Setting Up - Chapter 1
QuadraVerb 2 Reference Manual
9
TM
Instrument or Effect Send
Right
Input
To Amplifier or Mixing Console
Right
Output
•
Mono In, Stereo Out. While still using a mono input, you could connect two
cables to the [L] and [R] OUTPUTS of the QuadraVerb 2 to a stereo amplification
system or two mixer inputs.
TM
Instrument or Effect Send
Right
Input
To Amplifier or Mixing Console
Left
Output
Right
Output
•
Dual Mono or Stereo Source. The QuadraVerb 2 may be used with two
different instruments simultaneously, or with a stereo instrument. The hookup is
the same; the difference is in the routing used within a program. A program may
process the two inputs discretely, using blocks dedicated to a single channel (for
example, a delay for a guitar and a gated reverb for a bass), or process them in
stereo (for example, with the left and right outputs of a keyboard routed through
two reverb blocks). Connect two cables to the [L] and [R] INPUTS of the
QuadraVerb 2 from two mono sources or from the stereo output of the instrument,
then connect two other cables from the [L] and [R] OUTPUTS of the QuadraVerb 2
to a stereo amplification system or two mixer inputs.
BLOCK
2
7
TM
Right
Input
To Amplifier or Mixing Console
Left
Output
Right
Output
Left Input
Instrument or Effect Send
Note: In most cases when plugging an instrument directly into the QuadraVerb 2 ,
you’ll use Programs which route the "dry" signal at the input(s) directly to the
output(s), where it will be mixed together with the effected signal to achieve the
proper wet/dry mix at the QuadraVerb 2's outputs. If the program doesn't include this
routing, you will only hear the effected signal by itself. Therefore, it may be necessary
to edit such programs to add these "dry" routes when using the QuadraVerb 2
directly with an instrument. (The Factory Preset programs usually include these
routes.)
Interfacing to a Mixing Console
The QuadraVerb 2 handles mono or stereo sends at all system levels. The input
circuitry of the QuadraVerb 2 can easily 4 dBu levels (+19 dBu peaks), while
having enough input and output gain to interface with the lower -10 dBV signal levels
of many recording systems.
