analogue solutions
Semblance/Telemark
e&oe (c) 5-3-09
14
the cut-off control.
Use Resonance to alter the tone of the filter effect. It can be used to create 'squiggy'
sounds and 'pulse hits'.
CV1/2 MODULATION amount
Turning the control clockwise will increase the amount that CV2 (MIDI controller/
velocity) will modulate the cut-off frequency.
Turning the control anti-clockwise will increase the amount that CV1 (MIDI note/pitch)
will modulate the cut-off frequency.
In a central position CV1 and CV2 will not affect cut-off modulation.
Filter Tracking (of pitch/keyboard note)
This can be achieved using CV1 (pitch) modulation of the filter cut-off as described
above.
MODULATION amount
Turning the control clockwise will increase the amount that the modulation source se-
lected by the MOD.SOURCE switch (outlined below) will modulate the cut-off frequency.
Turning the control anti-clockwise works just like clockwise except that the modulation
signal is inverted (negative).
In a central position the selected modulation source will not affect cut-off modula-
tion.
MOD.SOURCE rotary switch
This selects the modulation source that will affect the filter cut-off and is routed to the
control above.
There are 4 modulation sources;
EG1
EG1 is used as a modulation source. Use for tonal changes.
LFO
The LFO is used as a modulation source. Use for filter sweeps (wah-wah).
VCO2
Pulse wave of VCO2 is used as a modulation source. Use for effects.
EXT2
Signal at the EXT2 socket is used as a mod source. Use for external filter
control.
NOTCH
This sets the relative mix between the low pass and high pass filters that is fed to the
