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Appendix

1.2.16 NRPN (Non-registered parameter number)

This is a message for setting the sound for things like vibrato, filter or EG. Use
NRPN MSB and NRPN LSB to specify the parameter that you wish to modify,
and then use Data Entry (see 1.2.4) to set the value for the specified parameter.

Control#

Parameter

Data Range

98

NRPN LSB

0...127

99

NPRN MSB

0...127

If the Multi Part parameter 

Rcv NRPN = OFF

, that part will not receive

NRPN.

The following NRPN messages can be received.

The AC1 control change number is specified by the Multi Part parameter ACl
CONTROLLER NUMBER, and the AC2 control change number is specified
by the Multi Part parameter AC2 CONTROLLER NUMBER.

1.3 Channel mode messages

These messages specify the basic operation of a part.

1.3.1 All Sound Off

This message silences all notes being played on the corresponding channel.
However, channel messages such as Note-on and Hold-on will be maintained in
their present state.

Control#

Parameter

Data Range

120

All Sound Off

0

1.3.2 Reset All Controllers

This message changes the settings of the following controllers.

Controller

Value

Pitch bend change

±

0 (Center)

Channel pressure

0 (OFF)

Polyphonic key pressure

0 (OFF)

Modulation

0 (OFF)

Expression

127 (Max.)

Hold

0 (OFF)

Portamento

0 (OFF)

Sostenuto

0 (OFF)

RPN

Number unset, internal data is not affected.

NRPN

Number unset, internal data is not affected.

The following data is not changed
Parameter values specified for program change, bank select MSB/LSB, vol-
ume, pan, effect send levels 1, 3, 4, RPN and NRPN.

Control#

Parameter

Data Range

121

Reset All Controllers 0

1.3.3 All Note Off

This message turns off all notes which are currently on for the corresponding
part.
However, if Hold 1 or Sostenuto are on, notes will continue to sound until these
are turned off.

Control#

Parameter

Data Range

123

All Note Off

0

1.3.4 Omni Off

Works the same as when All Note Off is received.

Control#

Parameter

Data Range

124

Omni Off

0

1.3.5 Omni On

Works the same as when All Note Off is received.

Control#

Parameter

Data Range

125

Omni On

0

1.3.6 Mono

Works the same as when All Sound Off is received, and if the value (mono
number) is in the range of 

0... 16

, sets the corresponding channel to Mode4*

(m = 1).

Control#

Parameter

Data Range

126

Mono

0 ... 16

* Mode4 is a state in which only channel messages on the specified channel will
be received, and notes will be played individually (monophonically).

1.3.7 Poly

Works the same as when All Sound Off is received, and sets the corresponding
channel to Mode3*.

Control#

Parameter

Data Range

127

Poly

0

*Mode3 is when channel messages will be received only on the specified chan-
nel, and notes will be sounded polyphonically.

1.4 Program change

This message is used to switch voices.
It changes the program number on the receiving channel. When the change is to
include the voice bank, transmit the program change after sending the Bank
Select message (see 1.2.1).
If the Multi Part parameter 

Rcv PROGRAM CHANGE = OFF

, that part will not

receive program changes.

1.5 Pitch bend

This message conveys information on pitch bend operations.

Basically, this message is for changing the pitch of a part, but the depth of the
following five effects can be controlled.
The effect of this message can be modified by the following parameters.

*1 See 1.2.4
*2 “–” means that the set value will be ignored.
*3 Adjusts the time after the note is played until vibrato begins to take effect.
The effect will begin more quickly for lower values, and more slowly for higher
values.

1.2.17 RPN (Registered parameter number)

This message is used to specify part parameters such as Pitch Bend Sensitivity
or Tuning. Use RPN MSB and RPN LSB to specify the parameter that you wish
to modify, and then use Data Entry (see 1.2.4) to set the value of the specified
parameter.

Control#

Parameter

Data Range

100

RPN LSB

0 ... 127

101

RPN MSB

0 ... 127

If the Multi Part parameter 

Rcv RPN = OFF

, that part will not receive this

message.

The following RPN messages can be received.

*1 Refer to 1.2.4
*2 “–” means that the set value will be ignored.

1.2.18 Assignable controller

By assigning a control change number of 

0...95

 to a part, application of ef-

fects can be controlled. This device allows two control change numbers (AC1
and AC2) to be specified for each part.
The following parameters specify the effect of AC1 and AC2:

* Multi Part Parameter

1. AC1, AC2 PITCH CONTROL

2. AC1, AC2 FILTER CONTROL

3. AC1, AC2 AMPLITUDE CONTROL

4. AC1, AC2 LFO PMOD DEPTH

5. AC1, AC2 LFO AMOD DEPTH

RPN

Data Entry *1

Parameter name and value range

MSB LSB

MSB

LSB

00 00H

mm

*2

Pitch bend sensitivity

mm: 00-18H (0...+24 semitones)

Specify up to 2 octaves in semitone steps

00 01H

mm

ll

Fine tuning

mm ll: 00H 00H  -100 cents

:

:

mm 11: 40H 00H  0 cents

:

:

mm ll: 7FH 7FH  +100 cents

Note: The next after mm 11: 00H 7FH (= -87.5) cent
is 01H 00H (-87.4) cents.

00H 02H

mm

Coarse tuning

mm: 28H - 40H - 58H (-24...0...+24

semitones)

7FH 7FH

RPN Null
This empties settings from RPN and NRPN numbers.
Internal data is not affected.

NRPN

Data Entry*1

Parameter Name and Data Range

MSB LSB

MSB

LSB

01H 08H

mm

 *2

Vibrato rate

mm: 00H - 40H - 7FH  (-64 ...0...+63)

01H 09H

mm

Vibrato depth

mm: 00H - 40H - 7FH  (-64 ...0...+63)

01H 0AH

mm

 *3

Vibrato delay

mm: 00H - 40H - 7FH  (-64 ...0...+63)

01H 20H

mm

Low pass filter cutoff frequency

mm: 00H - 40H - 7FH  (-64 ...0...+63)

01H 21H

mm

Low pass filter resonance

mm: 00H - 40H - 7FH  (-64 ...0...+63)

01H 24H

mm

High pass filter cutoff frequency

mm: 00H - 40H - 7FH  (-64 ...0...+63)

01H 30H

mm

EQ bass gain

mm: 00H - 40H - 7FH  (-64 ...0...+63)

01H 31H

mm

EQ treble gain

mm: 00H - 40H - 7FH  (-64 ...0...+63)

01H 34H

mm

EQ bass frequency

mm: 04H - 28H (32 ... 2.0K [Hz])

01H 35H

mm

EQ treble frequency

mm: 1CH - 3AH (500 ... 16.0K [Hz])

01H 63H

mm

EG Attack Time

mm: 00H - 40H - 7FH  (-64 ...0...+63)

01H 64H

mm

EG Decay Time

mm: 00H - 40H - 7FH  (-64 ...0...+63)

01H 66H

mm

EG Release Time

mm: 00H - 40H - 7FH  (-64 ...0...+63)

Summary of Contents for PLG100-DX

Page 1: ......

Page 2: ...pliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices This equipment generates uses radio frequencies and if not installed and used according to the instructions found in the users manual may cause interference harmful to the operation of other electro...

Page 3: ...ly a completely new dimension to your music and or add the latest technology to your music About DX XG The DX Extension for XG DX Extension for XG is abbreviated to DX XG included in the PLG100 DX significantly enhances and expands the musical capabilities of the XG format with the superior sound and expressive potential of Yamaha FM synthesis The PLG100 DX supports the same powerful FM synthesis ...

Page 4: ...e the PLG100 DX is compatible with the DX series it can be used for bulk transfer of voice parameters between the DX7 and the DX7II The DX7 and DX7II can be used as editors for the PLG100 DX By using the edit software for the DX7 and the DX7II editing can be done for the PLG100 DX Voice parameters for the DX1 DX7S TF1 such as the TX816 TX7 and the TX802 are also supported Some voices may sound sli...

Page 5: ... at your fingertips helping you get the most enjoyment out of it XGworks lite When you use Yamaha s XGworks lite as your sequence software you can take ad vantage of the two editing software programs explained below the DX Simulator and the DX Easy Editor These programs make it really easy to edit the voices of your PLG100 DX board DX Easy Editor The DX Easy Editor lets you indirectly change the P...

Page 6: ...s in combination polyphony can be expanded to a maximum of 128 notes with 8 boards Filters Part EQ two band low pass filter high pass filter effective only when the platform for the PLG100 DX has no filter functions Interface XG Plug in connector Number of Voices 912 preset voices 64 custom voices Bulk Information that Can Be Received from Other Devices DX7 Voice Edit Buffer Packed 32 Voice DX7II ...

Page 7: ...g with the electric piano this song features a series of the sounds of DX7 Shofuku Unlike sampling this music offers the listener subtle variation in the sound caused by changes in velocity Another special feature is the FM choir where a more realistic sound is created by combining FM synthesis with sampled human voices Vel EffectWorks1 V1_EfWk1 MID Vel EffectWorks2 V1_EfWk2 MID DX Short Demo DxSh...

Page 8: ...her problems with playback see Ap pendix When Your PLG100 DX Seems to Have a Problem P 59 Installing the Plug in Software Double click on the Setup exe file in the Plug_ folder on the CD ROM to start the installation Click on Next or Yes as these words appear on the screen to complete the in stallation Installing and Starting the Plug in Software Windows95 only Starting the DX Easy Editor 1 Start ...

Page 9: ... DX Simulator from the XGworks lite plug in menu The Select DX Part dialog will open 3 Set the part numbers to be assigned to the PLG100 DX then click on the OK button If there is DX bulk data in the sequence data the DX mark will be dis played under the part number Open the DX Simulator Window About the PLG100 DX For details about using the DX Simulator see the help file that comes with it If the...

Page 10: ...us ways to make up the different voices produced by the PLG100 DX The operators have the following two functions 1 They can freely change the frequency pitch of the generated sine wave 2 They can freely change the amplitude volume or output level of the generated sine wave A sine wave is the fundamental wave of a note with absolutely no overtones added Command Operator The frequency of the sine wa...

Page 11: ... added to it will be the output from operator A In this situation the B operator serves only to change the sound of operator A and does not generate the actual sound Operator A generates the actual sound as it undergoes changes caused by B When the upper operator works to change the sound of the lower operator in this way it is called FM modulation or simply modulation When these are put together ...

Page 12: ...odulates the lower modulator and the modulated waveform from the lower modulator in turn modulates the carrier The modulation of the carrier becomes deeper and the sound output has more overtones 3 Here there are two carriers and one modulator The modulator modulates the carrier immediately below it The modulated carrier generates sound with overtones The other carrier produces a pure sine wave Fi...

Page 13: ...ve frequencies that are not natural number multiples of the fundamental are called unharmonic overtones Generally the more harmonics the tone has the brighter the sound On the other hand if the amount of harmonics is reduced the tone will sound darker Furthermore the voice will change a lot according to the type and volume of the harmonics For example if there are a lot of high pitched harmonics i...

Page 14: ...orithm 28 as an example In this algorithm the operators work as follows Algorithms Operator 1 Outputs sounds while being modulated by Operator 2 Carrier Operator 2 Modulates Operator 1 Modulator Operator 3 Outputs sounds while being modulated by Operator 4 Carrier Operator 4 Modulates Operator 3 while being modulated by Operator 5 Modulator Operator 5 Modulates Operator 4 while being modulated wit...

Page 15: ... of modulator B is set to zero the output waveform of carrier A will be a simple sine wave a dark tone with no harmonics included If the output level of the modulator is gradually increased from this condition the amount of modulation will become deeper and the output waveform from the carrier will change to one with many harmonics in it As the harmonics increase the tone will also become brighter...

Page 16: ...dulator and carrier For example when two operators are combined vertically and F COARSE for both of them is set to 1 00 the frequency ratio will be 1 1 and the first second third and following whole number series harmonics will be generated in order This type of harmonic configuration is called a sawtooth wave and is used for making voices like brass strings or piano If the F COARSE for the modula...

Page 17: ...ound first comes out and in the way in which it fades away For example the sound from a piano gets very loud the instant a key is struck then the volume gradually fades away even if you continue pressing down the key Also if you look at the change in tone over time there is a bright sound with a lot of overtones the moment the key is struck but the over tones soon fade away and the tone takes on a...

Page 18: ...TROL PORTAMENTO SWITCH PORTAMENTO TIME PLG100 DX Native Part Parameters PitchBend Step Portamento Step Portamento Mode However MONO POLY MODE BEND PITCH CONTROL PORTAMENTO SWITCH and PORTAMENTO TIME are received through CC Control Change When changing to another cus tom bank voice that voice will be set to the saved parameters If an XG System On is received or part assignment is changed the custom...

Page 19: ...d the tone generator will enter Multi Mode When PERFORM is selected the tone generator will enter Performance Play Mode DX voices can be selected only when the Part Mode is set to Normal In XG Mode DX voices can be used as one part and in Performance Mode as one layer 2 Press the SELECT buttons and move the cursor to the bank number 3 Press the VALUE buttons and select the bank of the voice you wi...

Page 20: ...LECT button several times to move the cursor to PLUGIN then press ENTER 3 Press the SELECT buttons as needed to move the cursor to PLG100 DX then press the ENTER button An editing screen for the system parameters expanded by the PLG100 DX will be displayed 4 Press the SELECT buttons several times to display PartAssign then press the VALUE buttons to select the part or layer you want to assign to t...

Page 21: ...s Parameters that have been edited cannot be stored in custom voices When using the DX Simulator voices can be edited then stored in custom voices 1 In Multi Play Mode choose the part assigned to the PLG100 DX then select the voice to be edited 2 Press the EDIT button The Multipart edit menu screen will be displayed 3 Press the SELECT button and move the cursor to PLUGIN Press the EN TER button Th...

Page 22: ...ook up the algorithm number for the voice being edited on the voice list then check which operators have been assigned as carriers on the Chart of Algorithms P 28 Modulator1 Modulator Operator 1 Level to Modulator6 Modulator Operator 6 Level Settings 64 to 63 Explanation Sets the output level for operators that are working as modulators Modulators are operators that serve to modulate other operato...

Page 23: ...e in the effect depending on the Poly Mono setting for the selected voice When Poly Mode is set When flw ftm is set the Portamento effect will also be applied to the sustained sound from when the sustain pedal is depressed and to the lingering sound after the hand is removed from the key The sound will change to the pitch of the next note played When rtn fgr is set the Portamento effect will not b...

Page 24: ...h bend wheel When the amplitude modulation sensitivity of the selected voice has been set to carrier operating the controller that has been set in this parameter will change the volume in realtime When the amplitude modulation sensitivity has been set to modulator the timbre will change AC4CtrPrm1 AC4 Controller Parameter 1 Settings Off EGbias Explanation This specifies whether the EGbias will be ...

Page 25: ...ion Specifies whether DX system exclusive messages will be received or not The follow conditions must be met for DX system exclusive messages to be received With VCED ACED Parameter change Bulk Dump Bulk select Custom Bank RcvDxSysEx ON With VMEM AMEM bulk dump 32 voice bulk dump RcvDxSysEx ON ...

Page 26: ... then press the ENTER button The plug in board select screen will be displayed 3 Press the SELECT buttons and move the cursor to the plug in board to be edited then press the ENTER button select PLG100 DX here The parameter screen for the selected plug in board will be displayed 4 Pressing the SELECT buttons move the cursor to the parameter which is to be set Change the value for the parameter usi...

Page 27: ...or the DX7 and DX7II Normal makes velocity proportional to the strength at which the key is struck This is the velocity curve used in ordinary synthesizers Soft1 is a velocity curve that makes all sounds easy to produce It is designed for people who have a light touch on the keyboard or who are beginners at keyboard playing Soft2 is a velocity curve that makes all sounds easy to produce It is clos...

Page 28: ...4 3 2 1 1 2 3 4 5 6 3 1 2 3 4 5 6 4 1 2 3 4 5 6 5 1 2 3 4 5 6 6 1 2 3 4 5 6 7 1 2 3 4 5 6 8 6 5 4 3 2 1 9 6 5 4 3 2 1 10 1 2 3 4 5 6 11 1 2 3 4 5 6 12 1 2 3 4 5 6 13 1 2 3 4 5 6 14 1 2 3 4 5 6 15 Appendix Chart of Algorithms ...

Page 29: ... 2 5 3 4 6 1 18 1 2 3 6 4 5 19 1 2 3 6 4 5 20 1 2 3 4 5 6 21 1 2 3 4 5 6 22 1 2 3 4 5 6 23 1 2 3 4 6 5 24 6 5 4 1 2 3 25 4 1 2 6 3 5 26 2 1 6 3 4 5 27 6 5 4 3 2 1 28 1 2 4 3 5 6 29 1 2 3 5 4 6 30 1 2 3 4 5 6 31 1 2 3 4 5 6 32 Appendix ...

Page 30: ...Acrd4 1 4 FM Hmnc1 1 1 DX AcGt4 1 8 DX PkGt4 1 3 DX JzGt4 1 8 DX ClGt4 1 13 DX MtGt4 1 3 DX DsGt3 1 16 SmohBass 1 17 NstyBass 1 17 Plktrmbs 1 8 FrtlsBa4 1 18 ImpctBas 1 16 Brainacs 1 7 Cutmandu 1 8 DX Bass3 1 17 DX Celo3 1 11 Harp Flt 1 3 DX Str 1 1 2 DX Str10 1 5 Michelle 1 15 MM Str 1 1 17 DX Cho 4 1 4 MM Vce 1 1 7 DX Trpt4 1 18 MletHorn 1 18 TightBr1 1 2 DX SBr 2 1 22 SamplBrs 1 2 DX Clar2 1 15...

Page 31: ...23 WhaserPd 1 15 E B A 76 E Pno 8 1 6 BritClv2 1 4 DrwOrg11 1 32 PrcOrg13 1 22 Gypsy 1 18 RahlBrss 1 23 BackSuir 1 2 E B A 77 83 83 0 83 83 83 83 83 83 E Pno 9 1 5 DX Clv 4 1 3 DrwOrg12 1 25 PrcOrg14 1 16 UltraDrv 1 2 PsrSweep 1 8 E B A FrtePno1 1 9 BritPno1 1 7 DXCP 70 1 4 DX Rgtim 1 15 DX Road1 1 28 E Pno 1 1 5 Harpsi 1 1 5 MM Clav1 1 4 Celesta1 1 31 Glocken1 1 23 MusicBx1 1 5 DX Vibe1 1 27 DX M...

Page 32: ... 1 29 Bali 1 5 MusicBx4 1 24 DX Mrmb6 1 7 DX Xylo5 1 6 DX Bel 9 1 17 DX Dlcm2 1 2 DrwOrg15 1 31 PrcOrg17 1 6 RckOrg15 1 29 PipeOrg8 1 29 DetClGt1 2 DXClGt11 1 12 BogiBass 1 16 FngaPcka 1 17 DX PkBa4 1 17 DetSyBa1 2 DiscBass 1 14 DX Harp3 1 3 General 1 2 Det Str4 2 DX FatBr 1 2 EP Brs 2 1 2 Whistle3 1 6 DX SLd 9 1 18 Att Lead 1 8 DX SwLd2 1 18 AngelEvo 1 27 Glastine 1 5 DX HpSt2 2 Aura 1 2 India 1 ...

Page 33: ...8 DX Trb 1 1 18 DX Tuba1 1 18 DX Horn 1 9 DX BrSc1 1 22 CS80 Br1 1 23 ChorsBrs 1 2 SprnoSax 1 10 Alto Sax 1 18 TenorSax 1 27 Oboe 1 1 3 Eng Horn 1 4 Bassoon 1 2 VbrtClar 1 5 Piccolo1 1 5 DX Flt 1 1 16 Recordr1 1 5 DX PnFl1 1 5 Fuhppps 1 11 Whistle1 1 16 DX Ocrn1 1 14 DX Squar 1 2 DXSyLd 1 1 18 CaliopL1 1 16 BrsLead1 1 2 Au Campo 1 2 DX VceLd 1 18 Fifths 1 1 3 LeadLine 1 18 HyperSqr 1 5 Film Pad 1 ...

Page 34: ...17 RundWund 1 18 DigiBas1 1 16 DX SyBa1 1 16 DX Bass1 1 17 DX Vln 1 1 2 DX Vla 1 1 15 DX Celo1 1 2 DX Pizz1 1 2 LuteHarp 1 14 DX Tmpni 1 16 Mid Str1 1 15 WarmStr1 1 15 DX SySt1 1 15 DX SySt6 1 2 DX Cho 1 1 5 DX Cho 6 1 11 DX Trpt1 1 18 DX Trb 1 1 18 DX Tuba1 1 18 DX Horn 1 9 DX BrSc1 1 22 CS80 Br1 1 23 ChorsBrs 1 2 SprnoSax 1 10 Alto Sax 1 18 TenorSax 1 27 Oboe 1 1 3 Eng Horn 1 4 Bassoon 1 2 VbrtC...

Page 35: ...7 MetalBox 1 11 DX Atms1 1 15 DX ScFi3 1 15 Xanu 1 4 SteelCan 1 1 E B A B A 65 E B A 66 E B A 67 MM EGnd1 1 19 ToyPno 4 1 12 DX Road2 1 12 E Pno 3 1 5 Harpsi 2 1 5 Revinett 1 18 DX Vibe4 1 7 MtalMrmb 1 6 DX Bel 2 1 15 JazOrg 1 1 32 PrcOrg 4 1 29 RckOrg 5 1 26 PipeOrg3 1 6 DX Acrd5 1 3 FM Hmnc2 1 3 Lute Gtr 1 14 DX PkGt5 1 8 DX ClGt5 1 3 HevyGage 1 18 DX DsGt4 1 16 After 88 1 17 FustBass 1 18 Owl B...

Page 36: ...8 1 6 BritClv2 1 4 DrwOrg11 1 32 PrcOrg13 1 22 Gypsy 1 18 RahlBrss 1 23 BackSuir 1 2 E B A 77 99 99 0 99 99 99 99 99 99 E Pno 9 1 5 DX Clv 4 1 3 DrwOrg12 1 25 PrcOrg14 1 16 UltraDrv 1 2 PsrSweep 1 8 E B A FrtePno1 1 9 BritPno1 1 7 DXCP 70 1 4 DX Rgtim 1 15 DX Road1 1 28 E Pno 1 1 5 Harpsi 1 1 5 MM Clav1 1 4 Celesta1 1 31 Glocken1 1 23 MusicBx1 1 5 DX Vibe1 1 27 DX Mrmb1 1 7 DX Xylo1 1 9 Carillon 1...

Page 37: ...ampo 1 2 DX VceLd 1 18 Fifths 1 1 3 LeadLine 1 18 HyperSqr 1 5 Film Pad 1 16 BritePad 1 15 DX ChPd1 1 15 BowPad 1 1 5 DX MtPd1 1 6 GrngePad 1 15 SweepPd1 1 9 FluvPush 1 1 MtalGlkn 1 5 PrdsGlok 1 5 DX Brit1 1 5 Fmilters 1 11 WaterLog 1 16 DX ScFi1 1 6 DX Sitr1 1 8 DX Banjo 1 8 Shamisn1 1 16 DX Koto 1 2 DX Klmb1 1 30 DX BgPip 1 20 DX Fidle 1 2 ScchTone 1 17 HandBel1 1 5 DX Aggo1 1 8 StlDrum1 1 5 Blo...

Page 38: ... bells played with a bow the left like a dulcimer 42 GS1 ness 1 FM 1 AWM Strong metallic comp pad sound based on Yamaha s GS1 with deep chorus applied 43 Ice Breath 1 FM 1 AWM You can hear the breath sounds in this flute that has something of a VL feeling to it 44 Bronze Lead 1 FM 1 AWM Monotone metallic lead solo sound 45 Monster Pad 1 FM 1 AWM With a dramatic sound just like a movie soundtrack t...

Page 39: ... If the Multi Part parameter Rcv EXPRESSION OFF that part will not receive Expression 1 2 8 Holdl This message controls sustain pedal on off Control Parameter Data Range 64 Hold1 0 63 64 127 OFF ON When this is ON currently sounding notes will continue to sound even if note off messages are received If the Multi Part parameter Rcv HOLD1 OFF that part will not receive Holdl 1 2 9 Portamento This me...

Page 40: ...e receiving channel When the change is to include the voice bank transmit the program change after sending the Bank Select message see 1 2 1 If the Multi Part parameter Rcv PROGRAM CHANGE OFF that part will not receive program changes 1 5 Pitch bend This message conveys information on pitch bend operations Basically this message is for changing the pitch of a part but the depth of the following fi...

Page 41: ... MAS TER VOLUME The binary expression Osssssss is expressed in hexadecimal as SSH The same applies elsewhere 2 1 2 Universal non realtime messages 2 1 2 1 General MIDI System On 11110000 F0H Exclusive status 01111110 7EH Universal Non Real Time 01111111 7FH ID of target device 00001001 09H Sub ID 1 General MIDI Message 00000001 01H Sub ID 2 General MIDI On 11110111 F7H End of Exclusive or 11110000...

Page 42: ... status 01000011 43H YAMAHA ID 0000nnnn 0NH N Device Number 01100010 62H Model ID 0sssssss SSH ByteCountMSB 0ttttttt TTH ByteCountLSB 0ggggggg GGH Address High 0mmmmmmm MMH Address Mid 0lllllll LLH Address Low 0vvvvvvv VVH Data 0kkkkkkk KKH Check sum 11110111 F7H End of Exclusive The details are the same as for 2 2 1 XG Bulk Dump However see Tables 2 n for the Address Byte Count and block 2 2 2 1 ...

Page 43: ... REVERB SEND 0 127 28 nn 14 1 00 7F VARIATION SEND 0 127 0 nn 15 1 00 7F VIBRATO RATE 64 0 63 40 nn 16 1 00 7F VIBRATO DEPTH 64 0 63 40 nn 17 1 00 7F VIBRATO DELAY 64 0 63 40 nn 18 1 00 7F LOW PASS FILTER CUTOFF FREQUENCY 64 0 63 40 nn 19 1 00 7F LOW PASS FILTER RESONANCE 64 0 63 40 nn 1A 1 00 7F EG ATTACK TIME 64 0 63 40 nn 1B 1 00 7F EG DECAY TIME 64 0 63 40 nn 1C 1 00 7F EG RELEASE TIME 64 0 63...

Page 44: ... 0 nn 5E 1 NOT USED nn 5F 1 00 7F AC1 LFO AMOD DEPTH 0 127 0 nn 60 1 00 5F AC2 CONTROLLER NUMBER 0 95 11 nn 61 1 28 58 AC2 PITCH CONTROL 24 0 24 semitones 40 nn 62 1 00 7F AC2 LOW PASS FILTER CONTROL 9600 0 9450 cent 40 nn 63 1 00 7F AC2 AMPLITUDE CONTROL 100 0 100 40 nn 64 1 00 7F AC2 LFO PMOD DEPTH 0 127 0 nn 65 1 NOT USED nn 66 1 00 7F AC2 LFO AMOD DEPTH 0 127 0 nn 67 1 00 01 PORTAMENTO SWITCH ...

Page 45: ... NOT USED 40 nn 9 1 NOT USED 0 nn 0A 1 NOT USED 0 nn 0B 1 00 7F Carrier Level1 64 0 63 40 nn 0C 1 00 7F Carrier Level2 64 0 63 40 nn 0D 1 00 7F Carrier Level3 64 0 63 40 nn 0E 1 00 7F Carrier Level4 64 0 63 40 nn 0F 1 00 7F Carrier Level5 64 0 63 40 nn 10 1 00 7F Carrier Level6 64 0 63 40 nn 11 1 NOT USED 40 nn 12 1 NOT USED 40 nn 13 1 00 7F Modulator Level1 64 0 63 40 nn 14 1 00 7F Modulator Leve...

Page 46: ...L3 0 99 32 01 05 1 00 63 PEG LEVEL4 0 99 32 01 06 1 00 F ALGORITHM SELECTOR 1 32 00 01 07 1 00 07 FEEDBACK LEVEL 0 7 00 01 08 1 00 01 OSC PHASE INIT off on 01 01 09 1 00 63 LFO SPEED 0 99 23 01 0A 1 00 63 LFO DELAY TIME 0 99 00 01 0B 1 00 63 PITCH MODULATION DEPTH 0 99 00 01 0C 1 00 63 AMPLITUDE MODULATION DEPTH 0 99 00 01 0D 1 00 01 LFO KEY SYNC off on 01 01 0E 1 00 05 LFO WAVE triangle sawdown 0...

Page 47: ...2 DX Packed Voice Parameter VMEM format Parameter Size Parameter OP6 OP5 OP4 OP3 OP2 OP1 H H H H H H H 00 11 22 33 44 55 1 EG RATE1 01 12 23 34 45 56 1 EG RATE2 02 13 24 35 46 57 1 EG RATE3 03 14 25 36 47 58 1 EG RATE4 04 15 26 37 48 59 1 EG LEVEL1 05 16 27 38 49 5A 1 EG LEVEL2 06 17 28 39 4A 5B 1 EG LEVEL3 07 18 29 3A 4B 5C 1 EG LEVEL4 08 19 2A 3B 4C 5D 1 BREAK POINT 09 1A 2B 3C 4D 5E 1 LEFT DEPT...

Page 48: ...M PITCH PEG VELOCITY SW LFO KEY TRIGGER PEG RANGE 05 1 PITCH BEND RANGE POLY MONO UNISON SWITCH 06 1 PITCH BEND STEP 07 1 PORTAMENTO STEP PORTAMENTO MODE 08 1 PORTAMENTO TIME 09 1 NOT USED 0A 1 NOT USED 0B 1 NOT USED 0C 1 NOT USED 0D 1 NOT USED 0E 1 NOT USED 0F 1 NOT USED 10 1 NOT USED 11 1 NOT USED 12 1 NOT USED 13 1 NOT USED 14 1 NOT USED 15 1 NOT USED 16 1 NOT USED 17 1 NOT USED 18 1 PITCH EG R...

Page 49: ...PLUGIN menu doesn t appear Is the PLG100 DX correctly installed The pitch is not right Has note shift or transpose information been set This may happen when voices are placed in the custom bank and edited with the DX simulator Check the settings Notes won t stop playing Because EG Release Level L4 is set for the voices below they won t stop playing even when a Note Off is received The same applies...

Page 50: ...1 x o 1 6 38 x o 1 Data Entry 64 66 x o 1 71 74 x o 1 Sound Controller Control 96 97 x o 1 RPN Inc Dec 98 99 x o 1 NRPN LSB MSB Change 100 101 x o 1 RPN LSB MSB Pitch Bender x o 0 24 semi 1 After Key s x o 1 Touch Ch s x o 1 Velocity Note ON x o 9nH v 1 127 Note OFF x x Note x 0 127 Number True voice 0 127 Default x 3 Mode Messages x 3 4 m 1 2 Altered x Basic Default x 1 16 Memorized Channel Chang...

Page 51: ...e 1 OMNI ON POLY Mode 2 OMNI ON MONO o Yes Mode 3 OMNI OFF POLY Mode 4 OMNI OFF MONO x No Aux All Sound Off x o 120 126 127 Reset All Cntrls x o 121 Mes Local ON OFF x x sages All Notes OFF x o 123 125 Active Sense x o Reset x x System Clock x x Real Time Commands x x Song Pos x x Common Song Sel x x Tune x x System Exclusive o 3 o 3 Prog x o 0 127 Change True ...

Page 52: ......

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