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This gives natural sounding overdrive distortion similar to
that achieved with conventional compact effects. 

PARAMETER 1

COLOR

1–16

PARAMETER 2

GAIN

1–16

PARAMETER 3

TONE

0–10

PARAMETER 4

ZNR

0–5

Description 

(1) COLOR 

To select normal classic overdrive, set this parameter to
"2". To add the amp simulator effect, use "10". 

(2) GAIN 

Determines distortion intensity of the overdrive circuit.
Higher values produce more distortion. 

This gives warm sounding distortion similar to that of a
tube amplifier. 

PARAMETER 1

COLOR

1–16

PARAMETER 2

GAIN

1–16

PARAMETER 3

TONE

0–10

PARAMETER 4

ZNR

0–5

Description 

(1) COLOR 

To select normal valve overdrive, set this parameter to
"3". To add the amp simulator effect, use "11". 

This gives distortion with a bass boost and solid character. 

PARAMETER 1

COLOR

1–16

PARAMETER 2

GAIN

1–16

PARAMETER 3

TONE

0–10

PARAMETER 4

ZNR

0–5

Description 

(1) COLOR 

To select normal vintage overdrive, set this parameter to
"4". To add the amp simulator effect, use "12". 

(2) GAIN 

Determines distortion intensity of the overdrive circuit.
Higher values produce more distortion. 

This gives hard distortion sound similar to driving a large
amp to full level. 

PARAMETER 1

COLOR

1–16

PARAMETER 2

GAIN

1–16

PARAMETER 3

TONE

0–10

PARAMETER 4

ZNR

0–5

Description 

(1) COLOR 

To select normal drive distortion, set this parameter to
"5". To add the amp simulator effect, use "13". 

This gives a vintage type fuzz sound. 
The TONE parameter can be used to vary the character. 

PARAMETER 1

COLOR

1–16

PARAMETER 2

GAIN

1–16

PARAMETER 3

TONE

0–10

PARAMETER 4

ZNR

0–5

Description 

(1) COLOR 

To select normal fuzz distortion, set this parameter to
"6". To add the amp simulator effect, use "14". 

(3)  TONE 

Higher values give a treble-rich sound character with
distortion mainly in the upper frequencies. Lower
values yield a mild sound character. 

This gives hard distortion sound with an edge. 

PARAMETER 1

COLOR

1–16

PARAMETER 2

GAIN

1–16

PARAMETER 3

TONE

0–10

PARAMETER 4

ZNR

0–5

Description 

(1) COLOR 

To select normal power lead distortion, set this
parameter to "7". To add the amp simulator effect, use
"15". 

(3) TONE 

This is a tone-control-type equalizer. 

15

7

Power LEAD

15

7

Power LEAD

14

6

FUZZ

14

6

FUZZ

13

5

DRIVE Master

13

5

DRIVE Master

12

4

Vintage DRIVE

12

4

Vintage DRIVE

11

3

Valve OD 

11

3

Valve OD (Valve Overdrive)

10

2

Classic OD

10

2

Classic OD (Classic Overdrive)

10

Summary of Contents for Player 1010

Page 1: ...r FP01 pedal wah and volume control are possible for further enhanced playability Operation Manual ADVANCED GUITAR EFFECTS PROCESSOR ZOOM PLAYER Contents Panel Description 1 Top Panel 1 Rear Panel 2 Connections 2 Getting Familiar With Some Basic Terms 3 Using the Patches Play Mode 4 Panel Display in Play Mode 4 Selecting a Patch 4 Adjusting the Patch Level 5 Bypassing the Effects 5 Muting the Outp...

Page 2: ...e bypass tuner mode 10 BANK pedal In Play mode Selects the next higher bank In Edit mode Switches the effect module COMP WAH on and off 11 Pedals 1 3 In Play mode The pedals serve to select a patch In Edit mode The pedals serve to switch the effect modules DISTORTION CHO FLG and REV DLY on and off 1 Panel Description Top Panel PARM 1 SENS 0 10 ATTACK 1 RHYTHM 2 Classic OD 3 Valve OD 4 Vintage DRIV...

Page 3: ...r with amplifier simulation For details regarding distortion color please refer to the table of effect types on page 9 3 To control volume or wah with the foot pedal FP01 connect the pedal to the CONTROL IN jack of the 1010 For details regarding use of the foot pedal please refer to page 6 4 After all other connections are completed plug in the supplied AC adapter This activates the unit Make sure...

Page 4: ...e 1010 has two memory areas or groups where patches are stored the USER group for patches that can be altered and stored by the user and the PRESET group for factory defined read only patches There are 12 patches in the USER group and 30 patches in the PRESET group for a total of 42 patches Bank The 1010 calls up patches in sets of three and the foot pedals serve to switch between patches Each set...

Page 5: ...nly 0 PRESET PRESET group only A or 0 BOTH USER group and PRESET group 2 Select the bank with the BANK pedal A bank is a group of three patches There are four banks named A through d in the USER group and 10 banks 0 9 in the PRESET group When wishing to continuously select patches from both groups choose the BOTH setting With each push of the BANK pedal the next higher bank is selected The bank di...

Page 6: ...same as when directly plugging the guitar into the amplifier 3 To return to the Play mode press one of the pedals 1 3 to select a patch To return to the previously selected patch simply press the BANK pedal You can temporarily mute the entire output from the 1010 which is useful for example when wishing to tune an instrument on stage 1 To mute the output in the Play mode press the pedal 1 3 whose ...

Page 7: ... 1 HALL 2 ROOM RATE TUNER 1 20 FEEDBACK 0 10 TIME 1 10 TONE 0 10 TIME 0 42 10mS FEEDBACK 0 10 MIX 0 10 TONE WAH 0 10 P1 P5 PATCH LEVEL 0 30 PARM 2 PARM 3 PARM 4 COMP WAH T COLOR CHO FLG DIST EQ REVERB DELAY DIST COLOR 1 16 TUNER 6 Using a Foot Pedal 1 Connect the FP01 to the CONTROL IN jack of the 1010 2 Operate the FP01 while using the 1010 in Play mode The volume adjustment made with the foot pe...

Page 8: ...dicator 3 Parameter value The value of the parameter currently selected for editing is shown on the display 1 Press the EDIT key to activate the Edit mode 2 Use the MODULE SELECT key to select the effect module you wish to edit Editing a Patch Panel display in Edit mode NOTE Activating Edit Mode 7 Creating a Patch Edit Mode INPUT Patch COMP WAH 1 COMPRESSOR WAH 1 EQUALIZER AMP SIM 1 CHORUS 2 FLANG...

Page 9: ... 1 DISTORTION Pedal 2 CHO FLG Pedal 3 REV DLY The effect module ON OFF setting can also be stored as part of a patch If an edited patch is not stored the change will be lost when another patch is selected To preserve a setting store the patch as described below 1 Press the STORE key in the Edit mode This activates the store standby condition Storing is possible also in the Play mode 2 Choose the b...

Page 10: ... with a microphone When using the unit with a guitar amplifier choose settings 1 8 When monitoring via an audio speaker or headphones use settings 9 16 This module also comprises ZNR Zoom Noise Reduction Adjust it to match the connected guitar This effect gives a dry cool sound with subdued bass and accentuated highs It is well suited for blues or rhythm backing PARAMETER 1 COLOR 1 16 PARAMETER 2 ...

Page 11: ...tortion This gives hard distortion sound similar to driving a large amp to full level PARAMETER 1 COLOR 1 16 PARAMETER 2 GAIN 1 16 PARAMETER 3 TONE 0 10 PARAMETER 4 ZNR 0 5 Description 1 COLOR To select normal drive distortion set this parameter to 5 To add the amp simulator effect use 13 This gives a vintage type fuzz sound The TONE parameter can be used to vary the character PARAMETER 1 COLOR 1 ...

Page 12: ...fect sound with periodically changing pitch is added to the direct sound for rich ambience PARAMETER 1 EFFECT TYPE 1 3 PARAMETER 2 DEPTH 0 10 PARAMETER 3 RATE 1 20 PARAMETER 4 FEEDBACK 0 10 Description 1 EFFECT TYPE Selects the effect type To use the chorus effect set the parameter to 1 2 DEPTH Determines the modulation depth 3 RATE Determines the modulation rate 4 FEEDBACK Determines the signal l...

Page 13: ... 3 TONE 0 10 PARAMETER 4 MIX 0 10 Description 1 EFFECT TYPE To use the room effect set the parameter to 2 This is a conventional digital delay effect with a delay time of up to 420 milliseconds PARAMETER 1 EFFECT TYPE 1 3 PARAMETER 2 TIME X10mS 0 42 PARAMETER 3 FEEDBACK 0 10 PARAMETER 4 MIX 0 10 Description 1 EFFECT TYPE Selects the effect type To use the delay effect set the parameter to 3 2 TIME...

Page 14: ...r Mountain New York Night Half WAH METAL T EQ HALL COMP Classic OD EQ CHO ROOM WAH DRIVE Master EQ DBL DELAY c Master s Sound American ROCK with DLY SPACY Arpeggio DRIVE Master EQ DBL COMP RHYTHM EQ DELAY EQ FLG DELAY d Classic FUZZ THE CRUNCH WAH CLEAN FUZZ EQ ROOM COMP Valve OD EQ ROOM COMP WAH EQ CHO HALL 0 Studio BALLAD Studio LEAD Studio FUNK DRIVE Master EQ DBL HALL COMP DRIVE Master EQ CHO ...

Page 15: ... bit 128 times oversampling converter Sampling frequency 31 25 kHz Inputs Guitar input Phone jack Mono x 1 nominal input level 20 dBm input impedance 470 kÍ Outputs Line Phone jack Mono x 1 nominal output level 5 dBm output impedance 1 kÍ or less Control connectors Foot pedal input for volume wah control Display 2 character 7 segment LED display Power supply 9 V DC 300 mA from supplied AC adapter ...

Page 16: ... in damage to the unit Connecting cables to input and output jacks You should always turn off the power to the 1010 and all other equipment before connecting or disconnecting any cables Also make sure to disconnect all cables and the AC adapter before moving the 1010 Usage Precautions Electrical interference The 1010 uses digital circuitry that may cause interference and noise if placed too close ...

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