MPT EDIT MODE
The MPT may be edited from the front panel either alone or with a keyboard or
MIDI controller that sends MIDI program change numbers.
To enter MPT edit mode, momentarily press the MIDI and BYPASS buttons
simultaneously (Pressing MIDI first then BYPASS will have no effect on the
current BYPASS state, pressing BYPASS first toggles the current BYPASS state).
Press MIDI and BYPASS again to stop editing the MPT and return to normal front
panel operation.
When MPT edit mode is entered, the LEFT decimal point will be blinking indicating
that the display is showing a MIDI number. If BYPASS is then pressed, the RIGHT
decimal point will blink and the display will be showing a PRESET. If MIDI is
pressed the left decimal point will blink again indicating the return to the MIDI
number in the display. Use the UP/DOWN buttons to change the numbers in the
display. When a MIDI number message is received, the corresponding PRESET number
in the table will be recalled.
╔════════╗
╔════════╗
║┌─┐
┌─┐
║
MIDI
║┌─┐
┌─┐
║
PRESET
║│
│
│
│
║
NUMBER
║│
│
│
│
║
NUMBER
║└─┘
•
└─┘
║
ZERO
║└─┘
└─┘
•
║
ZERO
╚════════╝
╚════════╝
NOTES:
1) Multiple MIDI numbers may have the same PRESET number assigned to them.
2) When you pass [9.9] a letter and a number appear. [A.0] is equal to 100, [b.0]
is equal to 110, [C.0] is equal to 120. [C.7] is the last "number" and is equal
to 127.
MIX CONTROL
The MIX slider controls the amount of dry and proccessed signal mixed together.
When the control is fully towards the left (0%), only the dry signal is heard at
the output(s). As the slider is moved to the right, processed signal is mixed in.
At the center detent position a fifty/fifty mix is achieved. When the slider is
full right (100%), only processed signal is heard at the output(s).
MISCELLANEOUS
PRESETS
Up to three different effects may be found in each of the SGX LT's presets. The
presets reflect various combinations of effects as well as singular effects.
Presets are arranged in specific application groups to make it a little easier
for you to find the right sound. These include reverb, chorusing, flanging and
delay groups. Presets devoted to natural reverberation, cover a wide range from
extremely short 0.2 second to 23 second decays. Predelay, high frequency damping,
position, reverb density and reverb level are set for the most optimum sound in
each preset.
Within each section of reverb are a variety of related effects, not just bigger
or smaller versions of the same. Some of these effects would normally require
multiple pieces of equipment to create. A variety of algorithms each with its own
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