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207d

instruction Manual

Aphex Systems Ltd. Model 207D

Page 4

207d

2-ch tube mic preamp with adc

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Aphex Systems Ltd. Model 207D

POWER ON

When  the  unit  is  turned  on,  audio  is  not  passed 
through to the output for a few moments while the 
tube warms up. During the warm-up time, the power 
indicator is yellow. When the power indicator turns 
green, the audio will pass through to the output. This 
protects you from heavy turn-on thumps.

MICROPHONES

You  can  use  any  type  of  balanced,  low  impedance 
microphone  from  dynamics  to  ribbons  to  condens-
ers. The 207D supplies a very clean and stable 48V 
phantom voltage source suitable for even the most 
expensive  microphones.  Phantom  voltage  is  sepa-
rately  selectable  on  or  off  for  each  channel  at  the 
front panel. 

OUTPUTS

The two outputs can be used at the same time. They 
are  not  fully  isolated  from  each  other,  however.  To 
unbalance  the  XLR  output,  simply  use  pin  2  (high) 
and pin 1 (ground) leaving pin 3 either grounded or 
floating. You may ground the ring of the phone jack, 
as will happen when you plug in a mono style phone 
plug. The XLR output will still remain balanced. The 
output impedance of the XLR jack is low enough to 
optimally  drive  loads  of  600  ohms  and  higher.  It  is 
designed to interface with fully professional balanced 
gear.  The  phone  jack  output  impedance  is  signifi-
cantly higher but meets the requirements for driving 
typical  semi-pro  (“prosumer”)  balanced  and  unbal-

1.0 Controls and Indicators with Quick Setup

anced equipment. 

INSERT JACK

This allows you to insert any kind of line level equip-
ment into the signal path between the 207D’s front-
end preamps (mic and instrument) and tube output 
stage. The operating level at this jack is in the vicinity 
of IHF level (-10dBV). You should set up your inserted 
outboard  gear  for  -10dBV  I/O  sensitivity.  All  Aphex 
processors can be readily set to operate at this level. 

HEADROOM METER

As  the  level  approaches  0dB,  you  run  out  of  head-
room  and  the  output  will  go  into  clipping  unless 
MicLim  is  turned  on.  There  is  a  span  of  27dB  indi-
cated, so you  can watch your signal level for safety 
and convenience.   When MicLim is on, the peak level 
will  be  held  to  about  3dB  under  clip  for  over-level 
inputs  rising  as  much  as  20dB  beyond  the  normal 
overload point. 

INSTRUMENT INPUT

This  input  is  available  at  the  front  panel  through  a 
quarter  inch  phone  jack.  The  input  impedance  is  1 
megohms to match all coil type pickups and all pow-
ered  pickups.  Fully  passive  piezo  pickups  will  work, 
but may not deliver full tone. High impedance unbal-
anced microphones will usually work extremely well 
with  this  input.  When  a  plug  is  inserted,  the  mic 
input is inoperative.

PAD

Inserts 20dB of loss 
at mic and instru-
ment inputs, allow-
ing for excessively 
high levels.

POLARITY

Inverts the relative 
polarity (phase) of 
the mic and instru-
ment inputs. 

LOW CUT

Switches on the 
70Hz Low Cut filter. 
Affects mic and 
instrument inputs.

PHANTOM

Switches the +48V 
phantom power to 
the microphone jack 
on or off.

POWER INDICATOR

Aphex logo glows yellow when 
power is first turned on. After a 
minute of tube warm-up time, the 
light turns green to indicate the 
output is enabled. 

Содержание 207D

Страница 1: ...ems Ltd 11068 Randall St Sun Valley CA 91352 USA S Y S T E M S two channel tube mic And Instrument preamplier Solution Delivery Series Copyright 2004 Aphex Systems Ltd All rights reserved Produced by...

Страница 2: ...and the manufacturing quality of the Model 207D We love to hear from you our customers about your experiences with any of our products Our customer support is unmatched in the industry so please do no...

Страница 3: ...Power 4 3 2 Using the Polarity Switch 4 3 3 Using the Pad 4 3 4 Using Low Cut 4 3 5 Using MicLim 4 4 Using Word Clock 4 4 1 External WC 4 4 2 Internal WC 4 5 Using Digital Audio S PDIF Output 4 6 Repl...

Страница 4: ...llows you to insert any kind of line level equip ment into the signal path between the 207D s front end preamps mic and instrument and tube output stage The operating level at this jack is in the vici...

Страница 5: ...oise floor of the 207 That will result in a very poor signal to noise ratio Always use the most gain possible in the 207 and adjust your mixer s fader or line input gain to accept it and never feed a...

Страница 6: ...received high acclaim among some of the world s top sound engineers Meanwhile our Model 107 remained a solid prod uct in the marketplace because of its low cost high 2 0 Introduction performance and v...

Страница 7: ...d expensive d c operated sealed bifurcated gold contact relays to switch these functions These relays never oxidize and can remain stationary for many years without contact distortion Next let s look...

Страница 8: ...TCHED 48V PHANTOM POWER POLARITY PAD MiCLiM LDR DISCRETE NPN FRONT END LOW CUT FILTER 1 4 TRS PHONE INSERT JACK MiCLiM CONTROL RPA DISCRETE TUBE AMPLIFIER OUTPUT HEADROOM METER DRIVER OPERATING LEVEL...

Страница 9: ...end stage and the tube output stage This is clearly shown in the 207D s block diagram at left The inter connect is unbalanced by way of a stereo TRS I O jack on the rear panel You will need a conventi...

Страница 10: ...is assumed that the user will likely intermix home hi fi equipment such as cassette decks and CD play ers Most professional recording gear and live sound equipment operates at 4dBu 3 9 OUTPUT TRIM In...

Страница 11: ...t active pickups piezo and otherwise are most suited to a 1 megohm impedance at the amplifier input Since we wanted to design the Model 207D to meet the widest requirements we gave it a 1 megohm input...

Страница 12: ...Using the 207D interfering with the audio signal carried on the same wires The industry standard phantom power source is posi tive 48 volts d c supplied to pins 2 and 3 through precision low noise 6...

Страница 13: ...r possible Even though it is outstanding as a rumble fixer you will notice its presence We suggest as a matter of good practice that you always try isolating the mic from unwanted vibrations instead o...

Страница 14: ...ould first double check this setting The Model 207D does not source out its internal word clock so you won t be able to use it for a master clock 4 4 3 Multiple 207D Clocking If several 207D s are to...

Страница 15: ...preamps require a lot of circuitry that just won t fit inside Let s not forget too that a really great mic preamp requires its own ingenious circuitry and design It is not surpris ing that of all the...

Страница 16: ...ording we believe you will truly appreciate the outstanding performance benefits afforded by the Model 207D their work The low noise and highly detailed open sound of the 207D delivers breathtaking re...

Страница 17: ...7 Aphex Systems Ltd Model 207D Distance X 3X Stage Figure 4 4 SPACED PAIR 3 to 1 TECHNIQUE Stage Figure 4 6 M S TECHNIQUE Cardioid Mid Bi Directional Sides Figure 4 5 X Y TECHNIQUE Stage Cardioid Mics...

Страница 18: ...ting from accident misuse abuse neglect unauthorized product modification or failure to follow instructions contained in the User s Manual 3 Resulting from repair or attempted repair by anyone not aut...

Страница 19: ...us OUTPUT TRIM loss Same Same Same Same infinity to 38dB minus OUTPUT TRIM loss AUDIO Frequency Response EIN Crosstalk THD Tube Type 0 0 5dB 30Hz 30KHz 129dBu Input Shorted 10Hz 22kHz 79dB or better 1...

Страница 20: ...gnal before any amplification to prevent input overload The input stage shall be transformerless and actively balanced The preamplified microphone signal shall be sent through an INSERT jack to the ou...

Страница 21: ...tutorial will teach you about the principles of balanced and unbalanced lines wiring standards and how to effectively interface them Standards Professional audio equipment usually comes equipped with...

Страница 22: ...nds The principle is that the outer shield conductor shields the inner conductor from induced noises This can only work well if the cable is relatively short and the ground at each end of the cable is...

Страница 23: ...u re on the same leg by measuring the ac voltage between the hot slots of the different outlets you ve chosen It should be very low or zero That will remedy 50 percent of the cases 6 0 Appendices Chec...

Страница 24: ...he picture The standard for terminat ing ground is Pin 1 Sleeve But which ground It could be connected to audio signal ground or chassis ground depending on the method of grounding used by the equipme...

Страница 25: ...ECTOR WIRING STANDARDS 3 Pin XLR 1 4 TRS Phone Standard Wiring Convention Balanced Pin 1 Sleeve Ground Shield Earth Screen Pin 2 Tip Positive Signal High Hot Pin 3 Ring Negative Signal Reference Retur...

Страница 26: ...nd of balanced output you are dealing with Simply treat it generically Appendices PART 1 BALANCED OUT to BALANCED IN OK for Microphones Standard store bought cable Shield grounded at both ends Positiv...

Страница 27: ...PLIFIED SCHEMATIC Voltage Balanced Outputs Used on the 207 Mono Phone Plug Female XLR SIMPLIFIED SCHEMATIC Don t Ground or Connect Pin 3 Ground Pin 3 Directly to Pin 1 Alternatively Carry Pin 3 Throug...

Страница 28: ...4 UNBALANCED OUT to BALANCED IN Mono TS Phone Plug Stereo TRS Phone Plug Standard Method Standard Cable Guitar Cord Mono TS Phone Plug Stereo TRS Phone Plug Enhanced Method Pseudo Balanced Advantage R...

Страница 29: ...ice This product is protected under one or more of the following Aphex patents 4 578 648 4 633 501 4 843 626 4 939 471 5 115 471 5 155 769 5 334 947 5 359 665 5 422 602 5 424 488 5 450 034 5 463 695 5...

Страница 30: ...20 7d instruction Manual Aphex Systems Ltd Model 207D Page 30...

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