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z-Q6 manual

3

Controlling Filter Parameters

+00.0

+00.0

0.4

1K00

3K15

*0.4

1K00

0.4

1K00

lo

1K00

hi

+00.0 -02.4

left/right front

+00.0 +00.0

1K00

0.4

Figure 2 - EQ control mode

Press the 

EQ/Volume select button

 to toggle between EQ and volume control modes  The display

will appear as in Figure 2.   Notice that the active channel group is indicated on the top row (we
will discuss how to change active channel groups in the next section).  There are six filters for each
channel group: four bell filters and two shelving filters.  Each filter, or "band" of EQ is shown as a
vertical column with the gain parameter first, the center frequency below it, and the Q last.  The
shelving filters do not display a Q; instead, there is an indication of "lo" or "hi" for the low- and
high-shelving filters, respectively.

To control a band of EQ, press the 

band select button

 below the band of interest.  As shown in

Figure 2, an asterisk will appear in the bottom row of that band's display to show that that
particular band is the active band.  To change the parameters for the active EQ band, use 

the left

knob

 for the gain, the 

middle knob

 for the center frequency, and the 

right knob

 for Q.

It is important to note that when the gain parameter of any filter is set to +00.0 dB, that filter is
actually bypassed.  That is, no math is being performed for that band by the DSP.  Therefore, you
need not worry about returning the other filter parameters to a neutral state to remove that band
of EQ.  This holds true for both the bell filters and the shelving filters.

The z-Q6 uses a very special collection of digital filtering algorithms.  These algorithms are unique
to our products and are the reason for the z-Q6's very special sound.  The digital filtering
algorithms are the same minimum-round-off noise algorithms as those found in our z-Q1 two-
channel equalizer, and we use the same floating-point implementation in the z-Q6 as in the z-Q1.
Our algorithms and implementations result in unrivaled measured and sonic performance.

Summary of Contents for z-Q6 Six-Channel

Page 1: ...dwidth and Sample Rate 6 Saving and Loading Presets 7 MIDI Automation 8 Specifications 10 Figure 1 z Q6 front panel controls 2 Figure 2 EQ control mode 3 Figure 3 channel selection mode 4 Figure 4 vol...

Page 2: ...oups LRF left and right front channels LRS left and right surround channels CEN the center channel SUB the subwoofer channel Referring to Figure 1 the channel select button D is used to choose which o...

Page 3: ...terisk will appear in the bottom row of that band s display to show that that particular band is the active band To change the parameters for the active EQ band use the left knob for the gain the midd...

Page 4: ...ew active channel Controlling Master Level and Channel Offsets 02 0 00 0 RF LS RS CEN SUB 00 0 02 4 M knob offsets R knob master 02 4 00 0 03 0 LF Figure 4 volume control mode Press the EQ volume sele...

Page 5: ...EQ Simply press the band select button under the desired EQ band As shown in Figure 5 the display will then show the word byp in that band s gain display and the band will be bypassed Press the band...

Page 6: ...by the middle knob and the wordwidths are controlled by the right knob Use the button below the indicated channel group names to select the group of interest and an asterisk will appear to indicate th...

Page 7: ...ring the z Q6 to the state shown in Figure 8 To save a preset use the middle knob as prompted by the display to choose a preset number then press the button beneath the SAVE indication This will then...

Page 8: ...once which brings the z Q6 to the state shown in Figure 11 LOAD preset 21 L knob R knob MIDI 12 SAVE READ DUMP Figure 11 MIDI control screen To set a MIDI channel number use the right knob as prompted...

Page 9: ...d decoding the system exclusive commands When the z Q6 has decoded the last preset from the MIDI sequencer it will jump to EQ mode and will be ready for either normal user input via the knobs and butt...

Page 10: ...ilter bandwidths 12 steps from Q 0 4 to Q 8 0 nominal Shelf filter slopes 6 dB octave Dither types 24 bit 20 bit and 16 bit proprietary floating point techniques Noise shaping types POW r curves 2 and...

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