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ZeroGravity Audio (2017)

 

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will increase the amount of saturation. When turned to the left, the amount of saturation will  
decrease. 
 
CUTOFF 
 
This controls the filter cutoff frequency. According to the selected filter mode, the frequencies 
below and/or above this point are attenuated by either 12dB/oct or 24dB/oct. 
The corresponding ENV control uses the output of the envelope generator to modulate the 
frequency cutoff point. 
When the knob is in the middle, no change will occur. When turned to the right, the envelope signal 
will increase the cutoff point. When turned to the left, the cutoff point will decrease. 
The LFO control uses the output of the LFO to modulate the frequency cutoff point.  
 
RESONANCE 
 
This sets the amount of boost at the frequency cutoff point. The level of the unfiltered frequencies 
remains the same (no attenuation of the overall sound level). 
The corresponding ENV control uses the output of the envelope generator to modulate the amount 
of resonance. 
When the knob is in the middle, no change will occur. When turned to the right, the envelope signal 
will increase the amount of resonance. When turned to the right, the amount of resonance will 
decrease. 
 
MIX 
 
This control sets the balance between dry (unprocessed sound) and wet (processed sound). 
 

 

Filter Mode 

 

 

 
The switches on the right set the configuration of the filters. 
 
The blue 2P/4P switch selects 12dB/oct (2-pole) or 24dB/oct (4-pole) filtering. 
The green switch selects 'no filtering'. The signal still goes through the filter core – control over 
saturation remains – but no filtering takes place. 
The red switches select low pass, band pass or high pass.

 

Summary of Contents for ZeroGravity Filter

Page 1: ...ow pass band pass high pass and 4 pole 24 dB oct low pass band pass high pass Fast analog envelope generator with internal or external signal input Envelope modulation on all main filter controls Vers...

Page 2: ...se the LFO with MIDI clock and to control the filter externally All MIDI in data is sent out on the MIDI THRU A 15V AC adapter at least 0 5A must be connected to the POWER input Main Controls SATURATI...

Page 3: ...ets the amount of boost at the frequency cutoff point The level of the unfiltered frequencies remains the same no attenuation of the overall sound level The corresponding ENV control uses the output o...

Page 4: ...envelope FILTER selects a low or hipass filter or none on the input signal of the envelope generator In lowpass frequencies above 150Hz are attenuated so the envelope generator will only respond to b...

Page 5: ...e rate control must be used Tapping only once will reset the start of the LFO When the SYNC switch is pressed the LFO will synchronise to incoming MIDI clock messages on the MIDI input If no MIDI cloc...

Page 6: ...3 LFO Multiplier 14 LFO Waveform 15 LFO Level 64 TAP 65 Sync ON OFF RESET When the switch corresponding to the current filter mode is pressed 2 times rapidly the MIDI control values for saturation cut...

Page 7: ...R envelope can make percussive peaks in the audio no more distorted than the overall level The high sensitivity setting on the envelope generater can be very usefull on more quiet audio tracks with r...

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