM sounds are
changed simultaneously.
Select now No. with the right encoder then play with the knobs. Alternatively, you can select the channels 1 and 2, you see that Select now No. with the right encoder then play with the knobs. Alternatively, you can select the channels 1 and 2, you see that Select now No. with the right encoder then play with the knobs. Alternatively, you can select the channels 1 and 2, you see that
only the sound of the selected channel is changed. Orders are not propagated to all channels.
Rather than using the mode All to play all channels simultaneously, you can redirect the channel 2 Rather than using the mode All to play all channels simultaneously, you can redirect the channel 2 Rather than using the mode All to play all channels simultaneously, you can redirect the channel 2
1. Thus, even in fashion Midday or Select, the messages to the channel 1 will also be received by channel 2. Make S TRANS and 1. Thus, even in fashion Midday or Select, the messages to the channel 1 will also be received by channel 2. Make S TRANS and 1. Thus, even in fashion Midday or Select, the messages to the channel 1 will also be received by channel 2. Make S TRANS and 1. Thus, even in fashion Midday or Select, the messages to the channel 1 will also be received by channel 2. Make S TRANS and 1. Thus, even in fashion Midday or Select, the messages to the channel 1 will also be received by channel 2. Make S TRANS and 1. Thus, even in fashion Midday or Select, the messages to the channel 1 will also be received by channel 2. Make S TRANS and 1. Thus, even in fashion Midday or Select, the messages to the channel 1 will also be received by channel 2. Make S TRANS and
again without releasing TRANS S . The orange frame displays RDIR, the eight encoders will help address redirection channels. Use again without releasing TRANS S . The orange frame displays RDIR, the eight encoders will help address redirection channels. Use again without releasing TRANS S . The orange frame displays RDIR, the eight encoders will help address redirection channels. Use again without releasing TRANS S . The orange frame displays RDIR, the eight encoders will help address redirection channels. Use again without releasing TRANS S . The orange frame displays RDIR, the eight encoders will help address redirection channels. Use again without releasing TRANS S . The orange frame displays RDIR, the eight encoders will help address redirection channels. Use
the encoder 2 to redirect the channel 2 to channel 1
Channel 2 to .... 1 and play a few notes on the keyboard. You find that, regardless of the mode, channel 2 plays the same as Channel 2 to .... 1 and play a few notes on the keyboard. You find that, regardless of the mode, channel 2 plays the same as
channel 1. As All, if the option Cross System Propagate All / RDIR is channel 1. As All, if the option Cross System Propagate All / RDIR is channel 1. As All, if the option Cross System Propagate All / RDIR is channel 1. As All, if the option Cross System Propagate All / RDIR is channel 1. As All, if the option Cross System Propagate All / RDIR is
YES, so if channel 1 is selected on the panel, stock it will be propagated to channel 2: CUTOFF such act on the two sounds. YES, so if channel 1 is selected on the panel, stock it will be propagated to channel 2: CUTOFF such act on the two sounds.
Small difference with setting All, if channel 2 is selected, the actions on the panel will not be propagated to 1 for channel 2 Small difference with setting All, if channel 2 is selected, the actions on the panel will not be propagated to 1 for channel 2 Small difference with setting All, if channel 2 is selected, the actions on the panel will not be propagated to 1 for channel 2
receives commands from channel 1 but not the reverse ... You follow? •• receives commands from channel 1 but not the reverse ... You follow? ••
6. MEP 6. MEP
Compatible devices MEP Not many, but the contribution of this standard seems so important to me that The River had to Compatible devices MEP Not many, but the contribution of this standard seems so important to me that The River had to Compatible devices MEP Not many, but the contribution of this standard seems so important to me that The River had to
participate. Load the template 8. You observe a single layer which seems standard. But in the Global menu The Riverkey, the
option
MEP is activated. For this mode of operation option MEP is activated. For this mode of operation option MEP is activated. For this mode of operation