5
8). CHANNEL GAIN
CONTROL:
The Channel Gain Controls determine the output signal level to the
Master Mix bus. There is no PFL function on the mixer. In order to
audition any single channel for proper gain, you can turn off the gain
control of all the other channels (fully counterclockwise), and set both the
auditioned channel and
Master Mix control (29)
to unity gain (0 dB).
The
LED Output Meter (21)
should read around 0 dB.
STEREO INPUT CHANNEL
4). EQUALIZER CONTROLS
:
The stereo channel EQ’s operate in the same manner as those in the
mono channels. The left and right signals will be affected equally. A
stereo equalizer is generally preferable anyhow to using two mono
equalizers when equalizing a stereo signal as it avoids possible
discrepancies between the left and right settings.
5). AUX/EFF SEND CONTROL:
These are the same as for the mono channels. Note that a mono sum is
taken from the stereo input.
8). CHANNEL GAIN
CONTROL:
The channel gain controls determine the output signal level to the Master
Mix bus. There is no PFL function on the mixer. In order to audition any
single channel for proper gain, you can turn off the gain control of all the
other channels (fully counterclockwise), and set both the auditioned
channel and
Master Mix control (29)
to unity gain (0 dB). The
LED
Output Meter (21)
should read around 0 dB.
9).
LINE IN:
Each stereo channel has two balanced line level inputs on 1/4” TRS jacks
for left and right channels, Tip = positive (+), Ring = negative (-), Sleeve =
ground. If only the connector marked “L” (left) is used, the channel
operates in mono. The stereo channels are designed to handle typical
line level signals. The input signals to these jacks can be either balanced
or unbalanced.
10). BAL CONTROL
:
For a mono input to the L (MONO) input the function of the control is the
same as the
PAN controls (6)
of the mono channels. However, when a
channel is run in stereo, this control functions as a Balance control,
determining the relative Balance of the left and right channel signals
being sent to the left and right Master Mix buses. For example, with the
Balance control turned fully clockwise, only the right portion of the
channel’s stereo signal will be routed to the Master Mix.
