background image

Fig. 7: Removing
the transmitter
module.

Note:

3.1 Introduction

3.2 Working
Distance and
Proximity Effect

Alternatively, you can remove the transmitter module simply by
pulling it out of the microphone body with just enough force to
unlock it. Make sure not to grasp the transmitter module by the
battery compartment. (If you did, you would only open the bat-
tery compartment.)

A handheld vocal microphone provides many ways of shaping
the sound of your voice as it is heard over the sound system.
The following sections contain useful hints on how to use your
microphone for best results.
The following sections apply to both the hardwire C 5900

M

and

the wireless version with an optional TM 40 transmitter module
installed.

Basically, your voice will sound the bigger and mellower, the
closer you hold the microphone to your lips. Moving away from
the microphone will produce a more reverberant, more distant
sound as the microphone will pick more of the room’s rever-
beration.
You can use this effect to make your voice sound aggressive,
neutral, insinuating, etc. simply by changing your working dis-
tance.
Proximity effect is a more or less dramatic boost of low fre-
quencies that occurs when you sing into the microphone from
less than 2 inches. It gives more "body" to your voice and an
intimate, bass-heavy sound.

2 Interfacing

17

3 Using Your Microphone

3

4

1

2

Содержание C 5900M

Страница 1: ...quipment Mode d emploi p 22 Veuillez lire cette notice avant d utiliser le syst me Istruzioni per l uso p 32 Prima di utilizzare l apparecchio leggere il manuale Modo de empleo p 42 Sirvase leer el ma...

Страница 2: ...itchable bass cut filter for suppression of low frequency rumble Selectable 0 dB or 6 dB output level Frequency independent supercardioid polar pattern for high gain before feedback Backplate condense...

Страница 3: ...level to less sensitive inputs A switchable bass cut filter 2 12 dB octave from 100 Hz effectively reduces low frequency rumble The microphone element uses a proven backplate condenser transducer Sim...

Страница 4: ...ophone provides a balanced output on a 3 pin male XLR connector Pin 1 ground Pin 2 hot Pin 3 return You can connect the microphone either to a balanced micro phone input with or without phantom power...

Страница 5: ...ack plug 1 On the XLR connector use a wire bridge to connect pin 1 to pin 3 and the cable shield 2 Connect the inside wire of the cable to pin 2 on the XLR connector and the tip contact of the jack pl...

Страница 6: ...body to the point that the transmitter module 1 will lock with an audible click As the transmitter module locks in place the electrical con nections to the microphone are made automatically For detail...

Страница 7: ...sults The following sections apply to both the hardwire C 5900M and the wireless version with an optional TM 40 transmitter module installed Basically your voice will sound the bigger and mellower the...

Страница 8: ...he sound system howl and the sound engineer desperately dive for the master fader to reduce the volume and stop the howling To increase usable gain before feedback the microphone has a supercardioid p...

Страница 9: ...into the microphone from a wider angle than 35 degrees you may end up bringing up the fader of the microphone channel far enough to create a feedback problem To clean the surface of the microphone bod...

Страница 10: ...high Internal or external windscreen attenuates high frequencies when soiled 1 Switch power to mixer or amplifier on 2 Set channel or master fader on mixer or vol ume control on amplifier to desired l...

Страница 11: ...3 THD 139 142 dB SPL Equivalent noise level 17 5 dB A to DIN 45412 Power requirement 9 to 52 V universal phantom power Current consumption approx 2 mA Connector 3 pin male XLR Finish matte black Size...

Страница 12: ...acoustiques Microfoni Cuffie HiFi Microfoni senza filo Cuffie senza filo Cuffie microfono Componenti acustici Micr fonos Auriculares Micr fonos inal mbricos Auriculares inal mbricos Auriculares con m...

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