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GL2400

 User Guide    

  

 

 

 

 

 

      

      19 

The GROUP / AUX Masters

 

 

AUX  MASTERS

      Each  aux  mix  has  a  master  level  control  that 

adjusts  the  output  level  to  match  external  equipment,  or  trims  the 
monitor, effect or other send without affecting the mix balance.  Up to 
+10dB  boost  is  available  above  the  normal  0dB  position.    Note  that 
this becomes the group or master in monitor mode.   

AUX  AFL

      Press  AFL  to  listen  to  the  post-level  aux  mix  in  the 

headphones  and  local  monitor  without  affecting  the  main  outputs.  
The  console  monitor  meters  are  interrupted  with  the  aux  (group) 
signal.  The yellow indicator lights to show that AFL has been selected 
on  the  master.    Use  AFL  to  check  the  signal  being  sent  to  the 
monitors, effects or other destination.  AFL is pre-mute so that you can 
check the signal before sending it to its destination. 

REV  mode  switch

      These  switches  reverse  the  function  of  the 

group  and  aux  masters,  the  heart  of  the  dual  functionality  pioneered 
by Allen & Heath.  They are recessed to prevent accidental operation.  
Use  a pen or  pointed object to  set their position.   In the up position 
(flush with the panel), the group is controlled by the fader and the aux 
by the rotary master.  This is typical for FOH mode where the faders 
are used for subgroups feeding the main stereo mix.  When pressed, 
the aux uses the fader as the master and the group is moved to the 
rotary  control.    The  aux  mix  is  now  presented  to  rear  Group  XLR 
complete  with  insert.    The  group  mix  appears  at  the  Aux  TRS  jack.  
This  is  used  for  monitor  mode  where  the  auxes  are  the  main  mix 
feeding the  stage monitors.   You can select any combination for the 
FOH  and  monitor  mode,  for  example,  just  3,  4  giving  you  two  fader 
subgroups, two monitor sends on faders, and main LR mix. 

Note:

  The groups always feed the matrix and the subgroup controls 

(PAN and GRP TO LR) regardless of mode.  This means the group mix 
can  still  perform  a  useful  function  when  the  console  is  configured  in 
monitor mode. 

PAN

  Positions the group signal between L and R in the stereo mix 

when  the  GRP  TO  LR  switch  is  pressed.    Using  pan  you  can  create 
mono or stereo groups positioned as you require in the main mix.  For 
stereo grouping, set the odd group pan fully to the left, and the even 
group  pan  fully  to  the  right.    The  centre  position  (mono  image)  is 
detented  for  quick  resetting.    Note  that  the  group  mix  always  feeds 
these subgroup controls regardless of FOH or monitor mode selected. 

METER

      A  4  LED  bar  meter  displays  the  post-fade  group  signal 

(FOH mode), or aux signal (monitor mode, REV pressed). 

MUTE

      When  pressed  the  group  (aux)  signal  is  turned  off.    This 

affects the feed to the output XLR, LR and matrix.  The red indicator 
lights when the channel is muted. 

GROUP AFL

   Press AFL to listen to the post-fade, pre-mute group 

mix  in  the  headphones  and  local  monitor  without  affecting  the  main 
outputs.  Note that this becomes the aux mix in monitor mode.  The 
console  monitor  meters  are  interrupted  with  the  group  (aux)  signal.  
The yellow indicator lights to show that AFL has been selected on that 
master. 

GROUP FADER

   A 100mm smooth travel fader controls the group 

mix output level.  Note that it becomes the aux mix master in monitor 
mode  (REV  pressed).    The  fader  provides  +10dB  maximum  boost 
above its normal unity gain 0dB position. 

 

 

REV

AFL

AFL

MUTE

GRP1

PAN

TO LR

PK!

+6

0

SIG

L

R

=

O

O

AUX

1

+10

0

Содержание GL SERIES

Страница 1: ...ALLEN HEATH USER GUIDE Publication AP5597 GL2400...

Страница 2: ...eath com Limited One Year Warranty This product is warranted to be free from defects in materials or workmanship for a period of one year from the date of purchase by the original owner To ensure a hi...

Страница 3: ...t remove or tamper with the ground connection in the power cord Water and moisture To reduce the risk of fire or electric shock do not expose the console to rain or moisture or use it in damp or wet c...

Страница 4: ...is surrounded by shock absorbent foam to protect it from damage during transit Always use adequate packing if you need to ship the unit Protect the controls to avoid damage when moving the console He...

Страница 5: ...t about audio To help us provide the most efficient service please keep a record of your console serial number and date and place of purchase to be quoted in any communication regarding this product h...

Страница 6: ...6 2 3 GRP 4 OO GRP OO 1 GRP O O GRP 2 O O 3 6 4 GRP 6 GRP O 6 O 6 O 1 6 GRP GRP O 6 O O EXT O 6 EXT O 6 IN IN O LEVEL OO 6 O 6 O O R L O 6 O 6 2 O O 3 4 GRP GRP O 6 O 6 O 1 GRP GRP O 6 O EXT O 6 IN O...

Страница 7: ...UST BE EARTHED BY THE POWER CORD ATTENTION REMPLACER LE FUSIBLE AVEC UN DES MEMES CARACTERISTIQUES CAUTION FOR CONTINUED PROTECTION AGAINST RISK OF FIRE REPLACE FUSE WITH SAME TYPE AND RATING T1 6A L...

Страница 8: ...nputs with level trims and common input capability 2 stereo channels each with mic and dual stereo line inputs Stereo channel mic input can cross patch into matrix for ambience feed Stereo channel lin...

Страница 9: ...ts Extensive listening evaluation together with solid engineering practice have ensured the console achieves accurate sound reproduction under all conditions Capability We know a thing or two about Du...

Страница 10: ...urpose Ensure no part of the case or its lid touches the controls or connectors If you include a rear doghouse to house the connections make sure the cables can be supported in a way that prevents put...

Страница 11: ...sole on press the ON OFF switch next to the IEC mains input socket To turn the console off press this switch again Connecting a backup supply A socket is included for plugging in an optional backup po...

Страница 12: ...2 30 AUX 3 29 AUX 4 28 AUX 5 27 AUX 6 26 PFL 25 AFL 24 nc 23 nc 22 nc 21 nc 20 14 GRP 3 15 GRP 2 16 GRP 1 17 R 18 L 19 0V CHS GRP 3 33 GRP 2 34 GRP 1 35 R 36 L 37 SYS LINK II OUTPUT OPTION 1 ground 2...

Страница 13: ...hile keeping the signal shielding down the length of cable WARNING For operator safety do not remove the ground earth connection in the power lead of the console or connected equipment To avoid interf...

Страница 14: ...LINE IN Stereo inputs ST1 and ST2 feed channel 15 and ST3 and ST4 feed channel 16 respectively or can be routed directly to LR These inputs use TRS jacks ST1 3 are unbalanced ST2 4 are balanced Unbal...

Страница 15: ...independent sources This is ideal for adding mono or stereo ambience to recordings or in ear monitors fed from the matrix 2 TRACK IN and OUT Unbalanced TRS jack outputs and TRS inputs connect to popul...

Страница 16: ...the faders to balance each signal in the mix To ensure optimum gain structure we do not recommend the practice of setting the faders to 0 and mixing using the GAIN controls HPF Switches in the channe...

Страница 17: ...s and direct output but does not affect the insert send The red indicator lights when the channel is muted Always mute the channel when switching phantom power or plugging the cables and sources PFL P...

Страница 18: ...a mono source may be plugged in to feed both left and right sides of the stereo channel Each input has its own level control to adjust from fully off to 16dB gain Centre position is unity 0dB gain Ro...

Страница 19: ...e monitors You can select any combination for the FOH and monitor mode for example just 3 4 giving you two fader subgroups two monitor sends on faders and main LR mix Note The groups always feed the m...

Страница 20: ...same type used on stage to listen to and check the various monitor mixes being sent to the performers Together with the group aux REV function the GL2400 can be configured as a compact yet fully feat...

Страница 21: ...trices or an independent source to each Plug into EXT1 only to feed one source to all four matrix EXT IN controls Plug L into EXT1 and R into EXT2 only to feed a stereo source to matrix 1 2 and 3 4 So...

Страница 22: ...onnect unbalanced sources or cables to inputs with phantom power selected To avoid loud clicks do not press the TALK switch when plugging or unplugging the talkback microphone First select the source...

Страница 23: ...16dB dynamic range The signal can pass through many stages which affect its level within the console the channel its EQ fader pan a group mix and its fader on to the main LR mix with its master fader...

Страница 24: ...ne of the sub mid or HF drivers is faulty With the noise sent to several speakers at the same time you can listen for comb filtering effects and the severe phasing effect which indicates that one of t...

Страница 25: ...plugged into a console with 4dBu outputs connected to a 0dBu input DSP speaker manager or an operator using an SPL sound pressure level meter to measure sound intensity dBu Relative to 0 775Vrms profe...

Страница 26: ...5 10 20 L R 1 2 3 4 30 00 24 PFL 10 5 0 5 10 20 L R 1 2 3 4 30 00 17 32 31 30 29 28 27 26 25 M R L 4 3 2 1 10 5 0 5 30 00 20 10 10 5 0 5 30 00 20 10 10 5 0 5 30 00 20 10 10 5 0 5 30 00 20 10 10 5 0 5...

Страница 27: ...control of the appropriate main output complete with mute AFL and LED bar meter In Monitor mode the aux outputs are routed to the console main XLR sockets for electronically balanced drive with inser...

Страница 28: ...in line delay processor As a rule of thumb delay 1mS per foot difference between the listener and the fill and the listener and the main speakers Now add a few milliseconds Haas effect delay so the li...

Страница 29: ...amps produce an accurate and noise free recording Create a stereo recording from the main LR output or from a pair of matrices as described above if recording and mixing live at the same time To recor...

Страница 30: ...to adjust the overall volume of the PA Typically the LR tops use fader masters and the aux is on a rotary master The GL2400 overcomes this with an innovative mode switch above the master faders that...

Страница 31: ...ed the channel Adjust the gain and balance between the left and right microphones using the two mic GAIN controls Route ST1 to LR as a simple effects return or source input The other channel can be us...

Страница 32: ...B S N LR mix noise 16 routed 86dBu 90dB S N Group mix noise 16 routed 86dBu 90dB S N Aux mix noise 16 routed 92dBu 90dB S N Mix noise 16 line 0dB gain 86dB S N Channel HPF 12dB octave below 100Hz Mono...

Страница 33: ...2dBu 20dBu max Electronic balance option 75 ohm 4dBu 26dBu max Direct out TRS impedance balanced 75 ohm 0dBu 20dBu max Matrix out TRS impedance balanced 75 ohm 2dBu 20dBu max Electronic balance optio...

Страница 34: ...TO LR 2dBu 4dBu BAL OPTION MONITOR RING RIGHT TIP LEFT PHONES OUT AUX 10dB boost AUX MIX GRP AUX REV SL INSERT 2dBu GRP MIX SL L R 3 4 1 2 PAN PRE PRE 10dB boost AUX AUX MIX LR AUX REV SL INSERT 2dBu...

Страница 35: ...screws holding the base to the rear and underside of the chassis Carefully lift off the base Configure the internal options Fit any options required referring to the instructions provided Set the opti...

Страница 36: ...ou only change these settings if absolutely necessary Stereo Mono aux source The stereo channels feed the auxes with a mono sum of L R This can be changed so that L feeds the odd numbered auxes and R...

Страница 37: ...entation and make sure its legs are correctly aligned with the socket Test the output once the work is complete You should measure the same level but opposite polarity signal between hot and ground an...

Страница 38: ...1 GRP GRP O 6 O EXT O 6 IN AFL MUTE AFL MUTE REV AFL REV AFL AFL REV AFL REV REV AFL REV AFL AFL AFL MUTE MUTE AFL AFL AFL MUTE MUTE MUTE AFL MUTE PAN GRP2 GRP1 PAN TO LR PAN TO LR GRP4 GRP3 TO LR TO...

Страница 39: ...6 O O PRE POST O O 6 EQ IN POLARITY 100Hz 12k 80Hz ODD PAN L EVEN R PRE AUX AUX 4 3 AUX AUX 2 1 O O 6 POST O O 6 O O 6 O O 6 15 LF 15 15 15 180 45 LM 35Hz 70 15 400 1k 250 15 PAD 3k HM 700 500Hz 15 1...

Страница 40: ...O O 6 O O 6 15 LF 15 15 15 180 45 LM 35Hz 70 15 400 1k 250 15 3k HM 700 500Hz 15 1k 6k 15k 4k 15 HF GAIN 20 0 50 40 48V 30 6 AUX AUX 5 MUTE 6 O O PRE POST O O 6 EQ IN POLARITY PRE AUX AUX 4 3 AUX AUX...

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