ARRI K2.47560.0 Скачать руководство пользователя страница 3

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ARRI

  |  Ultra 16 Lenses

Main Features

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Complete Set of Nine Close Focus  

  Super 16 Primes

 ·  6, 8, 9.5, 12, 14, 18, 25, 35 & 50 mm

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High Speed - T1.3

 ·  for complete control over depth of field
 ·   for shooting in low or available light
 ·  for natural looking images
 ·  for fast paced production environments
 ·  for tight lighting budgets

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Highest Optical Performance

 ·  high contrast and resolution
 ·  T* XP coating ensures flare resistance
 ·  image geometry free of distortions  
 

even at wide angles

 ·  minimized chromatic aberration
 ·  minimal breathing

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Smooth & Robust Mechanics

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Matches other ARRI Lenses

 ·  same size & ergonomics as Ultra Primes
 ·  Super Color Matched to Ultra Primes,  
 

Master Primes, Variable Primes & 

 

Lightweight Zoom LWZ-1

The Art of Ultra 16

The art of cinematography is closely tied to the art of creating 
the cinematographer's tools. The art of successful lens design 
has been advanced with a new, complete set of high speed 
close focus lenses: the Ultra 16 lenses. Like the Master Primes, 
the Ultra 16 lenses combine high speed with outstanding 
optical performance. With a widest stop of T1.3 they create 
shallow depth of field and allow shooting on tight lighting 
budgets or under severe time pressure. Equaled by no other 
Super 16 lenses in optical performance, they join the other 
ARRI lenses in elevating the Super 16 image to its highest 
possible quality. 

All nine Ultra 16 lenses (6, 8, 9.5, 12, 14, 18, 25, 35, 50 

mm) cover the full Super 16 format and are fully compatible 
with the optical quality, color balance and ergonomics of the 
other ARRI lenses. The Ultra 16 lenses are the perfect compan-
ions to the new Super 16 cameras, the ARRIFLEX 416,  
416 Plus and 416 Plus HS. 

Содержание K2.47560.0

Страница 1: ...Ultra 16 Lenses A Complete Set of Modern Super 16 High Speed Primes ...

Страница 2: ...eature films commercials and documen taries and with stunning results By shooting Super 16 productions gain many of the advantages of shooting film the film look its unsurpassed exposure latitude natural color reproduction variable camera speeds ramps proven archivability and the fact that film is the only globally ac cepted standard format at affordable production costs The small size and light w...

Страница 3: ...art of cinematography is closely tied to the art of creating the cinematographer s tools The art of successful lens design has been advanced with a new complete set of high speed close focus lenses the Ultra 16 lenses Like the Master Primes the Ultra 16 lenses combine high speed with outstanding optical performance With a widest stop of T1 3 they create shallow depth of field and allow shooting on...

Страница 4: ...attainable goal was made possible through new manufacturing techniques the use of exotic glass materials and large diameter aspherical and radically shaped spherical glass surfaces The Ultra 16 lenses exhibit high con trast high resolution almost no chromatic aberration color fringes and a great resistance to flaring They are designed as close focus lenses and so retain their outstanding optical q...

Страница 5: ...5 ARRI Ultra 16 Lenses A shallow depth of field is an important narrative tool for the cinematographer and a feature sought after by other formats for its cinematic quality ...

Страница 6: ...6 ...

Страница 7: ...us highlights and careful optical design ensures only minimal breathing Radical Spherical Lens Surfaces Old style wide angle lenses are usually larger than their longer companions The 6 8 and 9 5 mm Ultra 16 lenses however have a revolutionary small form factor This is made possible through a large diameter aspherical surface on the front and a radically shaped spherical surface with a very strong...

Страница 8: ...t with Master Primes Ultra Primes Variable Primes and the Lightweight Zoom LWZ 1 so the cinematographer is able to concentrate on creating a look rather than matching lenses in post Lens Ergonomics All Ultra 16 lenses are of the same size and have matching focus and iris barrel positions for fast and comfortable usage on the set All nine also have the same 95 mm front diameter as the Ultra Primes ...

Страница 9: ...ng and yellow scale markings to distinguish them from the Ultra Primes c c J a i g V c c J aigV c c JaigV cc JaigV cc JaigV cc JaigV cc JaigV cc JaigV cc JaigV The illustration shows the horizontal angle of view for the Ultra 16 lenses for the Super 16 format ANGLE OF VIEW ...

Страница 10: ...or a Super 16 camera aperture DIN 15602 and ISO 5768 1998 aspect ratio 1 1 66 dimensions 12 35 mm x 7 5 mm 0 486 x 0 295 T XP is the trademark for the improved Zeiss anti reflex lens coating that reduces veiling glare and other reflections XP stands for extended performance All data subject to change without notice Ident Numbers Ultra 16 T1 3 6 mm with meter focus scale K2 47560 0 Ultra 16 T1 3 8 ...

Страница 11: ...11 ARRI Ultra 16 Lenses THE ART OF ULTRA 16 view ...

Страница 12: ...ga acazzaniga arri it Tel 39 02 262 271 75 Fax 39 02 242 1692 ARRI Italia S r l Sales Service Rome Via Placanica 97 00040 Morena Roma Italy Camera Sales Mauro Sembroni msembroni arri it Tel 39 06 79 89 021 Fax 39 06 79 89 02 206 USA ARRI Inc Sales Service East Coast 617 Route 303 Blauvelt NY 10913 1109 USA Vice President Jürgen Schwinzer jschwinzer arri com Tel 1 845 353 1400 Fax 1 845 425 1250 AR...

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