Aphex 207D Скачать руководство пользователя страница 12

207d

instruction Manual

Aphex Systems Ltd. Model 207D

Page 12

207d

2-ch tube mic preamp with adc

Page 13

Aphex Systems Ltd. Model 207D

phantom  power  is  switched  on  can  sometimes  be 
dangerous. Some microphones can be damaged by 
power  inrush.  Good  practice  calls  for  switching  off 
the phantom power before changing or inserting a 
microphone. Wait long enough to hear the mic go 
silent before unplugging.

You should be aware of the shock hazard with the 

phantom power system.

 Long, open mic cables that 

are disconnected from the preamp while phantom is 
on can hold a d.c. charge for long periods of time, 
sometimes days. They will act as a storage capacitor 
and 

you can get shocked most rudely

 by  holding 

the  XLR  plug  and  touching  the  pins  inside.  Also 
beware  of  microphone  patch  bays  that  may  carry 
phantom voltage. Don’t hold the patch cord by the 
metal parts, only the plastic shell.

4.3.2 USING THE POLARITY SWITCH

There  will  be  times  when  you  need  to  reverse  the 
polarity (phase) of a mic signal. Vocalists monitoring 
themselves on headphones will hear a different sound 
when the phase is reversed, for example. The reversed 
phase  may  sound  fuller  and  more  truthful.  That  is 
because there is a cancellation of frequencies within 
the ear when the external sound from the headphone 
mixes with the sound directly conducted to the ear. 
“Flipping the phase” can make the effect less notice-
able. 

Another time when phase reversing can be helpful is 
in mixing multiple microphones that are within each 
other’s coverage areas. The “crosstalk” between mics 
may  come  through  different  delays  due  to  the  dif-
fering distances from the sound. These sounds may 

Using the 207D

interfering with the audio signal carried on the same 
wires. 

The industry standard phantom power source is posi-
tive 48 volts d.c. supplied to pins 2 and 3 through 

precision low noise 6.81K

Ω 

resistors. You may note 

from spec sheets that many mics rated for phantom 
power actually run at something less than 48 volts.   
For example, the Audio Technica AT3031 small dia-
phragm condenser mic is rated for 11 to 50 volts at 3 
milliamps. On the other hand, the Neumann TLM193 
spec sheet states only that the supply voltage should 
be  48  +/-  4  volts  and  the  current  consumption  is 
not stated. Don’t let these specifications confuse you. 
They all run perfectly well off the standard phantom 
power  source  described  above.  For  the  technically 
interested, here’s why.

The 6.81K

Ω 

resistors mentioned are shown in figure 

4-1 below. Since the power to the microphone is car-
ried equally (a requirement carefully observed by all 
mic manufacturers) on pins 2 and 3, it is like power-
ing the mic through a single series resistance equal to 
the two resistors in parallel, which is a resistance of 
half, or 3.405K

Ω. 

A voltage drop will occur across the 

series  resistance  equal  to  the  microphone’s  current 
consumption times the series resistance. In the case 
of the AT3031, consuming 3mA, the drop is .003 X 
3405 = 10.22 volts.  That means the voltage actu-
ally appearing on pins 2 and 3 is 48 - 10.22 = 37.78 
volts.  That  is  why,  if  you  use  a  voltmeter  to  check 
phantom power while the mic is plugged in, you will  
always see something less than 48 volts. This is not a 
fault with the mic preamp.  

Plugging  and  Unplugging  a  microphone  when 

48 V.D.C.

SUPPLY

6.81K

1%

6.81K

1%

PREAMP

1

2

3

+

Figure 4-1 Phantom Powering

Distance 

to Mic2

Distance 

to Mic1

Σ

Sound

Cancelled

=

Figure 4-2 Phase Cancellation Effect

Содержание 207D

Страница 1: ...ems Ltd 11068 Randall St Sun Valley CA 91352 USA S Y S T E M S two channel tube mic And Instrument preamplier Solution Delivery Series Copyright 2004 Aphex Systems Ltd All rights reserved Produced by...

Страница 2: ...and the manufacturing quality of the Model 207D We love to hear from you our customers about your experiences with any of our products Our customer support is unmatched in the industry so please do no...

Страница 3: ...Power 4 3 2 Using the Polarity Switch 4 3 3 Using the Pad 4 3 4 Using Low Cut 4 3 5 Using MicLim 4 4 Using Word Clock 4 4 1 External WC 4 4 2 Internal WC 4 5 Using Digital Audio S PDIF Output 4 6 Repl...

Страница 4: ...llows you to insert any kind of line level equip ment into the signal path between the 207D s front end preamps mic and instrument and tube output stage The operating level at this jack is in the vici...

Страница 5: ...oise floor of the 207 That will result in a very poor signal to noise ratio Always use the most gain possible in the 207 and adjust your mixer s fader or line input gain to accept it and never feed a...

Страница 6: ...received high acclaim among some of the world s top sound engineers Meanwhile our Model 107 remained a solid prod uct in the marketplace because of its low cost high 2 0 Introduction performance and v...

Страница 7: ...d expensive d c operated sealed bifurcated gold contact relays to switch these functions These relays never oxidize and can remain stationary for many years without contact distortion Next let s look...

Страница 8: ...TCHED 48V PHANTOM POWER POLARITY PAD MiCLiM LDR DISCRETE NPN FRONT END LOW CUT FILTER 1 4 TRS PHONE INSERT JACK MiCLiM CONTROL RPA DISCRETE TUBE AMPLIFIER OUTPUT HEADROOM METER DRIVER OPERATING LEVEL...

Страница 9: ...end stage and the tube output stage This is clearly shown in the 207D s block diagram at left The inter connect is unbalanced by way of a stereo TRS I O jack on the rear panel You will need a conventi...

Страница 10: ...is assumed that the user will likely intermix home hi fi equipment such as cassette decks and CD play ers Most professional recording gear and live sound equipment operates at 4dBu 3 9 OUTPUT TRIM In...

Страница 11: ...t active pickups piezo and otherwise are most suited to a 1 megohm impedance at the amplifier input Since we wanted to design the Model 207D to meet the widest requirements we gave it a 1 megohm input...

Страница 12: ...Using the 207D interfering with the audio signal carried on the same wires The industry standard phantom power source is posi tive 48 volts d c supplied to pins 2 and 3 through precision low noise 6...

Страница 13: ...r possible Even though it is outstanding as a rumble fixer you will notice its presence We suggest as a matter of good practice that you always try isolating the mic from unwanted vibrations instead o...

Страница 14: ...ould first double check this setting The Model 207D does not source out its internal word clock so you won t be able to use it for a master clock 4 4 3 Multiple 207D Clocking If several 207D s are to...

Страница 15: ...preamps require a lot of circuitry that just won t fit inside Let s not forget too that a really great mic preamp requires its own ingenious circuitry and design It is not surpris ing that of all the...

Страница 16: ...ording we believe you will truly appreciate the outstanding performance benefits afforded by the Model 207D their work The low noise and highly detailed open sound of the 207D delivers breathtaking re...

Страница 17: ...7 Aphex Systems Ltd Model 207D Distance X 3X Stage Figure 4 4 SPACED PAIR 3 to 1 TECHNIQUE Stage Figure 4 6 M S TECHNIQUE Cardioid Mid Bi Directional Sides Figure 4 5 X Y TECHNIQUE Stage Cardioid Mics...

Страница 18: ...ting from accident misuse abuse neglect unauthorized product modification or failure to follow instructions contained in the User s Manual 3 Resulting from repair or attempted repair by anyone not aut...

Страница 19: ...us OUTPUT TRIM loss Same Same Same Same infinity to 38dB minus OUTPUT TRIM loss AUDIO Frequency Response EIN Crosstalk THD Tube Type 0 0 5dB 30Hz 30KHz 129dBu Input Shorted 10Hz 22kHz 79dB or better 1...

Страница 20: ...gnal before any amplification to prevent input overload The input stage shall be transformerless and actively balanced The preamplified microphone signal shall be sent through an INSERT jack to the ou...

Страница 21: ...tutorial will teach you about the principles of balanced and unbalanced lines wiring standards and how to effectively interface them Standards Professional audio equipment usually comes equipped with...

Страница 22: ...nds The principle is that the outer shield conductor shields the inner conductor from induced noises This can only work well if the cable is relatively short and the ground at each end of the cable is...

Страница 23: ...u re on the same leg by measuring the ac voltage between the hot slots of the different outlets you ve chosen It should be very low or zero That will remedy 50 percent of the cases 6 0 Appendices Chec...

Страница 24: ...he picture The standard for terminat ing ground is Pin 1 Sleeve But which ground It could be connected to audio signal ground or chassis ground depending on the method of grounding used by the equipme...

Страница 25: ...ECTOR WIRING STANDARDS 3 Pin XLR 1 4 TRS Phone Standard Wiring Convention Balanced Pin 1 Sleeve Ground Shield Earth Screen Pin 2 Tip Positive Signal High Hot Pin 3 Ring Negative Signal Reference Retur...

Страница 26: ...nd of balanced output you are dealing with Simply treat it generically Appendices PART 1 BALANCED OUT to BALANCED IN OK for Microphones Standard store bought cable Shield grounded at both ends Positiv...

Страница 27: ...PLIFIED SCHEMATIC Voltage Balanced Outputs Used on the 207 Mono Phone Plug Female XLR SIMPLIFIED SCHEMATIC Don t Ground or Connect Pin 3 Ground Pin 3 Directly to Pin 1 Alternatively Carry Pin 3 Throug...

Страница 28: ...4 UNBALANCED OUT to BALANCED IN Mono TS Phone Plug Stereo TRS Phone Plug Standard Method Standard Cable Guitar Cord Mono TS Phone Plug Stereo TRS Phone Plug Enhanced Method Pseudo Balanced Advantage R...

Страница 29: ...ice This product is protected under one or more of the following Aphex patents 4 578 648 4 633 501 4 843 626 4 939 471 5 115 471 5 155 769 5 334 947 5 359 665 5 422 602 5 424 488 5 450 034 5 463 695 5...

Страница 30: ...20 7d instruction Manual Aphex Systems Ltd Model 207D Page 30...

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