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6

AIR TURBULENCE

Avoid exposing the microphone to strong air turbulence.

 Ribbon 

microphones can withstand very high SPL (Sound Pressure Level), 
but can be damaged by a strong gust of air or high levels of very 
low frequency sound waves (from a kick drum or bass cabinet). This 
can stretch the ribbon, reducing overall output, especially at high 
frequencies.
 
Take precautions when recording any source that moves air. To 
avoid damage, follow "The Hand Test": put the back of your hand 
where the mic will be positioned; if you can feel the moving air, 
place a pop-filter between the microphone and the source or 
simply pull the mic farther back. When recording kick drums or 
bass guitar cabinets, angle the microphone so that no air blasts the 
microphone directly on-axis from the front or back.

Never blow directly into any microphone to test it. Not only
does this force moisture and dirt into the microphone, strong air
movement also can stretch the ribbon and while it may not break,
it nonetheless could significantly degrade the microphone’s
performance. Though the ribbon in your KU4 is protected by 
a grille and acoustical fabric, which provides reasonable wind 
protection while still allowing good high-end response, take care to 
avoid high-wind outdoor environments.

STRAY MAGNETIC FIELDS

Ribbon microphones are fundamentally prone to picking up strong 
external magnetic fields generated by light dimmers or nearby 
power transformers. Though AEA designers paid much attention 
to suppressing such sensitivity, it is still possible that you might 
encounter this problem. If you should pick up a hum, try rotating or 
moving the microphone to find a spot where the hum disappears, 
and try eliminating potential sources of stray magnetic fields. 
Rotate or move the mic to find the point of peak interference.

The high-performance magnets used in AEA microphones are 
incredibly strong, and a significant amount of stray magnetic field 
lines surround the microphone. To prevent data loss caused by
magnetic fields, avoid placing the microphone in close proximity 
to hard drives, credit cards, analog tape, or any other magnetically 
sensitive items.

Содержание KU4

Страница 1: ...CLASSIC SUPERCARDIOID RIBBON MIC AEA KU4 OWNER S MANUAL ...

Страница 2: ...4 studio ribbon microphone featuring pure aluminum ribbon material parts interchangeable with the original RCA KU3A and the consistent and reliable performance for which our microphones have gained a world wide reputation Your KU4 microphone is 100 handcrafted in Pasadena CA AEA is a family owned company with a small crew of skilled technicians most of them being musicians themselves Proudly indep...

Страница 3: ...CONTENTS WELCOME INTRODUCTION SUPPORT GENERAL GUIDELINES APPLICATION ADVICE SPECIFICATIONS 2 4 4 5 8 10 3 ...

Страница 4: ...produces response out to 20 kHz 7 dB with fast accurate transients and without the upper midrange ringing common to condenser microphones These characteristics make the KU4 well suited for modern studio music production and ideal for low strings and brass instruments as well as vocals WARRANTY SUPPORT Your KU4 comes with a one year limited warranty on parts and labor shipping not included Register...

Страница 5: ... faulty or miswired cable or a defective supply can severely stretch or break a ribbon Since passive ribbon microphones and other transformer coupled microphones can be particularly vulnerable to phantom power it is recommended to make disengaging phantom power before plugging and unplugging the microphone a habit MICROPHONE STORAGE Keep the microphone covered when it is not in use This will reduc...

Страница 6: ...not break it nonetheless could significantly degrade the microphone s performance Though the ribbon in your KU4 is protected by a grille and acoustical fabric which provides reasonable wind protection while still allowing good high end response take care to avoid high wind outdoor environments STRAY MAGNETIC FIELDS Ribbon microphones are fundamentally prone to picking up strong external magnetic f...

Страница 7: ...eep structure borne noise transmitted through the microphone stand and the cable away from the low tuned ribbon transducer For the shock mount to function as intended it is important to vertically position the cushion mount off of the mic stand and to rotate the microphone within the yoke as opposed to rotating the entire mic on the stand This requires the use of a swivel mount or posi lock when u...

Страница 8: ...richness and depth A potential trade off is reduced articulation resulting from the masking effect on the treble due to excessive bass boost graph is a visualization not a measurement APPLICATIONS ADVICE We actively encourage users to visit AEAribbonmics com to access our comprehensive collection of in depth articles and tutorials featuring the KU4 along with a library of audio and video demonstra...

Страница 9: ...omb filter distortions Because gobos usually are bulky and occupy valuable floor space they also inhibit the ability of the musicians to hear and see each other easily Such a setup requires complex and often cumbersome headphone monitor mixes for the musicians SUPERCARDIOID DIRECTIONALITY Because the KU4 has a supercardioid pattern it has nulls at approximately 135 from the principal front axis Pr...

Страница 10: ...ctor Accessories Included Pressure gradient transducer Supercardioid 30 Hz to 20 kHz 140 dB SPL above 200 Hz for 1 third harmonic 52dBV 2 5 mV Pa at 1 kHz into unloaded circuit 300 Ω nominal 1 5 kΩ or greater Not required or recommended Pin 2 high for positive pressure on front of mic 12 dB at 180 135 Pure aluminum corrugated ribbon 1 8 µm 0 082 in 2 1 mm 1 25 in 28 6 mm 12 6 in 32 00 cm 4 6 in 11...

Страница 11: ...11 POLAR PATTERN FREQUENCY RESPONSE Data below 200 Hz omitted due to measuring room restrictions 0 dVB is equivalent to 2 5 mV Pa 52 dBV Normalized to 0 dB at 1kHz 1 3 octave smoothing ...

Страница 12: ...AEARIBBONMICS COM RIBBONMICS INFO RIBBONMICS COM 800 798 9127 ...

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