23
2 Interfacing
Important!
Refer to fig. 3.
Balanced input:
Unbalanced input:
2.3.2 Using the
MPA III L
Connecting the cable:
Refer to fig. 4.
Disconnecting
the cable:
Refer to fig. 4.
To avoid damaging the cable, never try to
pull out the cable itself!
2. Connect the B 29 L (2) to the desired input.
•
Use a commercial XLR cable (3) to connect
the B 29 L (2) to a balanced input.
•
Refer to section 2.2.2 above.
1. Push the mini XLR connector (1) on the micro-
phone cable into the mini XLR socket (2) on the
cable of the MPA III L (3) to the stop.
The connector will lock automatically.
Refer to section 2.3.1 above.
2. Connect the MPA III L (3) to a balanced XLR
microphone input with phantom power.
3. Switch the phantom power on. (Refer to the in-
struction manual of the unit to which you
connected your microphone.)
4.
If your mixer provides no phantom power:
Connect the MPA III L (3) to an optional AKG
phantom power supply (4) (N 62 E, N 66 E, B 18,
Mini XLR
Mini XLR
MPA
MPA
Phantom
Fig. 4: Connection diagram with MPA III L.
Содержание C 416 III
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