background image

WZ16:2DX

 AND 

WZ12:2DX U

SER 

G

UIDE

16

S

TEREO 

I

NPUT CHANNEL 

– 

WZ12:2DX

 ONLY

DUAL INPUTS A & B - The stereo input channel features a dual input on RCA Phonos (A) and
TRS jacks (B).  This is ideal for fast switching between stereo sources without having to repatch
the console or mixing two stereo sources together.

GAIN A - Use this control to adjust the channel input sensitivity to match the connected source (-
20 to +10dBu) to the console operating level (0dBu) on the RCA Phono connectors.  Press PFL to
check the signal reads an average of ‘0’ on the meters.

ON A - Selects stereo source A (RCA PHONOS)

GAIN B - Use this control to adjust the channel input sensitivity to match the connected source (-
20 to +10dBu) to the console operating level (0dBu) on the TRS Jack connectors.  Press PFL to
check the signal reads an average of ‘0’ on the meters.

ON B - Selects stereo source B (TRS JACKS).  Press both A and B to mix both sources together.

MONO - Combines the left and right outputs to mono the source.  May also be used to input a
mono source to the stereo channel path.

EQUALISER - Shelving HF and LF and two fixed frequency peak/dip mid controls provide 15dB of
boost or cut.  The mid frequency controls provide optimum control over boomy or boxy sounds and
to add bite or reduce harshness of keyboards, vocals, etc.  Use the mids to add warmth or
presence to the sound.

EQ IN - Press to switch the EQ into the signal path.

AUXILIARY SENDS - You can set up to 6 separately balanced mixes using the aux send controls.
Up to +6dB of boost is available.

Aux 1-4 and Aux 5-6 can be used as either MONITOR SENDS to the performers or as EFFECTS
SENDS to external signal processing equipment.  The output can be listened to using the aux
master AFL system.  MONITOR SENDS are normally set pre-fader (PRE) and EFFECTS SENDS
normally post-fader (POST).  When set to POST, the amount of channel signal in the monitor mix
is dependent on the channel fader level.  Pre-fade aux sends are post-EQ, post-ON as standard
(can be reconfigured pre-EQ or pre-ON by setting internal links).
The Left and Right stereo signals are summed to provide aux feeds in mono. However internal link
options allow for pre or post aux sends as stereo pairs i.e. AUX 1 = left, AUX 2 = right, etc. Refer
to the options section in this user guide.

BAL - Balances the channel signal within the stereo image, L (odd groups) and R (even groups).
The centre position is detented for quick resetting.

ON - This turns the channel signal on or off.  A LED indicates status.

PEAK - The red LED illuminates when the signal is within 5dB of clipping.  Should this occur turn
back the GAIN control to reduce the signal level.  This LED also half illuminates when a PFL
switch is pressed.

PFL - Press PFL to listen to the pre-fade signal (mono) on headphones or local monitor without
affecting the main outputs.  The signal level is shown on the L and R bargraph meters.

Channel fader - 100mm smooth action fader controls the overall channel level.  All post fade aux
send levels are dependent on the level of the channel fader.

3

DUAL
STEREO

30

O

O

20

10

10

+ 6

O

O

L

ODD

BAL

R

EVEN

ON

O

AUX

6

O

0

PRE

+ 6

POST

+ 6

O

O

AUX

5

0

PRE

POST

4

AUX

OO

0

0

+ 6

0

O

O

AUX

2

AUX

O

O

0

+ 6

+ 6

AUX

1

EQ
IN

0

0

LF

60Hz

-15

-15

+ 15

+ 15

0

MF1

MF2

-15

+ 15

-5

0

12kHz

HF

-15

MONO

+ 15

-10

15

ON

20

20

-10

0

GAIN

ON

5

10

0

GAIN

-5

5

10

15

PEAK

!

PFL

0

5

3-4

1-2

L-R

Содержание MIXWIZARD WZ12:2DX

Страница 1: ...0L L DUG 6HULHV 49 5 2 45 5 6WHUHR XGLR 0L LQJ RQVROHV 8 86 6 5 5 8 8 Publication No AP3429...

Страница 2: ...unit to ALLEN HEATH or its authorised agent as soon as possible for repair under warranty subject to the following conditions CONDITIONS OF WARRANTY 1 The equipment has been installed and operated in...

Страница 3: ...ating instructions or as marked on the appliance x GROUNDING OR POLARISATION Precautions should be taken so that the grounding or polarisation means of the appliance plug is not defeated A polarised p...

Страница 4: ...pond with the coloured markings identifying the terminals in your plug proceed as follows x The wire which is coloured Green and Yellow must be connected to the terminal in the plug which is marked wi...

Страница 5: ...the most efficient service please keep a record of the console serial number and date and place of purchase to be quoted in any communication regarding this product SAFETY WARNING Mains electricity i...

Страница 6: ...ereo headphones output with auto PFL indicated by a large red LED Monitor switchbank with priority override to select each Aux Stereo return or L R pre or post fader Auxes can be listened to in stereo...

Страница 7: ...D 0 O O 6 PRE O AUX 2 O AUX 1 0 6 0 MF1 MF2 LF 60Hz 15 15 15 15 0 60 35Hz 45 15 300 1kHz 0 15 180Hz 0 HF 500Hz 700 1k 15 12kHz 3kHz 15kHz 5k 7k 15 30 20 PAD 10 GAIN 100Hz 30 60 50 30dB 40 10 PEAK L R...

Страница 8: ...O 5 O O O O 4 AUX O O 3 AUX O O 2 AUX 1 AUX 0 0 6 0 6 6 PO ST PRE 0 0 6 6 0 6 PE AK L ON R PAN PRE PO ST C 20 30 10 10 O O PAD 20 10 30 60 40 30dB PAD GAIN 30 50 180Hz MF1 MF2 60Hz LF 15 15 45 35Hz 6...

Страница 9: ...dBu Headphones TRS jack Tip L Ring R Note Balanced XLR s Pin 2 hot Pin 3 cold Balanced jacks Tip hot ring cold INPUT MIC LINEINPUTS 9 INSERT MadeintheUKbyALLE N HE AT H DUAL 1 16 EF FE CT L M INSERT 1...

Страница 10: ...ion and refit the two screws PRECAUTION Do not transport or carry the console with the locking screws removed Do not attempt to remove the connector pod from the console 19 RACK MOUNTING Mount the con...

Страница 11: ...phone bodies guitar strings multicore cases equipment panels The same earth is also used to shield audio cables from external interference such as the hum fields associated with power transformers lig...

Страница 12: ...etween more affordable 2 wire signal ground unbalanced effects units or signal processors and mixing console may be utilised Refer to the following diagram for unbalanced to balanced connections DEALI...

Страница 13: ...e channel direct output taps the signal off post fader pre fader if the internal link option is changed for connection to external processing or recording equipment This is ideal for multitrack record...

Страница 14: ...ng for the venue to drive the PA loudspeakers Or connect to a 2 track recorder for studio or location recording Stage Monitor and Cue Sends Set up a pre fade aux mix to send a monitor or cue mix to th...

Страница 15: ...result in feedback AUXILLIARY SENDS You can set up to 6 separately balanced mixes using the aux send controls Up to 6dB of boost is available Aux 1 and 2 are set pre fader for monitor sends such as s...

Страница 16: ...her MONITOR SENDS to the performers or as EFFECTS SENDS to external signal processing equipment The output can be listened to using the aux master AFL system MONITOR SENDS are normally set pre fader P...

Страница 17: ...lifier or recorder input is too sensitive for the console 4dBu output Simply turn down the amplifier or recorder level trim If none is available then insert an attenuator pad between the console and c...

Страница 18: ...an engineers listen wedge Here are a few applications of the versatile A B output SING LE DUAL SELECT MO NO 20 30 5 10 0 5 R 10 L 5 6 6 3 4 4 3 5 1 2 2 1 LO CALMO NITO R MONOOUT ALTL RO UT 3 6 9 16 2...

Страница 19: ...NAME EFFECT NAME EFFECT 1 Stage 9 Karaoke Stereo Vocal Echo Effect 2 Room 10 Ping Pong L R repeat effect 3 Hall Short Reverbs of increasing length and differing brightness 11 Chorus Stereo chorus eff...

Страница 20: ...lding down the BANK key on power up Whilst continuing to hold the BANK key use the SELECT key to step through channels 1 16 The FX1 8 LEDs will light in sequence to indicate MIDI channels then the BAN...

Страница 21: ...WZ16 2DX AND WZ12 2DX USER GUIDE 21 This page is left intentionally blank...

Страница 22: ...Decay 2 1 10 Damping 7 1 10 Level 15 0 99 16 Ph Rev PH Speed 30 0 99 Depth 90 0 99 Feedback 70 0 97 Level 90 0 99 PL Pre dly ms 30 0 99 Decay 5 1 10 Damping 9 1 10 Level 20 0 99 1 Stage St Pre dly ms...

Страница 23: ...redelay 0 99ms Decay 1 10 Damping 1 10 Level 0 99 CA Cathedral W 94 Predelay 0 99ms Decay 1 10 Damping 1 10 Level 0 99 CA Cathedral H 76 Predelay 0 99ms Decay 1 10 Damping 1 10 Level 0 99 Ar Arena W 9...

Страница 24: ...dB PAD GAIN 30 50 180Hz MF1 MF2 60Hz LF 15 15 45 35Hz 60 15 HF 1k 500Hz 700 12kHz 15 0 15 0 15 0 1kHz 300 15 0 3kHz 7k 5k 15kHz 15 100Hz AUX O O 6 AUX O O 5 O O O O 4 AUX O O 3 AUX O O 2 AUX 1 AUX 0 0...

Страница 25: ...z 30 60 50 30dB 40 10 PEAK L R O N 0 AUX POST O PAN 6 O C 6 0 O O AUX 5 O O 6 0 PRE POST 6 O AUX 4 O AUX 3 0 6 O O 20 30 10 PAD 0 O O 6 PRE O AUX 2 O AUX 1 0 6 0 MF1 MF2 LF 60Hz 15 15 15 15 0 60 35Hz...

Страница 26: ...x Stereo in ear monitor mix from LR x Engineers listen wedge from AB output x Engineer speaker similar to musicians x Monitor switches check on stage sound x Aux 5 and 6 used as internal FX sends x FX...

Страница 27: ...T1 ST2 INPUT SENSITIVITY The stereo return inputs are set for nominal low level 10dBV operation as is common with much of the external equipment available today The console level controls let you adju...

Страница 28: ...SERT RING RETURN TIP SEND PRE FADE LF MF2 MIC LINE INPUTS INPUT DISABLE 2 PAD 30dBu GAIN FILTER LO CUT MF1 HF 4 BAND EQUALISER POST ON PRE ON PRE EQ POST EQ FADER PFL ON PEAK PAN POST FADE AUX 1 2 PRE...

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