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MixView 3.0

Overview

Product Bulletin

Revision 1

Publish Date: March 1997

Euphonix Product Bulletin: 001

Worldwide Sales, Euphonix Inc.  11112 Ventura Blvd. #301, Studio City, CA 91604

Voice: (818) 766-1666 / Fax: (818) 766-3401

Corporate HQ, Euphonix Inc.  220 Portage Ave, Palo Alto, CA 94306-2242

Voice: (415) 855-0400 / Fax: (415) 855-0410 / Web Page: www.euphonix.com

Summary of Contents for MixView 3.0

Page 1: ...97 Euphonix Product Bulletin 001 Worldwide Sales Euphonix Inc 11112 Ventura Blvd 301 Studio City CA 91604 Voice 818 766 1666 Fax 818 766 3401 Corporate HQ Euphonix Inc 220 Portage Ave Palo Alto CA 943...

Page 2: ...erformance throughout our system by installing faster more efficient components This is why the degree of hardware upgrade a system will require can depend on its current hardware revision and ship da...

Page 3: ...opy will generate a new pass Pass Join allows segments of passes to be spliced together to form a custom built pass Each segment maintains its original time placement Pass Join generates a new pass fr...

Page 4: ...of the stem controls remain consistent regardless of the stem you re accessing Unlike the 4 stem mode the front pan knob of every stem for instance will always be the top left knob of the 12 The film...

Page 5: ...ontroller are able to receive MIDI control data Channel fader group master fader Channel mutes Channel pans Channel aux sends Dyn filters All EQ parameters All Cube controls including Aux and Panning...

Page 6: ...er left which resets everything in the MX464 except the GPI relays to an all off state VIII Miscellaneous New LOCATE Menu System When the Loc key is first pressed the Cue List no longer automati cally...

Page 7: ...ment Menu is now split into Standard and Special to facilitate many F M and custom system configurations When in the Fader Name list QWERTY F2 the MASTER controller names can now be selected by pressi...

Page 8: ...Un nulled faders and pots are now reliably picked up no matter how quickly you pass over the null position The capture range of a fader or pot within which it is considered aligned after a SnapShot re...

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