5.3.3. Comb Filter
A
comb filter gets its name from the fact that it creates a series of equally spaced notches
in frequency response that look like the teeth of a comb when drawn on a graph. It does
so by combining the input signal with a copy of itself that has been delayed by a few
milliseconds. Those two signals are then combined, and cancel each other out at regularly
spaced frequencies. This produces a distinctive hollow tonality.
Cutoff
: sets the overall frequency balance of the signal by varying the time delay. Longer
delays emphasize lower frequencies and shorter delays emphasize higher frequencies.
Note that unlike the other OSC's 2 filters, the Comb filter is hard mapped to follow the
Keyboard tracking.
Gain
: controls the amount of delayed signal mixed with the original signal. When Gain is set
to 0, no comb filtering occurs.
Damping
: adds a low pass filter before sending back the signal to the feedback loop. More
damping produces a gentler and less dramatic effect.
When the amount of time delay is modulated with an LFO, the tone of the comb filter sweeps up
and down. If this sounds like it would produce a really cool-sounding effect, you'd be right. Fortunately
that exact effect is available on the MiniFreak: check out the
to learn about
the Flanger!
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Arturia - User Manual MiniFreak - The Digital Oscillators
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