Note that, contrary to what happened between the High Shelf and the High Midrange Bell,
which had some superposed frequencies, we don't have that between the Low Shelf and
Low Midrange Bell.
Below the Low Shelf knob we have the fader that controls the boost/cut of this band. Like
it happened with the High Shelf, this time the boost or cut will be applied to the range of
frequencies that start at the chosen point, by +/- 15dB approximately.
In the bottom of this section, we have the High Pass Filters. As with the Low Pass Filters,
we have again three switches that activate the filter for three different frequencies. So, from
left to right, we have 25Hz, 50Hz and 100Hz. The slope for these filters is -18dB per octave,
therefore, a little higher than what we have in the highs.
Nonetheless, what we said about the slope of the Low Pass filters also applies to these,
which means that we can increment the global slope by activating two or even all three
filter switches at the same time. By default, all filters are turned Off.
♪
: Try activating one, two or three switches at the same time while listening to a track rich in low
frequencies (for example a bass track) to check the effect of the different slope filtering.
Arturia - User Manual TriA-Pre - TridA-Pre CONTROL PANEL
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Содержание TridA-Pre
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