Audient ASP2802, Быстрый старт

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Page -27- © Audient Ltd
Example Systems
Example System 3 cont.
If you wish to work it another way, an all analogue, zero-latency
monitor mix could be formed by feeding the analogue output of
ASP008 (or whatever standalone preamplifiers you are using)
into the DB25 DAW Input connection. Using the alternative cue
input, you could balance these extra 8 inputs using the cue pan
and level controls accessing both the cue output section and
main mix bus for headphone and control room monitoring.
Note that in this arrangement, actual recording of the extra 8
channels (9-16) must either happen via a mult at the output of
the preamplifiers or via a preamplifier with a digitial output fitted
such as an
ASP008 .
Example System 4 - 24 Channel Mixing Platform
The final example illustrates a heavily connected ASP2802
ready for medium to large scale mixdown purposes.
There are 24 outputs from the DAW interfaces which are
used for mixing / line-level summing with a few useful tricks.
The first 8 channels feed the standard DAW Inputs and can
be used to access the main automation channels on ASP2802
when selecting
DAW input mode. These 8 channels can also
access the outboard selection via the switched insert points.
The following 8 outputs (9-16) feed the ASP2802 line inputs
and will feed the alternative cue input.
Here these do not go directly to the main mix bus via the cue
assign control, instead they are fed into a subgroup compressor
via the main cue outputs (channels 9-16), which is then
returned into the
DAW Mix Input to re-join the main mix bus.
Here you could compress your drum mix for example.
The remaining channels (17-24) feed the summing input
which routes directly into the main mix bus.