background image

ProFX8 and ProFX12

O W N E R ’ S   M A N U A L

Professional Mic/Line Mixers with FX and USB I/O

MAIN

RIGHT

(BALANCED)

MAIN

LEFT

USB

(BALANCED)

8K

4K

2K

1K

500

250

125

15

15

10

10

5

5

0

15

15

10

10

5

5

0

TAPE

 IN

ST RETURN

MAIN OUT

PHONES

FOOTSWITCH

PHONES

TAPE

OUT

L

R

L

(UNBALANCED)

R

STEREO GRAPHIC EQ

DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • MANUFACTURED IN CHINA

FABRIQUE EN CHINE • COPYRIGHT ©2008 • "MACKIE" AND THE RUNNING MAN FIGURE

ARE TRADEMARKS OF LOUD TECHNOLOGIES, INC. • PATENT PENDING.

FX SEND

MID

2.5kHz

MID

2.5kHz

MID

2.5kHz

MID

2.5kHz

MID

2.5kHz

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

LINE IN 4 

INSERT

R

L

LOW CUT

100 Hz

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

4

12kHz

HI

MID

2.5kHz

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

12kHz

HI

MID

2.5kHz

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

12kHz

HI

MID

2.5kHz

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

12kHz

HI

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

R

L

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

R

L

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

R

L

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

R

L

LOW CUT

100 Hz

12kHz

HI

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

BAL /

UNBAL

(MONO)

(MONO)

(MONO)

(MONO)

LINE IN 7

LINE IN 8

BAL /

UNBAL

LINE IN 9 

R

L

LOW CUT

100 Hz

GAIN

7/8

5/6

12kHz

HI

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

R

L

MI

C GAIN

U

+50

GAIN

MI

C GAIN

U

+50

9/10

12kHz

HI

LEVEL

SET

LEVEL

SET

LEVEL

SET

LOW CUT

100 Hz

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

LEVEL

SET

LEVEL

SET

LEVEL

SET

LOW CUT

100 Hz

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

LOW CUT

100 Hz

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

GAIN

MIC 

MIC 

MIC 

MIC 

MIC 

MIC 

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

U

+20

-20

GAIN

U

+20

-20

R

L

11/12

ST RTN

FX RTN

EQ

EQ

EQ

EQ

EQ

EQ

EQ

EQ

12kHz

HI

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

U

+15

FX TO MON

FX MASTER

U

+15

O

O

O

O

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

L

R

(MONO)

LINE IN 5

LINE IN 6

BAL /

UNBAL

L

R

LINE IN 10

BAL /

UNBAL

L

R

LINE IN 11

LINE IN 12

BAL /

UNBAL

L

R

BAL /

UNBAL

L

R

BAL /

UNBAL

L

R

MON SEND

BAL /

UNBAL

BAL /

UNBAL

PRESETS

FX PRESETS 

01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
05 WARM HALL
06 CONCERT HALL

13 DELAY 1  (300ms)
14 DELAY 2  (380ms)
15 DELAY 3  (480ms)
16 DLY  (250ms)

07 PLATE REVERB
08 CATHEDRAL
09 CHORUS
10 REV
11 DOUBLER
12 TAPE SLAP

MON

MAIN

4

LINE IN 3 

INSERT

3

BAL /

UNBAL

3

LINE IN 2

INSERT

2

BAL /

UNBAL

BAL /

UNBAL

2

LINE/HI-Z IN 1 

INSERT

1

5/6

7/8

9/10

11/12

POWER

ON

0dB=0dBu

MAIN

METERS

OL

4

6
3

10

15

7

10

20
30

0
2

BREAK

(MUTES ALL CHANNELS)

PHANTOM

POWER

POWER

O

O

+20

U

TAPE LEVEL

O

O

+20

U

 USB THRU

LINE 

HI-Z

O

O

MAX

1

OL

OL

OL

OL

OL

OL

OL

OL

OL

OL

MAIN MIX 

MON

EQ IN

BYPASS

PROFESSIONAL MIC/LINE MIXER WITH FX

PROFESSIONAL MIC/LINE MIXER WITH FX

FUSE: T1.6AL AC250V

~100-240V 50/60 Hz 25W

R

L

INPUT LEVEL

USB

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

48V

THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES AND THE ICES-003 FOR 

CANADA.  OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS 

DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST 

ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY 

CAUSE UNDESIRED OPERATION.

MANUFACTURING DATE

SERIAL NUMBER

WARNING: 

TO REDUCE THE RISK OF FIRE OR ELECTRIC

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE.  DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

AVIS: 

RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR

 

Summary of Contents for ProFX12

Page 1: ...15 O O O O dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O...

Page 2: ...pproved by LOUD Technologies Inc could void the user s authority to operate the equipment under FCC rules 21 This apparatus does not exceed the Class A Class B whichever is applicable limits for radio...

Page 3: ...re you do please read the safety instructions on page 2 then read this page and the rest later ZerotheMixer 1 Turn down all knobs except the channel EQ and pan knobs and set all the faders fully down...

Page 4: ...el Each channel has a pan control mute switch overload OL LED and fader Stereo return has mute OL LED and fader XLR and 1 4 TRS main stereo line outputs 1 4 TRS stereo return 1 4 TRS FX send and monit...

Page 5: ...15 15 1 4 MAIN OUTS 15 16 FX FOOTSWITCH 15 17 PHONES 15 18 TAPE INPUT 16 19 TAPE OUTPUTS 16 CHANNEL CONTROLS 17 20 GAIN 18 21 LEVEL SET LED 18 22 LOW CUT 18 23 HI EQ 19 24 MID EQ 19 25 LOW EQ 19 26 A...

Page 6: ...20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60 d...

Page 7: ...0 50 5 5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O...

Page 8: ...15 U 15 15 U 15 15 U 20 20 R L 7 8 ST RTN FX RTN EQ 12kHz HI PAN AUX U 15 O O MON FX U 15 O O U 15 FX TO MON FX MASTER U 15 O O O O dB 30 20 10 10 O O 40 50 5 5 U 60 dB 30 20 10 10 O O 40 50 5 5 U 60...

Page 9: ...EL SET PAN AUX U 15 O O MON FX U 15 O O GAIN MIC MIC MIC MIC 80Hz LOW U 15 15 U 15 15 U 15 15 U 20 20 R L 7 8 ST RTN FX RTN EQ 12kHz HI PAN AUX U 15 O O MON FX U 15 O O U 15 FX TO MON FX MASTER U 15 O...

Page 10: ...80Hz LOW U 15 15 U 15 15 U 15 15 R L LOW CUT 100Hz GAIN MIC GAIN U 50 MIC GAIN U 50 5 6 EQ 12kHz HI LEVEL SET LEVEL SET LEVEL SET LEVEL SET PAN AUX U 15 O O MON FX U 15 O O GAIN MIC MIC MIC MIC 80Hz...

Page 11: ...3 4 EQ 12kHz HI PAN AUX U 15 O O MON FX U 15 O O 80Hz LOW U 15 15 U 15 15 U 15 15 R L LOW CUT 100Hz GAIN MIC GAIN U 50 MIC GAIN U 50 5 6 EQ 12kHz HI LEVEL SET LEVEL SET LEVEL SET LEVEL SET PAN AUX U 1...

Page 12: ...ULES AND THE ICES 003 FOR CANADA OPERATION IS SUBJECT TO THE FOLLOWING TWO CONDITIONS 1 THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE AND 2 THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED INCLUDING...

Page 13: ...f phantom power is on Do not plug instrument outputs into the mic input jacks with phantom power on unless you know for certain it is safe to do so 7 LINE HI Z SWITCH To connect a guitar directly to t...

Page 14: ...s use a 1 4 mono TS phone plug or instrument cable If you have a stereo source and the stereo and hybrid channels are in use you can use two mono channels Traditionally an odd numbered channel receive...

Page 15: ...rnal FX The output is post fader so any changes to the chan nel faders 31 will also affect the level going to the external processor The processed output from the effects processor is usually returned...

Page 16: ...slowly 19 TAPE OUTPUTS These stereo unbalanced RCA outputs allow you to record the main stereo mix onto a tape deck hard disk recorder automatic CD burner or a computer etc This allows you to make a...

Page 17: ...U 15 O O MON FX U 15 O O 80Hz LOW U 15 15 U 15 15 U 15 15 R L LOW CUT 100 Hz 12kHz HI PAN AUX U 15 O O MON FX U 15 O O 80Hz LOW U 15 15 U 15 15 U 15 15 BAL UNBAL MONO MONO MONO LINE IN 7 LINE IN 8 BAL...

Page 18: ...when you stop If the signal comes through the mic XLR jack there will be 0 dB of gain U for unity with the knob fully down ramping to 50 dB of gain fully up Through the 1 4 mono input there is 20 dB o...

Page 19: ...at the center detent position This frequency represents the punch in bass drums bass guitar fat synth patches and some really serious male singers Used in conjunction with the low cut 22 switch you c...

Page 20: ...lower unwanted bass thumps and bangs 30 MUTE Press this switch in to mute the channel in the main mix The aux mon output of the channel is not muted but the FX output to the internal FX processor and...

Page 21: ...ower cord before removing and inspect ing the fuse located below the AC input 34 METERS These meters have 2 columns of 12 LEDs each with dB markings from 30 to 15 and OL overload at 20 dBu They indica...

Page 22: ...it is often your best option Turn down the offending frequency range rather than boost the wanted range You can use it to reduce the level of some frequency bands where feedback occurs 38 MAIN MIX MO...

Page 23: ...urn inputs 12 45 STEREO RETURN FADER Use this fader to lovingly adjust the level of any audio coming into the stereo return inputs 12 from your external processors or other equipment The audio is adde...

Page 24: ...itch to mute or unmute the effects If this switch is not engaged then the internal effects can be muted or unmuted with your footswitch 52 FX MASTER Use this knob to control the level of the signals g...

Page 25: ...a snare drum or tight vocal arrangements 8 CATHEDRAL This reverb emulates the extremely long tails dense diffusion and long pre delays and reflec tions that would be found in a very large stone walle...

Page 26: ...its not the mixer If it s a stereo pair try switching them around For example if a left output is presumed dead switch the left and right cords at the mixer end If the problem switches sides it s not...

Page 27: ...nced mono circuits When wired as a bal anced connector a 1 4 TRS jack or plug is con nected tip to signal high hot ring to signal low cold and sleeve to ground earth Unbalanced Send Return circuits Wh...

Page 28: ...ut return signals in one connector See Figure E The sleeve is the common ground earth for both signals The send from the mixer to the external unit is carried on the tip and the return from the unit t...

Page 29: ...other inputs 20 kilohms Tape out 1 1 kilohms Phones out 25 ohms All other outputs 120 ohms Maximum Voltage Gain EQ Flat Mic Input Channel to Insert Output 50 dB Tape Output 60 dB USB Output 60 dB Inch...

Page 30: ...ered trademarks of LOUD Technologies Inc All other brand names mentioned are trademarks or registered trademarks of their respective hold ers and are hereby acknowledged 2008 LOUD Technologies Inc All...

Page 31: ...48v Switch LED to from 7 Band EQ Tape Out Left FX Mon FX Mon Low Cut In Mic L R Gain HPF 100 Hz Mic Gain 0 50dB Stereo Channels 7 8 ProFX8 9 12 ProFX12 USB Out FX send FX Bypass Logic In FX Out L Out...

Page 32: ...e not af fected by the switch and always provide a full mix of channels and any 2 channel audio from your computer The analog audio from the mixer is converted to digi tal signals by the USB interface...

Page 33: ...new track on your DAW While recording the new track you will hear the previously recorded tracks coming into the mixer s USB input while you simultane ously hear the current track you are recording di...

Page 34: ...ring via software you want this latency delay time to be as low as possible We would like to set the latency as low as possible but the smaller it is the harder the computer will have to work If the l...

Page 35: ...red for those units deemed by us to be under warranty Note You must have a sales receipt from an authorized Mackie dealer for your unit to be considered for warranty repair IMPORTANT Make sure that th...

Page 36: ...Road NE Woodinville WA 98072 USA United States and Canada 800 898 3211 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E mail s...

Reviews: