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Never clean the surface of the device with solvents, paint thinners, cleansers or other chemical pro-
ducts. Instead, use a soft, dry cloth or soft brush.
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This appliance is to be used with 12V car power supply.
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Save these instructions.
Small objects:
Keep small objects (i.e. screws, mounting material, memory cards etc.) and packaging out of
the range of children. Do not let Children play with foil. Choking hazard!
Transporting the device:
Please keep the original packaging. To gain sufficient protection of the device
while shipment or transportation, make sure to put it back in its original packaging.
Cleaning the surface:
Do not use any volatile liquids, detergents or the like. Use a clean dry cloth.
Mounting and Operation
To get the sound you want, try changing the mic position relative to the sound source oreven move the
microphone around in the recording room of your studio. Adjusting the angle at which walls face the sound
source can also be helpful.
There is an adapter on your microphone that lets you mount it on mic stands with either metric (Europe) or
imperial-gauge threads (North America).
Basically, the microphone in the stand mount adapter should stand upright and face the sound source at
a right angle. Of course, you can detach the microphone from the stand mount adapter and attach it to a
commercially available suspension mount.
The angle of the microphone to the sound source influences the sound of the recording; therefore, experi
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ment with different positions until you achieve the desired sound. To this end, you can rotate the mic in the
stand mount adapter by loosening the screw somewhat and tightening it again. If necessary, you can bend
the microphone out of its vertical position by using the hinge on the microphone stand.
It is often advisable to use a pop filter (not included) when recording vocals, not only to ovoid overly accen
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tuated ´S, ´P´ and ´B´sounds, but also to protect the mic from moisture. it is always a good idea to store the
microphone in its protection bag when not in use.
Connect the microphone to a mixer or recording device with a high quality XLR cable before turning on the
phantom power. Make sure all volume ond gain controls on your mixer, mic preamp or recording device
are at their minimum volume settings when switching the phantom power on. Once the MCOO1 is plugged
in and the phantom power is switched on, Move the channel fader gradually to the 0dB position adjust the
input gain using your channel peak led or VU-meter.
NOTE:
Please make sure to handle the microphone shaft with attention and care to avoid damaging the
screw thread. In no situation should you ever apply excessive force.
Low Cut Filter:
To operate the low cut switch, unscrew the bottom of the microphone housing, slide the
microphone body from the chassis.
Look for the blue switch in the middle of the microphone circuit board. Pressing the swith activates the low
cut filter.
