ARRI K2.47560.0 Скачать руководство пользователя страница 4

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High Speed

The speed of the new Ultra 16 lenses is a super fast T1.3, which allows the crea-
tion of a shallow depth of field, a look that is often sought after in other formats. 
Especially for wide angle lenses in Super 16, a maximum aperture of T1.3 helps 
in creating a cinematic look. In addition, T1.3 facilitates shooting on tight lighting 
budgets or under a lot of time pressure, common in TV drama or independent fea-
ture films. The fast speed is one of the outstanding features of these new lenses, 
unmatched by any other Super 16 cine lens.

Optical Quality

Fast lenses are nothing new, but cinematographers used to pay dearly for high 
speed with reduced optical performance and a greater propensity to flaring. The 
Ultra 16 lenses, like the Master Primes, change all that by combining fast speed 
with outstanding optical performance at all T-stops across the whole focus range. 
This previously unattainable goal was made possible through new manufacturing 
techniques, the use of exotic glass materials and large diameter aspherical and 
radically shaped spherical glass surfaces. The Ultra 16 lenses exhibit high con-
trast, high resolution, almost no chromatic aberration (color fringes) and a great 
resistance to flaring. They are designed as close focus lenses, and so retain their 
outstanding optical qualities even at minimum object distances. 

Incorporating aspherical glass surfaces in a lens design requires ultra-high pre-

cision in manufacturing and a complex holographic measuring process which was 
developed specifically for the Master Primes, now benefiting all new ARRI lens 
designs. The aspherical glass surface located close to the iris inside the 12, 14, 18 
and 25 mm Ultra 16 lenses helps in reducing spherical aberration (the inability to 
focus all light rays from a point source onto a point on film). The aspherical front 
surface of the 6, 8 and 9.5 mm keeps the image free of geometrical distortions; 
straight lines stay straight, from infinity to close focus.

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Содержание K2.47560.0

Страница 1: ...Ultra 16 Lenses A Complete Set of Modern Super 16 High Speed Primes ...

Страница 2: ...eature films commercials and documen taries and with stunning results By shooting Super 16 productions gain many of the advantages of shooting film the film look its unsurpassed exposure latitude natural color reproduction variable camera speeds ramps proven archivability and the fact that film is the only globally ac cepted standard format at affordable production costs The small size and light w...

Страница 3: ...art of cinematography is closely tied to the art of creating the cinematographer s tools The art of successful lens design has been advanced with a new complete set of high speed close focus lenses the Ultra 16 lenses Like the Master Primes the Ultra 16 lenses combine high speed with outstanding optical performance With a widest stop of T1 3 they create shallow depth of field and allow shooting on...

Страница 4: ...attainable goal was made possible through new manufacturing techniques the use of exotic glass materials and large diameter aspherical and radically shaped spherical glass surfaces The Ultra 16 lenses exhibit high con trast high resolution almost no chromatic aberration color fringes and a great resistance to flaring They are designed as close focus lenses and so retain their outstanding optical q...

Страница 5: ...5 ARRI Ultra 16 Lenses A shallow depth of field is an important narrative tool for the cinematographer and a feature sought after by other formats for its cinematic quality ...

Страница 6: ...6 ...

Страница 7: ...us highlights and careful optical design ensures only minimal breathing Radical Spherical Lens Surfaces Old style wide angle lenses are usually larger than their longer companions The 6 8 and 9 5 mm Ultra 16 lenses however have a revolutionary small form factor This is made possible through a large diameter aspherical surface on the front and a radically shaped spherical surface with a very strong...

Страница 8: ...t with Master Primes Ultra Primes Variable Primes and the Lightweight Zoom LWZ 1 so the cinematographer is able to concentrate on creating a look rather than matching lenses in post Lens Ergonomics All Ultra 16 lenses are of the same size and have matching focus and iris barrel positions for fast and comfortable usage on the set All nine also have the same 95 mm front diameter as the Ultra Primes ...

Страница 9: ...ng and yellow scale markings to distinguish them from the Ultra Primes c c J a i g V c c J aigV c c JaigV cc JaigV cc JaigV cc JaigV cc JaigV cc JaigV cc JaigV The illustration shows the horizontal angle of view for the Ultra 16 lenses for the Super 16 format ANGLE OF VIEW ...

Страница 10: ...or a Super 16 camera aperture DIN 15602 and ISO 5768 1998 aspect ratio 1 1 66 dimensions 12 35 mm x 7 5 mm 0 486 x 0 295 T XP is the trademark for the improved Zeiss anti reflex lens coating that reduces veiling glare and other reflections XP stands for extended performance All data subject to change without notice Ident Numbers Ultra 16 T1 3 6 mm with meter focus scale K2 47560 0 Ultra 16 T1 3 8 ...

Страница 11: ...11 ARRI Ultra 16 Lenses THE ART OF ULTRA 16 view ...

Страница 12: ...ga acazzaniga arri it Tel 39 02 262 271 75 Fax 39 02 242 1692 ARRI Italia S r l Sales Service Rome Via Placanica 97 00040 Morena Roma Italy Camera Sales Mauro Sembroni msembroni arri it Tel 39 06 79 89 021 Fax 39 06 79 89 02 206 USA ARRI Inc Sales Service East Coast 617 Route 303 Blauvelt NY 10913 1109 USA Vice President Jürgen Schwinzer jschwinzer arri com Tel 1 845 353 1400 Fax 1 845 425 1250 AR...

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