background image

LECTOR will turn blue, and the lower lett portion or the screen will snow Me step

:play

I)

ripou  e  od y

Gate

Display and Corresponding Computer Keys

 34 —

080

- Note length and

other symbols

Velocity

— Gate time

ay permits selection of note lengths from whole note to 96th notes, as well as dotted

and tied notes. The computer keys corresponding to these functions are shown

3

%

5

7

/  \

8

I

LOJ

au want to select a quarter note, press the J key. The blue cursor will move to the

)1 on the screen.

of selecting note lengths is to move the red cursor to a note length symbol, and

ith a mouse, you position the cursor over the desired note length symbol and press

n.

select the 64th note, you will actually get a 96th note. The MIDI Recorder records

ments of time called "clocks", that are equivalent to a 96th of a whole note. As

)f 96, it cannot be recorded. A 64th note triplet is a 96th note, so when you select

plet symbol will also be lit.

subsequent notes will be dotted. It is not possible to select a dotted S2110 note (man or a iztici note is

a 64th note, and therefore impossible to enter).

Triplets

A triplet note has a value that is two-thirds of its standard value. To select a triplet note, first select the

basic note length, then press the E key. Or move the cursor to the triplet symbol and press

'SELECT (or the left mouse button). A blue cursor will appear over the dot symbol, in addition to the

one over the basic note length symbol.

Be sure to turn off the triplet function after entering your note, or all subsequent notes will be triplets.

Rests

Rests, or silences, are entered by simply selecting the length of the rest as you would for a note, then

pressing the 0 key. Or move the cursor to the rest symbol and press SELECIll (or the left mouse

button). A blue cursor will appear over the rest symbol, in addition to the one over the note length symbol.

Then hit any key on the MIDI keyboard to enter the rest.

Be sure to turn off the rest function (in the same way you turned it on) after entering your rest, or all

subsequent pressings of keys on the MIDI keyboard will produce rests instead of notes, even though

you will hear the notes as you press the keys.

 35 —

Tied Notes

Tied notes are long notes or odd-length notes produced by combining two or more notes of the same

pitch. This is carried out as follows: enter the first part of the note in the normal manner. Then select

the length of the next part of the note, and press the key. Or move the cursor to the tie symbol and

press 'SELECT' (or the left mouse button). A blue cursor will appear over the tie symbol, in addition

to the one over the note length symbol. Then hit any key on the MIDI keyboard to enter the tied note,

which will of course have the same pitch as the original note. Subsequent pressings of any key on the

MIDI keyboard will enter further tied notes.

Be sure to turn off the tie function (in the same way you turned it on) after entering your tied note, or

all subsequent pressings of keys on the MIDI keyboard will produce more tied notes at the same pitch

as the original note, even though you may hear other pitches as you press the keys.

Summary of Contents for YRM-301

Page 1: ...M A M A T S U J A P A N 1 0 1 V I D 1 3 7 M 18 5 0 94 0C RPrintedinJ a p a n M I D I R E L I T L l mO W N E R S l A N U A i m L o n E N R E 6 I 3 N a J R M I D I M A N U E L D U T I L I S A T I O N 4 3 NIPPDNG A K K ICO L TD P R I N T E D I N J A P A N 3 S ...

Page 2: ... e m E x a m p l e1 M I D IR e c o r d e r D X 7 ThreeT X 7 s R X 1 5 5 S y s t e m E x a m p l e2 M I D IR e c o r d e r K X 8 8 T X 4 1 6 I R X 1 1 6 S y s t e m E x a m p l e3 M I D IR e c o r d e r D X 2 1 S F G 0 5S y n t h e s i z e rUnit 7 C H A P T E RIIG E T T I N G S T A R T E D 9 I S T A R T I N G T H E P R O G R A M 1 0 O V E R V I E W O F O P E R A T I O N 1 2 U s i n gaM o u s e 1 2 ...

Page 3: ... 4 6 T I O N S 4 6 o n 4 7 o n 4 7 S e l e c t i o n ction 4 7 4 8 tion 4 8 p l e c t i o n 4 8 c k 4 8 4 8 4 9 M E T E R S 5 0 5 3 5 3 5 3 5 4 5 4 G E 5 4 D e r a t i o n s 5 5 a t i o n s 5 6 5 7 5 9 5 9 A G E S 5 9 6 0 1 M U 1 S 1 K S V E N D B O R G N A S 1 U M ...

Page 4: ...s e a tp r o p e r l y w h e n p l u g g e d insertingitt h eo t h e rw a y a r o u n d A l s o N E V E R A T T E M P T T O P L U G I N T H E C A R C O M P U T E R P O W E R I SO N A l w a y sinsertt h ecartridgew i t ht h ep o w e r O F F 1 1 F l o p p yD i s kDrive C X 5 M W i t ht h e C X 5 M a C A 0 1 R e a rS l o t A d a p t o rm u s t b efittedt ot h er e a rslota sp e rt h einstructionss u ...

Page 5: ... ud oh a v eo n e h o w e v e r it a i n i n gprintedr e c o r d sofy o u rM I D I R e c o r d e r C H A I N p r o g r a m sa n ddiskfilelistings n d c o m p u t e rm a n u a l sforc o n n e c t i o ndetails 4 M o u s e T h i ss y s t e mu s e saD X 7DigitalP r o g r a m m a b l e A l g o r i t h mS y n t h e s i z e ra stheinputk e y b o a r da n do n e o ffourt o n eg e n e r a t o r s T h er e ...

Page 6: ...m a t c hforthiss y s t e m N o t ethats i n c etheD X 2 1 k e y b o a r dd o e snotoutputtouch velocitysensitivity data velocityc h a n g e scannotber e c o r d e dinrealtime V elocitydatacanbe p r o g r a m m e dinduringthestep writep r o c e s s h o w e v e r Fig 7S y s t e mE x a m p l e3 M u s i cC o m p u t e r Y R M 3 0 1 M I D IIN M I D IOUT S e c o n dM u s i cC o m p u t e r S F G 0 5 M ...

Page 7: ...CHAPTER G E T T I N GS T A R T E D ...

Page 8: ......

Page 9: ...v a l u eoft h es e l e c t e ddigitwilli n c r e a s e a n da sy o u m o v etot h eleftitwilld e c r e a s e T ryt h e s a m eo p e r a t i o n w i t htheotherdigitsinthe T E M P O indicator t h e nt h edigitsinthe T I M E S I G N A T U R Eindicator T h eright b u t t o nisthusprimarilyu s e dtosetn u m e r i c a lv a l u e s T h e r eareaf e we x c e p t i o n stothispattern a n dt h e s ewillb ...

Page 10: ...T h e s e k e y sc a nb e _ u s e dtoa c t i v a t et h ec o r r e s p o n d i n gf u n c t i o n s a sc a nt h e S T O PKey S T O P F i g 1 3Specialk e y s t o N u m e r i cK e y s1 T h e s e k e y sc a nb eu s e dtodirectlys e l e c tt h ea v a i l a b l en o t el e n g t hv a l u e sd u r i n gt h es t e pwritem o d e A l lt h e s ef u n c t i o n swillb em e n t i o n e dinc o n t e x tlaterin...

Page 11: ... o u s etotheleftortotherightwhile p r e s s i n gitsR I G H T button D onotstartm o v i n g b e f o r ep r e s s i n gthebutton 1 D E L 1 totheright C u r s o rK e y s M o v e them o u s ea c r o s salevels u r f a c e W I T H O U T p r e s s i n ga n ybutton M A I I 1 a n d 1 C u r s o rK e y s Activatetheicon itscolorwillturnblue P r e s stheL E F Tbuttonofthem o u s e I R E U R N orS E L E C T...

Page 12: ...u t A u d i o O u t A u d i oO u t T oM i x e r a n d S o u n d S y s t e m T h i ss y s t e misc a p a b l eofr e c o r d i n gm u s i cd a t af r o mt h e D X 7 k e y b o a r d a n dplayingitb a c kviat h efour t o n eg e n e r a t o r sc o m p r i s e doftheo n ec o n t a i n e dintheD X 7 a n do n eine a c hofthethreeT X 7units N o t e h o w e v e r thatonlyasingleM I D Ic a b l ecarriestheM I...

Page 13: ...illonly 1 theM I D Ic h a n n e ltow h i c hitisa s s i g n e d Ify o uu s ea D X 2 1orD X 5 inw h i c ha n y e l sc a nb es e l e c t e dfort r a n s m i s s i o n y o uc a ns i m p l yl e a v etheM I D IR e c o r d e r M I D I s setto1 2 3a n d4forthec o r r e s p o n d i n gtracks a n dswitchthetransmitting D s p o n d i n gt r a n s m i s s i o nc h a n n e lw h e nrecordinge a c hn e wtrack f...

Page 14: ...C H A P T E RIII O P E R A T I N GT H E MIDIR E C O R D E R ...

Page 15: ...halfn o t e sthroughsixteenthnotes H o w e v e r thevalueofthed e n o m i n a t o rm u s tnotb es m a l l e rthantwothirdsofthen u m e r a t o rvalue W h e n thep o w e risfirstt u r n e don thet i m es i g n a t u r ewillb esetto4 4 M e t r o n o m e O N O F F A m e t r o n o m esignalisincorporatedintotheM I D IR e c o r d e r W h e nthep o w e risfirstt u r n e don the m e t r o n o m ewillbetu...

Page 16: ...dfor p l a y b a c k ItsM I D I O U Tterminalshouldbec o n n e c t e dtotheM I D II Nofthe ldvicev e r s a P u ttheM I D IR e c o r d e rintother e c o r dm o d eb yp r e s s i n gFl orpositioningthecursorinthe R E C O R D M O D E sectora n dp r e s s i n gtheleftm o u s ebutton T h es p o tinthec e n t e rofthe R E C O R D M O D E sector willturnred indicatingthattheM I D IR e c o r d e risn o ws...

Page 17: ... S E C T O Rwillturnwhite indicating thatt h etrackwillnotp l a y b a c k T h em u s i cdata h o w e v e r isstillr e c o r d e d a n data n yt i m ey o uc a nturn t h etrackO N a g a i nforp l a y b a c k inthes a m e m a n n e ra sy o ut u r n e ditO F F W h e nthec o m p u t e risfirst t u r n e dO N all4tracksaret u r n e d O Nforp l a y b a c k 1 1 1 T r a n s p o s e dP l a y b a c k Y o u c...

Page 18: ... c o r ddisplay b ysettingt h ec u r s o ro v e rt h e A U T O R E C O R D S E L E C T O R o rtheleftm o u s ekey T h e A U T O R E C O R D S E L E C T O Rwillturnwhite a n dthe e e nwillreverttoitsn o r m a ldisplay e c o r d m o d e m o v ethecursortothew o r dL o cintheL O C A T I O N B L O C K a n d m o u s e button Lucwillb er e p l a c e dbyA R inred indicatingthattheA u t o S e l e c tatrac...

Page 19: ...then o r m a lway theM I D IC h a n n e ln u m b e rthatthek e y b o a r dis e r e c o r d e dalongwiththem u s i cdata T h etrackwill r e m e m b e r thisn u m b e r c o r d i n gonlyo nthatM I D Ic h a n n e l O u r4 trackrecordingp r o c e d u r ew o u l dgo A a n s m i to nM I D Ic h a n n e l2 a n dtheT X 7 stoM I D IC h a n n e l s2 3a n d4respectively ea sT X 7 2 T X 7 3a n dT X 7 4respecti...

Page 20: ...hetripletfunctionaftere n t e r i n gy o u rnote oralls u b s e q u e n tn o t e swillb etriplets R e s t s R e s t s ors i l e n c e s aree n t e r e db ys i m p l yselectingthelengthoftheresta sy o uw o u l dforanote t h e n p r e s s i n gthe0key Orm o v ethecursortotherests y m b o la n dp r e s sSELECIll ortheleftm o u s e button Ab l u ec u r s o rwilla p p e a ro v e rt h erests y m b o l i...

Page 21: ...ft i m ethek e yish e l dd o w n a n dtherefore a t1 0 0 e l e n g t hwillp r o d u c eas h a r p s t a c c a t oeffect a n dal o n g e rg a t el e n g t hwillp r o d u c e a c t h bypositioningthecursoro v e rthegatelengthn u m b e r itdoesn tm a t t e rw h i c h t O M E andI D E Lkeys orp r e s stherightm o u s ebuttona n dm o v ethem o u s eleft o ri n c r e a s et h ev a l u e respectively N o...

Page 22: ...S C m e s s a g ewilld i s a p p e a r a n daftert h ec o p yf u n c t i o nh a s b e e nc a r r i e do u t w h i c hwillt a k eaf e w s e c o n d s d e p e n d i n g o nt h el e n g t h o ft h etrack thew o r d C o p willr e s u m eitsf o r m e rcolor Y o u c a nactuallyc o p yo n t oatrackc o n t a i n i n gm a t e r i a l a n dt h en e wd a t awillb ea d d e do n t ot h ee n d o ft h eexistingd...

Page 23: ... t a P e r f o r m a n c edata aftercorrection F i g 3 2Q u a n t i z eDisplay N o t ethatify o uquantizeac o m p l e xa n drapidm e l o d y s e v e r a ln o t e sm a yb eq u a n t i z e dtothes a m e q u a n t i z eunit resultinginc h o r d s Ifthisisnotdesirable y o uc a na l w a y squantizetheoriginaltrack a g a i n us ingashorterq u a n t i z eunit T h e Q u a n t i z ep r o c e d u r eisa sfo...

Page 24: ...h eE d i tD i s p l a ywilla p p e a rint h el o w e rleft p o r t i o noft h es c r e e n T h e notedisplay l o c a t e dint h eu p p e rs e c t i o noft h eeditd i s p l a ys h o w s int h ef o r mofvertical note d a s h e s the K E Y O N a n d K E Y O F F s i g n a l sfore a c hn o t e T h eu p p e rr o wofd a s h e sindicate K E Y O N s i g n a l s a n dthel o w e rr o wi n d i c a t e s K E Y...

Page 25: ...ap a n e lgoblank Furtherp r e s s i n gofthe L S _ E L E C T key willrestartdisplayofthen o t e s P r e s sthe S E L E C Tkeyuntilthed e s i r e dn o t eisd i s p l a y e dinblue in dicatingthatitisr e a d yforediting W i t ham o u s e locatethed a s hc o r r e s p o n d i n gtoachord a n dcontinuetoholdd o w ntheleftm o u s e b u t t o n T h edatarelatingtoe a c hnotewithinthec h o r dwillb ed i...

Page 26: ... s T oenterthechainm o d e positionthecursoro v e rtheC H A I N D I S P L A Yselector a n dp r e s s 1 a a C T 1 ortheleftm o u s ebutton TheC H A I N D I S P L A Yselectorwillturnblue a n dtheC H A I N D I S P L A Ywill a p p e a ro nthes c r e e n c o m p l e t e l yreplacingthe R E C O R D P L A Y display Y o uc a nn o wenterthedata relatingtopart1ofthechain F i g 3 6C h a i nDisplay T r a c k ...

Page 27: ...rright respectively S e tat1 thechainwillb ep l a y e donlyo n c e a n o n eplay ther e dfiguret otherightofthebluefigurewill countd o w n the U I N W IIOUIId I LE U ItIII tJI1 0 1 1 c 1 1 1 yI IIU ati t yctitO f J C 4 11t vy I vv F i g 37C h a i nDeleteE x a m p l e M c h 2 T e m p o 1 2 0 4 4 Fr020959Times11 4 z 7 0 t j 1 7214 1 1 f 4PLHY 1 1 1 1 0 1 1 1 M 1 5 1 1 1 1 0 1 c l i a l l i d l f f i...

Page 28: ... m a r s o l s o l o o m m u s e l o r a m m o n t s i m m d r a m o n a u s i m a n u n a w a 4 1 1 1 1 1 1 W i l l s i t s 1 1 1 5 1 1 1 1 5 1 1 1 5 111111111111 4 1 L a o0001000 50 C H A I N D I S P L A Y B e f o r einsertingn e wpart i npart3 C u r s o ro v e rpart3 C H A I N D I S P L A Y A f t e rp r e s s i n g D E L Ik e y C u r s o ro v e rpart3 P a r t3c o p i e dtopart4 P a r t4 m o v e...

Page 29: ...onoftheM I D IR e c o r d e r sinternaloranexternalM I D Iclockforsyn chronization P l a c ethecursorjustu n d e rt h eb l u eInternalorM I D Ip a r a m e t e ra n dp r e s st h eleftm o u s e b u t t o northec o m p u t e r S E L E C Tkeytoselect N o r m a l l y theM I D IR e c o r d e r sinternalclocks h o u l db es e l e c t e d InthisconditiontheM I D IR e c o r d e r willrecorda n dplayb a c ...

Page 30: ...T h i swillcallthefileh a n d l i n gp a g e F1 C E i 0 n 1 1i rlfr ficirlac T h e threeselectorsatthetopleftofthiss c r e e nselectfloppyd i s k c a s s e t t e orm e m o r ycartridgeop e r a t i o ninorderf r o mlefttoright m e m o r ycartridgeo p e r a t i o nisnotutlilizablewithc o n v e n t i o n a lM I D I R e c o r d e rfiles a n disnoti m p l e m e n t e datthistime T h eM I D IR e c o r d...

Page 31: ... T h ec o m p u t e rwilla s ky o utoc o n f i r my o u rintentiontol o a d R E T r 7 r N m e s s a g e M a k e s u r ethatt h ec a s s e t t et a p eisw o u n dtoap o i n tb e f o r e e d startthec a s s e t t erecorderintheP L A Y m o d ethenp r e s sthec o m p u t e r e leftm o u s eb u t t o ntoload P r e s sthec o m p u t e rIE S C keytoabortt h el o a dop a m e s s a g ewilla p p e a rint h ...

Page 32: ... n t e dfilest om a k es p a c e Y o uarea t t e m p t i n gtos a v e w h e n M d M a corE s e disspecified S p e c i f y C X M R T h e s p e c i f i e dfilef o rafileo p e r a t i o nc a n n o tb elocated C h e c kthatthe filen a m e y o uareusi n giscorrect a n dthatthespecifiedfilei so nthe c u r r e n tdisk A floppyd i s kdriveisnotc o n n e c t e dtothes y s t e m A datam e m o r ycartridgeis...

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