background image

24

25

Dimensions

PM5D V2 ANALOG INPUT CHARACTERISTICS

PM5D-RH V2 ANALOG INPUT CHARACTERISTICS

Input Terminals

PAD

GAIN

Actual Load

For Use With Nominal

GAIN SW 

*4

Input Level

Connector

Impedance

Sensitivity 

*1

Nominal

Max. Before Clip 

0

-60dB

-80dBu (0.0775mV)

-60dBu (0.775mV)

-40dBu (7.75mV)

INPUT 1 – 48

-16dB

3k

50-600

 Mics & 600

 Lines

-36dBu (12.3mV)

-16dBu (123mV)

+4dBu (1.23V)

XLR-3-31 Type (Balanced) 

*2

26

-10dBu (245mV)

+10dBu (2.45V)

+30dBu (24.51V)

STEREO INPUT 1 – 4 [L, R]

-34dB

4k

600

 Lines

-54dBu (1.55mV)

-34dBu (15.5mV)

-14dBu (155mV)

XLR-3-31 Type (Balanced) 

*2

10dB

-10dBu (245mV)

+10dBu (2.54V)

+30dBu (24.51V)

INSERT IN 1 – 48

10k

600

 Lines

-16dBu (123mV)

+4dBu (1.23V)

+24dBu (12.28V)

Phone Jack (TRS) (Balanced) 

*3

2TR IN ANALOG 1, 2 [L, R]

10k

600

 Lines

+24dB (default)

-6dBu (388mV)

+4dBu (1.23V)

+24dBu (12.28V)

XLR-3-31 Type (Balanced) 

*2

+18dB

-12dBu (195mV)

-2dBu (0.616V)

+18dBu (6.16V) 

TALKBACK

3k

50-600

 Mics & 600

 Lines

-60dBu (0.775mV)

-50dBu (2.45mV)

-30dBu (24.5mV)

XLR-3-31 Type (Balanced) 

*2

PM5D V2/PM5D-RH V2 ANALOG OUTPUT CHARACTERISTICS

Output Terminals

Actual Source

For Use With Nominal

GAIN SW 

*4

Output Level

Connector

 

Impedance

Nominal

Max. Before Clip

STEREO A, B [L, R]

150

600

 Lines

+24dB (default)

+4dBu (1.23 V)

+24dBu (12.28 V)

XLR-3-32 Type (Balanced) 

*1

+18dB

-2dBu (616mV)

+18dBu (6.16V)

MONITOR OUT [L, R, C]

150

600

 Lines

+24dB (default)

+4dBu (1.23 V)

+24dBu (12.28 V)

XLR-3-32 Type (Balanced) 

*1

+18dB

-2dBu (616mV)

+18dBu (6.16V)

CUE OUT [L, R]

150

600

 Lines

+24dB (default)

+4dBu (1.23 V)

+24dBu (12.28 V)

XLR-3-32 Type (Balanced) 

*1

+18dB

-2dBu (616mV)

+18dBu (6.16V)

MATRIX OUT 1 – 8

150

600

 Lines

+24dB (default)

+4dBu (1.23 V)

+24dBu (12.28 V)

XLR-3-32 Type (Balanced) 

*1

+18dB

-2dBu (616mV)

+18dBu (6.16V)

MIX OUT 1 – 24

150

600

 Lines

+24dB (default)

+4dBu (1.23 V)

+24dBu (12.28 V)

XLR-3-32 Type (Balanced) 

*1

+18dB

-2dBu (616mV)

+18dBu (6.16V)

INSERT OUT 1 – 48

150

10k

 Lines

+4dBu (1.23 V)

+24dBu (12.28 V)

Phone Jack (TRS) (Balanced) 

*2 *5

PHONES (x2)

15

8

 Phones

75mW 

*6

150mW

Stereo Phone Jack (TRS) 

40

 Phones

65mW 

*6

150mW

(Unbalanced) 

*3

 

Input Terminals

GAIN

Actual Load

For Use With Nominal

GAIN SW 

*4

Input Level

Connector

Impedance

Sensitivity 

*1

Nominal

Max. Before Clip 

INPUT 1 – 48

-62dB

3k

50-600

 Mics & 600

 Lines

-82dBu (61.6

µ

V)

-62dBu (0.616mV)

-42dBu (6.16mV)

XLR-3-31 Type (Balanced) 

*2

+10dB

-10dBu (245mV)

+10dBu (2.45V)

+30dBu (24.5V) 

STEREO INPUT 1 – [L, R]

-62dB

3k

50-600

 Mics & 600

 Lines

-82dBu (61.6

µ

V)

-62dBu (0.616mV)

-42dBu (6.16mV)

XLR-3-31 Type (Balanced) 

*2

+10dB

-10dBu (245mV)

+10dBu (2.45V)

+30dBu (24.5V)

2TR IN ANALOG 1, 2 [L, R]

10k

600

 Lines

+24dB (default)

-6dBu (388mV)

+4dBu (1.23V)

+24dBu (12.28V)

XLR-3-31 Type (Balanced) 

*2

+18dB

-12dBu (195mV)

-2dBu (0.616V)

+18dBu (6.16V)

TALKBACK

3k

50-600

 Mics & 600

 Lines

-60dBu (0.775mV)

-50dBu (2.45mV)

-30dBu (24.5mV)

XLR-3-31 Type (Balanced) 

*2

*1. Sensitivity is the lowest level that will produce an output of +4dBu (1.23V) or the nominal output level when the unit is set to maximum gain. (All faders and level controls are maximum position.)   
*2. XLR-3-31 type connectors are balanced. (1 = GND, 2 = HOT, 3 = COLD)   
*3. Phone jacks are balanced. (Tip = HOT, Ring = COLD, Sleeve = GND)   
*4. There are switches inside the body to preset the maximum input level.    
• In these specifications, 0dBu = 0.775 V rms.   
• All input AD converters are 24bit linear, 128times (@48kHz) oversampling.   
• +48V DC (phantom power) is supplied to INPUT (1 – 48) XLR type connectors via each individual switch.   

*1. XLR-3-32 type connectors are 

balanced. (1 = GND, 2 = HOT, 
3 = COLD)  

*2. Phone jack are balanced. 

(Tip = HOT, Ring = COLD, 
Sleeve = GND)  

*3. PHONES stereo phone jack is 

unbalanced. (Tip = LEFT, 
Ring = RIGHT, Sleeve = GND)  

*4. There are switches inside the 

body to preset the maximum 
output level.   

*5. INSERT OUTs are only provided 

for PM5D.  

*6. The position of the level control is 

10dB lowered from Max.  

• In these specifications, 

0dBu = 0.775 Vrms.  

• All output DA converters are 24bit, 

128times (@48kHz) oversampling.

PM5D V2/PM5D-RH V2 SLOT (1-4) CHARACTERISTICS

Card Name

Function

Input

Output

The Number Of 

Usable Cards

MY4-AD

ANALOG IN

4 IN

4

MY8-AD24

ANALOG IN

8 IN

4

MY8-AD96

ANALOG IN

8 IN

4

MY4-DA

ANALOG OUT

4 OUT

4

MY8-DA96

ANALOG OUT

8 OUT

4

MY8-AE96

AES/EBU

8 IN

8 OUT

4

MY8-AE96S

AES/EBU

8 IN

8 OUT

4

PM5D V2/PM5D-RH V2 DIGITAL INPUT CHARACTERISTICS

Terminal

Format

Data Length

Level

Connector 

2TR IN

1 AES/EBU

AES/EBU

24bit

RS422

XLR-3-31 Type (Balanced) 

*1

DIGITAL

2 AES/EBU

AES/EBU

24bit

RS422

XLR-3-31 Type (Balanced) 

*1

*2

3 COAXIAL

IEC-60958

24bit

0.5Vpp/75

RCA Pin Jack 

CASCADE IN

RS422

D-Sub Half Pitch Connector 68P (Female)

*1. XLR-3-31 type connectors are balanced. (1 = GND, 2 = HOT, 3 = COLD)    
*2. With Sampling Rate Converter.    

Each I/O SLOT accepts a Digital Interface card.

PM5D V2/PM5D-RH V2 DIGITAL OUTPUT CHARACTERISTICS

Terminal

Format

Data Length

Level

Connector 

2TR OUT

1 AES/EBU

AES/EBU

24bit 

*1

RS422

XLR-3-32 Type (Balanced) 

*2

DIGITAL

Professional Use

*3

2 AES/EBU

AES/EBU

24bit 

*1

RS422

XLR-3-32 Type (Balanced) 

*2

Professional Use

3 COAXIAL

IEC-60958

24bit 

*1

0.5Vpp/75

RCA Pin Jack

Consumer Use

CASCADE OUT

RS422

D-Sub Half Pitch Connector 68P (Female)

*1. Dither :word length 16/20/24 bit
*2. XLR-3-32 type connectors are balanced. (1 = GND, 2 = HOT, 3 = COLD)
*3. With Sampling Rate Converter.

Specifications and appearance are subject to change without notice.

All trademarks and registered trademarks are property of their respective owners.

*Only SLOT1 has a Serial Interface.

Card Name

Function

Input

Output

The Number Of 

Usable Cards

MY8-AT

ADAT

8 IN

8 OUT

4

MY8-TD

TASCAM

8 IN

8 OUT

4

MY8-AE

AES/EBU

8 IN

8 OUT

4

MY16-AT

ADAT

16 IN

16 OUT

4

MY16-TD

TASCAM

16 IN

16 OUT

4

MY16-AE

AES/EBU

16 IN

16 OUT

4

MY16-CII*

CobraNet

16 IN

16 OUT

4

PM5D V2/PM5D-RH V2 CONTROL INPUT/OUTPUT CHARACTERISTICS

Terminal

Format

Level

Connector

TO HOST

USB

USB1.1

B type USB Connector

MIDI

IN

MIDI

DIN-5pin

OUT

MIDI

DIN-5pin

THRU

MIDI

DIN-5pin

TIME CODE IN

SMPTE

SMPTE

0.3Vpp (min.)/10Vpp (max.), 10k

XLR-3-31 type

WORD CLOCK

IN

TTL/75

 (ON/OFF) 

BNC

OUT

TTL/75

BNC

GPI

— 

D-sub 25pin (female)

HA REMOTE

RS422

D-sub 9pin (male)

REMOTE

RS422 

D-sub 9pin (female)

KEYBOARD

PS/2

— DIN 

6pin

MOUSE

PS/2

DIN 6pin

]

LAMP 1,2,3

2.5V-11.5V 

XLR-4-31 type

MEMORY CARD

PCMCIA (CF)

DSP5D ANALOG INPUT CHARACTERISTICS

Input Terminals

GAIN

Actual Load Impedance

For Use With Nominal

Output Level

Connector

 

Sensitivity

*1

Nominal

Max. Before Clip

INPUT 1 – 48

-62dB

3k

50-600

 Mics. & 

-82dBu

-62dBu

-42dBu

XLR-3-31 Type

+10dB

600

 Lines

-10dBu

+10dBu

+30dBu

(Balanced) 

*2

ST IN 1 – 4 [L, R]

-62dB

3k

50-600

 Mics. &

-82dBu

-62dBu

-42dBu

XLR-3-31 Type

+10dB

600

 Lines

-10dBu

+10dBu

+30dBu

(Balanced) 

*2

*1. Sensitivity is the lowest level that will produce an output of +4dBu (1.23V) or the nominal output level when the unit is set to maximum gain. (all faders and level controls are maximum position.)
*2. XLR-3-31 type connectors are balanced. (1=GND, 2=HOT, 3=COLD)
• All input AD converters are 24bit linear, 128times (@48kHz) oversampling.
• +48V DC (phantom power) is supplied to INPUT (1 – 48) XLR type connectors via one master software controled switch and each individual software controled switches.
• There are switches inside the body to preset the maximum input level.

DSP5D ANALOG OUTPUT CHARACTERISTICS

Output Terminals

Actual Source Impedance

For Use With Nominal

GAIN SW

*2

Output Level

Connector

 

Nominal

Max. Before Clip

OMNI OUT – 24

150

600

 Lines

 

+24dB (default)

+4dBu

+24dBu

XLR-3-32 Type (Balanced) 

*1

+18dB

-2dBu

+18dBu

*1. XLR-3-32 type connectors are balanced. (1=GND, 2=HOT, 3=COLD)
*2. There are switches inside the body to preset the maximum output level.
• All output DA converters are 24bit, 128times (@48kHz) oversampling.

DSP5D DIGITAL INPUT CHARACTERISTICS

Terminal

Format

Data Length

Level

Connector 

CASCADE IN

— 

RS422

D Sub Half Pitch Connector 68P (Female)

CASCADE IN

100 Base-TX (RJ-45)

Ether Con

• CASCADE cable max. 200m@48KHz, 50m@96KHz.

DSP5D DIGITAL OUTPUT CHARACTERISTICS

Terminal

Format

Data Length

Level

Connector 

CASCADE OUT

— 

RS422

D Sub Half Pitch Connector 68P (Female)

CASCADE OUT

100 Base-TX (RJ-45)

Ether Con

• CASCADE cable max. 200m@48KHz, 50m@96KHz.

283

271

260

283

271

260

1551

1450

950

865

1551

1450

950

865

Unit: mm

Unit: mm

PM5D-RH V2

PM5D V2

Summary of Contents for DCU5D

Page 1: ...For details please contact Printed in Japan This document is printed on chlorine free ECF paper with soy ink www yamahaproaudio com ...

Page 2: ... that is downloadable from Yamaha s Pro Audio website will bring you right up to speed But there s been another important development that makes the PM5D V2 a major system player the DSP5D Digital Mixing System Although the PM5D was always expandable via Yamaha s MY series expansion cards and integration with digital systems such as DME64N and AD8HR the DSP5D takes system scalability to a totally ...

Page 3: ...High capacity Versatile Mix Performance The PM5D V2 can accommodate a total of 130 input connections 48 channel inputs four stereo inputs five 2 TR IN s plus four mini YGDAI slots and can handle up to 64 inputs simultaneously The 64 input mixing channels are configured by default as 48 mono input channels 4 stereo inputs and 4 stereo effect returns By utilizing the internal patch bay and expansion...

Page 4: ...uses and panning can be controlled via the track pad or by using dedicated control devices connected via the MIDI or GPI port Expansion Slots for Added Connectivity Four rear panel mini YGDAI expansion slots allow you to use a range of MY series expansion cards to enhance the PM5D V2 in a number of ways You can for example use the added I O capability to connect to and remotely control high perfor...

Page 5: ...e the mute groups to which the corresponding channel is assigned RCL and MUTE SAFE Indicators The RCL SAFE LED lights when the channel is set to the recall safe mode so that it will not be affected by scene recall operations The MUTE SAFE mode prevents the channel from being affected by mute group operations Channel Fader These very smooth and quiet 100mm motorized faders control and display the c...

Page 6: ...ys to turn the corresponding send on or off TO STEREO and TO MTRX LEDs to indicate assignment to the stereo and matrix busses PAIR LEDs that indicate paired mix sends and CUE and SEL keys that assign the corresponding MIX signal to the SELECTED CHANNEL controls when the MIX MASTER mode is engaged When an odd even numbered pair of mix bus sends is assigned as a stereo pair the odd numbered encoder ...

Page 7: ...er to http www ethersound com technology compatibility php DSP5D and DCU5D utilize EtherSound technologies But because bandwidth is fixed exclusively for DSP5D and DCU5D they cannot be controlled by ES monitor ST IN Connectors Master Phantom On Off Switch Input Connectors ST IN Connectors MIX OUT Connectors OUTPUT Connectors MONITOR CUE STEREO A B MATRIX POWER INPUT Connector Expansion Slots for m...

Page 8: ...tely from the other 24 keys next to the FADER MODE buttons and is conveniently assigned to scene increment operation but you can reassign it to perform any function you require DIRECT RECALL MUTE MASTER These eight keys can be used either to directly recall assigned scene numbers or to mute the corresponding mute groups The DIRECT RECALL and MUTE MASTER LEDs indicate which function the keys are cu...

Page 9: ...of the sound distortion and saturation characteristics REV X Reverb Programs Effect No 46 48 The REV X programs feature the richest reverberation and smoothest decay available based on the REV X algorithms first introduced in Yamaha s SPX2000 Professional Multi Effect Processor The Hall and Room programs have a very open sound while Plate delivers a brighter tonality that is ideal for vocals Note ...

Page 10: ...ual mixer this window shows all PM5D V2 input channel parameters in line as they might appear on an analog console This is a comprehensive overview designed for fast efficient editing of the most essential mix elements Master Windows Mix Matrix DCA Stereo These windows provide an informative overview of fader levels as well as other parameters including EQ compressor gain reduction delay and more ...

Page 11: ... supply integrated into each channel that can be turned on and off by remote control The filter s cut off frequency is also remotely adjustable This Head Amp Remote Control function makes it possible for the AD8HR to be used as a stage box In addition to the many advantages that this offers digital connection of the AD8HR and PM5D using an AES EBU cable reduces analog wiring requirements to the ba...

Page 12: ...T Sampling frequency 88 2kHz or 96kHz Frequency Response PM5D 0 5 1 5dB 20Hz 20kHz 1kHz into 600Ω INPUT 1 48ch to STEREO A B OUT Sampling frequency 44 1kHz or 48kHz 0 0 6 o t n i z H k 1 z H k 0 4 z H 0 2 B d 2 5 0 Ω INPUT 1 48ch to STEREO A B OUT Sampling frequency 88 2kHz or 96kHz PM5D RH 1 0 3 0dB 20Hz 20kHz 1kHz into 600 Ω INPUT 1 48ch to STEREO A B OUT Sampling frequency 44 1kHz or 48kHz 1 0 ...

Page 13: ... AD24 ANALOG IN 8 IN 4 MY8 AD96 ANALOG IN 8 IN 4 MY4 DA ANALOG OUT 4 OUT 4 MY8 DA96 ANALOG OUT 8 OUT 4 MY8 AE96 AES EBU 8 IN 8 OUT 4 MY8 AE96S AES EBU 8 IN 8 OUT 4 PM5D V2 PM5D RH V2 DIGITAL INPUT CHARACTERISTICS Terminal Format Data Length Level Connector 2TR IN 1 AES EBU AES EBU 24bit RS422 XLR 3 31 Type Balanced 1 DIGITAL 2 AES EBU AES EBU 24bit RS422 XLR 3 31 Type Balanced 1 2 3 COAXIAL IEC 60...

Page 14: ...y CASCADE OUT ON OFF Lch METER Rch METER 1 AD GAIN ST IN 1 4 L AD GAIN ST IN 1 4 R SIGNAL PEAK SIGNAL PEAK ST IN L ST IN R INPUT 48V TO TALKBACK SELECT SIGNAL PEAK GAIN OFF ON AD 48V MASTER ON OFF ON INPUT 1 48 FX7 OUT L R FX8 OUT L R FX1 OUT L R FX4 OUT L R FX6 OUT L R FX2 OUT L R FX3 OUT L R FX5 OUT L R INPUT PATCH 16 16 16 16 FX7 IN L R FX8 IN L R FX1 IN L R FX4 IN L R FX6 IN L R FX2 IN L R FX3...

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