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GL2200

 

U

SER 

G

UIDE 

 

19

O

SCILLATOR

/P

INK 

N

OISE 

&

 

T

ALKBACK

 

The 

GL2200

 oscillator section provides for two modes of operation: 

1kHz Tone Mode 

A 1kHz sinewave is provided for setting up input levels on external devices, such as recording 
equipment, FX processors and so on. 

Pink Noise Mode

 

A ‘pink noise’ signal, can be used to check the phase and overall frequency response of a 
loudspeaker or an array of loudspeakers or for analysing the acoustics of an auditorium. Pink noise 
produces equal sound energy per octave over the audio band. It has a “mellow, balanced” sound to 
the human ear compared with white noise, which sounds “brilliant and hissy” due to additional energy 
at high frequencies. 

OSCILLATOR 

 

1kHz/Pink Noise

 – Selects between the two signal types outlined above. 

The 

level

 control allows adjustment from –20dBu to +20dBu. 

When the 

TALK

 switch is pressed, the level of the oscillator/pink noise is reduced by 

12dB. 

 
L-R, GRP 1-4, AUX 1-2, AUX 3-4, AUX 5-6

 routing switches assign the oscillator/pink 

noise and talkback to the required mix busses.  

ON

 – Switches the oscillator/pink noise on and off.  LED indicates status.  Under-panel 

switch prevents accidental triggering of the oscillator during performances. 

 
WARNING! – The oscillator/pink noise facility on the 

GL2200

 is a powerful tool 

for audio system checking and setup.  However, the operator should ensure that 
the ON switch is not selected during performances in order to avoid interruption 
of the show and possible speaker damage by accidentally routing the oscillator 
to the outputs. 

 

T

ALKBACK

 

The talkback input is connected into the Mic input of the SECOND STEREO INPUT 
CHANNEL. By selecting 

LINE

, the signal is fed to the routing switches in the 

oscillator/pink noise section and talkback is enabled when the momentary 

TALK

 

switch is pressed. Talk to several destinations at the same time by selecting a 
combination of routing switches. 
Use the 

MIC GAIN

 control on the stereo input channel to control talkback level.  

+48V 

is available for microphones which require phantom power.  

The ability to talk to auxes (foldback monitors) is important when using the console for 
stage monitoring and cueing the performers. 
The line jack inputs of the second stereo input channel can still be used when the mic 
input is enabled for talkback. 

 
 

1kHz OSC

PINK NOISE

L-R

GRP

1-4

AUX

1-2

AUX

3-4

AUX

5-6

OSC/NOISE

ON

TALK

2

1

0

4

3

8

10

9

6

5

7

L-R

TALK

AUX5-6

AUX3-4

AUX1-2

GRP1-4

+

PRESS

TO

G

R

P

 1

-4

A

U

1-

6

R

IG

H

T

P

/A

FL

LE

FT

TALKBACK SIGNAL

FROM STEREO INPUT

DIM

LEVEL

SELECT

PINK

NOISE

GEN

OSCILLATOR

1KHz

/TALKBACK

OSC/PINK NOISE

ON

Oscillator / Pink noise generator and talkback section. 

Содержание GL 2200

Страница 1: ...ALLEN HEATH GL2200 PUBLICATION AP3388 USER GUIDE Dual Function Audio Mixing Console...

Страница 2: ...the event of a failure notify and return the defective unit to ALLEN HEATH or its authorised agent as soon as possible for repair under warranty subject to the following conditions CONDITIONS OF WARRA...

Страница 3: ...FLIGHTCASING THE CONSOLE 10 MONO INPUT CHANNEL 11 12 STEREO INPUT CHANNEL 13 14 STEREO RETURNS AUX MASTER OUTPUTS 15 GROUP OUTPUTS 16 MODE SWITCHING 17 MASTER MONITOR 18 OSCILLATOR PINK NOISE TALKBAC...

Страница 4: ...se keep a record of the console serial number and date and place of purchase to be quoted in any communication regarding this product GENERAL PRECAUTIONS Your GL2200 is ruggedly constructed to give ma...

Страница 5: ...rehensive AFL PFL monitoring Pink noise generator for speaker setup Oscillator for equipment line up Talkback facility High performance internal power supply with universal mains input voltage Built i...

Страница 6: ...ole check that the ac mains fuse is of the correct type and rating This is clearly marked on the rear panel of the console Do not replace the fuse with any other type as this could become a safety haz...

Страница 7: ...nsole For best performance it is important that the earth system is solid clean and noise free To prevent mains borne and external interference pickup from lighting equipment motors and other mains po...

Страница 8: ...The following wiring convention is used CABLE WIRING To connect an unbalanced source to a balanced console input link the cold input XLR pin 3 or jack ring to 0V earth pin 1 or jack sleeve at the cons...

Страница 9: ...equipment with balanced inputs You can of course also connect to unbalanced equipment The signal operates at nominal 0dBu line level ADJUSTING THE LEVELS For best performance it is important that the...

Страница 10: ...shown below DIMENSIONS Unpacked Packed Width depth height weight kg Width depth height weight kg GL2200 412 548 572 155 16 700 750 280 20 GL2200 416 668 572 155 18 815 750 280 23 GL2200 424 920 572 1...

Страница 11: ...to clean up sounds that do not have much bass content such as vocals and cymbals The lo cut filter is independent of the equaliser The 4 band EQ lets you adjust the tonal quality of the sound The HF t...

Страница 12: ...ositions the channel signal within the stereo image or between L R and the groups when the routing switches are selected The centre position is detented for quick resetting MUTE switches the signal of...

Страница 13: ...normal way while the mic is independently used for talkback The 4 band stereo EQ lets you adjust the tonal quality of the sound The HF treble and LF bass bands have a shelving response which means th...

Страница 14: ...and groups 1 2 3 4 Use the pan control to route to individual groups ie left to route to L 1 3 and right to route to R 2 4 In this way subgroups may be set up in mono or stereo to feed the main L R m...

Страница 15: ...R bargraph meters In this way each sound can be correctly lined up and checked at any time L R 1 2 3 4 ROUTING SWITCHES In the up position the signal is routed to the main L R mix but may be returned...

Страница 16: ...switches and the pan controls PAN control positions the signal in the stereo image with the L R switch routing the group mix to the Left Right masters Ensure the group L R switch is selected to route...

Страница 17: ...to Group 1 etc Aux 5 6 are routed to L R faders respectively This configuration allows the user to control up to six monitor mix levels on faders Outputs are on balanced XLRs for long cable runs and...

Страница 18: ...lection MONO OUTPUT The MONO OUT AFL PFL switch sources the signal from either a summed post fader L R mix or the AFL PFL mix When MONO OUT is selected the MONO output provides for a centre fill or su...

Страница 19: ...e oscillator pink noise facility on the GL2200 is a powerful tool for audio system checking and setup However the operator should ensure that the ON switch is not selected during performances in order...

Страница 20: ...of the sound FRONT OF HOUSE AUX SENDS Select aux 1 4 post fade to access 4 effects processing devices Use the stereo returns and stereo inputs to add the effects to L R and mono mix Select aux 5 6 pr...

Страница 21: ...s may provide a seperate stereo mix output from the channel L R routing switches and the additional 4 stereo return line inputs Use the groups to add effects such as delay reverb or echo to the stage...

Страница 22: ...rity of the monitors COMPRESSORS LIMITERS These are used to prevent excessive peaks overloading the amplification system for example in club installations subject to sound level control This example s...

Страница 23: ...6 9 16 20 12 9 6 3 30 0 16 ENABLE MIC TO TALK L R MONITOR MUTE MUTE MUTE MUTE MUTE O O 10 0 O O 10 0 O O 10 0 O O 10 0 O O 10 0 O O 10 0 2 1 0 4 3 8 10 9 6 5 7 12kHz HF AFL AFL AFL AFL AFL AFL AFL AFL...

Страница 24: ...dance balanced 75 Ohm 0dBu 2 Track sends RCA PHONO unbalanced 75 Ohm variable 21dBu max Aux out TRS jack tip hot impedance balanced 75 Ohm variable 21dBu max Mono out XLR pin 2 hot 3 cold balanced 75...

Страница 25: ...e instead of the standard post EQ post mute 3 Disable 48V phantom power regardless of panel switch position remove link 4 Reconfigure the Direct Out Source to be pre fade or post fade PRE EQ CUT LINKS...

Страница 26: ...0 15 500Hz 3kHz 15kHz 15 0 15 MF1 250Hz 35Hz 1kHz 15 15 0 MF2 15 15 0 60Hz LF PRE PAN C 5 5 OO O O 6 O O 6 O O 6 O O 6 O O 6 O O 6 0 0 0 0 0 0 48V PRE 1 20 30 10 0 1 2 3 4 PEAK L R PFL 0 SIG 6 ODD L 6...

Страница 27: ...100Hz HF 12kHz 15 0 15 500Hz 3kHz 15kHz 15 0 15 MF1 250Hz 35Hz 1kHz 15 15 0 MF2 15 15 0 60Hz LF 48V 1 2 3 4 PEAK L R PFL 0 SIG 6 ODD L 6 AUX AUX 5 AUX 4 AUX 3 2 AUX 1 AUX EVEN R MUTE PRE PAN C 5 5 OO...

Страница 28: ...INTERNAL AUX LINK OPTIONS RING RETURN OUT TIP 0dBu RING INSERT 0dBu DIRECT 48V TIP SEND POST FADER PRE FADER LF MF2 AUX 6 PRE POST POST AUX 5 PRE AUX 4 GROUP MIX SL PRE FADE SWITCHED POST FADE AUX 2...

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