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5
The PDP-400 has several volume controls that give
you extra versatility in creating the required sound.
The Volume Controls
●
Auto Accompaniment ............................................................................................................................
Separate volume controls are provided for the RHYTHM, CHORD 1,
CHORD 2, and BASS sound. These volume controls let you set up the best
balance between the various accompaniment parts when the AUTO BASS
CHORD (ABC), Disk Orchestra Collection playback, and Performance Memory
features are used, and the RHYTHM volume control can be used to balance the
keyboard and rhythm sound when only rhythm accompaniment is used.
The volume of the keyboard can be independently adjusted by using the BASS
control while holding the [MIDI/TRANSPOSE] button — this is particularly
handy for adjusting the balance when recording the PDP-400 sound.
●
Master Volume ........................................................................................................................................
The MASTER VOLUME control adjusts the overall volume of sound
produced by the PDP-400. It also adjusts headphone volume when a pair of head-
phones is plugged into the PHONES jack.
Initially set the MASTER VOLUME control about half way between the
“MIN” and “MAX” settings. Then, when you start playing, adjust the control for
the most comfortable listening level.
The PDP-400 features a powerful stereo amplifier delivering 20 watts per channel to a high-
performance speaker system . The PDP-400 speaker system employs two 13-centimeter
speaker units that deliver exceptionally rich sound with natural response from powerful lows
to shimmering highs.
The Internal Amplifier &
Speaker System
●
Other Volume Control Modes
The Auto Accompaniment volume controls can be assigned to other functions
via the “Accompaniment Volume Mode” utility function (page 42). They can be
used to control modulation, pitch bend, and expression; or individual reverb
depth for the rhythm, chord 1, chord 2, and bass parts.
NOTES
• If any or all of the Auto Accompaniment volume controls are set to their minimum
positions, no sound will be produced by the corresponding parts. The maximum
control positions produce the normal volume levels.
TAP
TEMPO
METRONOME
SONG NUMBER
MAX
MIN
MAX
MIN
MAX
MIN
MIN
MAX
VARIATION
NORMAL
INTRO/ENDING
START/STOP
AUTO BASS CHORD
SOLO
STYLEPLAY
SYNCHRO
START
SINGLE FINGER
FULL KEYBOARD
FINGERED
JAZZ
ROCK
POP
DANCE
POP
16BEAT
BALLAD
ROCK’N’
ROLL
ROCK
SHUFFLE
SWING
BOOGIE
BIG BAND
SAMBA
BOSSA
RHUMBA
CHA-CHA
POLKA
MARCH
JAZZ
WALTZ
WALTZ
BLUE-
GRASS
STYLE
POWER
HOUSE
16BEAT
POP
16BEAT
SHUFFLE
SLOW
ROCK
COUNTRY
SHUFFLE
DISK
STYLE 1
DISK
STYLE 2
JAZZ
BALLAD
PIANO
E.PIANO
HARPSI
VIBES
GUITAR
STRINGS
SPLIT
ORGAN
CHOIR
UPRIGHT
BASS
ELEC
BASS
DRUMS
VOICE 13-60
CLAVINOVA
TONE
VOICE
8
1
2
3
4
5
6
7
9
0
DISK ORCHESTRA / PERFORMANCE MEMORY
PHRASE
REPEAT
CHORD
SEQUENCE
REC
FORMAT
COPY
PAUSE
F F
REW
START/STOP
SONG
SELECT
RIGHT/1TR
LEFT/2TR
ORCH/3-10TR
RHYTHM
/
DISK CONTROL
GUIDE
COSMIC
HALL 2
HALL 1
ROOM
SOLO STYLEPLAY
START/STOP
SOSTENUTO
REVERB
DEMO
SOFT
MIDI/
TRANSPOSE
MASTER VOLUME
RHYTHM
CHORD 1
CHORD 2
BASS
AUTO ACCOMPANIMENT
BEAT
FOOT SWITCH
MAX
MIN
MAX
MIN
MAX
MIN
RHYTHM
CHORD 1 CHORD 2
BASS
AUTO ACCOMPANIMENT
MIN
MAX
MASTER VOLUME
MIN
MAX
MASTER VOLUME
MIDI/
TRANSPOSE
MAX
MIN
MAX
MIN
MAX
MIN
RHYTHM
CHORD 1 CHORD 2
BASS
AUTO ACCOMPANIMENT
MAX
MIN
BASS
