AUSTRALIAN MONITOR SM12, Руководство по эксплуатации

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M I C / L I N E I N P U T S E C T I O N
M I C
Balanced XLR input
L I N E
6.35mm TRS input
L OW C U T F I LT E R S W I T C H
This switch will roll off frequencies below
75Hz at an 18dB per octave slope. This
can be used to eliminate rumble caused
by sensitive lectern mics etc.
G A I N
This is the initial gain control for each
input and should be set to optimise each
inputs level while still leaving headroom
so the input signal does not reach clipping
level. This gain stage has a range from
+10dB to +60dB.
E Q S E C T I O N
H I G H
This is a shelf EQ filter that adjusts treble
frequency levels and will give up to 15dB
of boost or cut at 12kHz. The centre
position will give a flat response.
M I D
This mid range EQ control adjusts mid
range frequencies and has a fixed 2
octave bandwidth at 2.5kHz. This control
will give up to 15dB of boost or cut. The
centre position will give a flat response.
L OW
This low frequency shelf EQ control
adjusts bass frequencies and will give
up to 15dB of boost or cut at 80Hz. The
centre position will give a flat response.
AU X I L I A RY S E C T I O N
P R E
Aux 1 is a mono split of the channel input
signal and is post EQ but pre the
channel fader.
P O S T
Aux 2 is a mono split of the channel input
signal and is post EQ and post
channel fader.
PA N
The channel pan control is used to posi-
tion the channel signal in the stereo field.
P F L
The Pre Fader Listen (PFL) switch is used
to monitor the input signal before the
channel fader. This can be switched to
either the headphone/local monitor output
or the master left/right outputs
(see master section)
P E A K L E D
This red LED illuminates when the
channel is going into overload (clip)
L E V E L
This channel output fader adjusts the
level of the channels signal before it
is sent to the master output buss.
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SM12_16 1/10/05 8:32 AM Page 4