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As with other Yamaha digital consoles, editor application software is provided to PM5D V2 users. The PM5D Editor is designed for 

the offline programming and on-line control, with comprehensive analog-style visual representation of the PM5D V2 controls. 

A separate DSP5D Editor application is provided for control of the DSP5D. The PM5D Editor will run on Windows XP and Mac OSX 

(10.2 or later) compatible computers connected to the PM5D V2 via USB. The DSP5D Editor runs on a Windows computer 

connected to the DSP5D via an Ethernet network cable. The PM5D Editor works within the Yamaha Studio Manager Host 

environment for smooth integration with other Yamaha digital systems. It would not be possible to introduce all of the PM5D V2 

software parameters and displays in the space available here, but here are a few examples.

Selected Channel Window

This very useful overview window 

shows all parameters available via 

the console’s SELECTED CHANNEL 

section in easy-to-grasp graphic 

form, as well the controls in the 

selected channel strip itself, and the 

MIX SEND controls. 

The PM5D Editor will also include the following windows for total console management :

■ 

Effect Window

■ 

DCA/Mute Group Window

■ 

Effect Window

■ 

GEQ Window

■ 

Surround Editor Window

■ 

Meter Window

■ 

Patch Editor

■ 

Library Window

■ 

Scene Window

■ 

Setup Window

Layer Window

Almost a complete virtual mixer, this window shows all PM5D V2 input channel parameters 

“in-line” as they might appear on an analog console. This is a comprehensive overview 

designed for fast, efficient editing of the most essential mix elements.

Master Windows (Mix, Matrix, DCA, Stereo)

These windows provide an informative overview of fader levels as well as other parameters 

including EQ, compressor gain reduction, delay, and more. 

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O p t i o n s

The PM5D V2’s real I/O versatility comes in the form of four mini-YGDAI expansion slots. The expansion slots are 24 bit/96 kHz 

compatible, so you can select mini YGDAI plug-in cards to create the input/output configuration that’s perfect for your needs. 

PW800W

Power Supply

mini-YGDAI Cards

PSL120

Power Supply Link Cable

MY8-AE

8 channel AES/EBU format I/O

MY8-AT

8 channel ADAT format I/O

MY8-TD

8 channel TDIF format I/O

MY4-AD

4 channel Analog Input Card

MY8-AD24

8 channel Analog Input Card

MY8-AD96

8 channel Anolog Input Card

MY4-DA

4 channel Anolog Output Card (20bit)

MY8-DA96

8 channel Anolog Output Card

MY8-ADDA96

8 channel Analog I/O

MY8-AE96

8 channel AES/EBU format I/O

MY8-AE96S

8 channel AES/EBU format I/O

(w/Sample rate converter)

MY16-AT

16 channel ADAT format I/O

MY16-TD

16 channel TDIF format I/O

MY8-AEB

8 channel AES/EBU format I/O

MY16-CII

16 channel CobraNet

 I/O

MY16-AE

16 channel AES/EBU format I/O

MY16-C

16 channel CobraNet

 I/O

AVIOM 16/o-Y1

16 channel AVIOM A-Net Output Card

AuviTran AVY16-ES

16 channel EtherSound I/O

Audio-Service MY16MADI64

MADI I/O

■ 

Third Party Cards

■ 

DA Cards

■ 

Digital I/O Cards

■ 

AD/DA Card

■ 

AD Cards

Summary of Contents for DCU5D

Page 1: ...For details please contact Printed in Japan This document is printed on chlorine free ECF paper with soy ink www yamahaproaudio com ...

Page 2: ... that is downloadable from Yamaha s Pro Audio website will bring you right up to speed But there s been another important development that makes the PM5D V2 a major system player the DSP5D Digital Mixing System Although the PM5D was always expandable via Yamaha s MY series expansion cards and integration with digital systems such as DME64N and AD8HR the DSP5D takes system scalability to a totally ...

Page 3: ...High capacity Versatile Mix Performance The PM5D V2 can accommodate a total of 130 input connections 48 channel inputs four stereo inputs five 2 TR IN s plus four mini YGDAI slots and can handle up to 64 inputs simultaneously The 64 input mixing channels are configured by default as 48 mono input channels 4 stereo inputs and 4 stereo effect returns By utilizing the internal patch bay and expansion...

Page 4: ...uses and panning can be controlled via the track pad or by using dedicated control devices connected via the MIDI or GPI port Expansion Slots for Added Connectivity Four rear panel mini YGDAI expansion slots allow you to use a range of MY series expansion cards to enhance the PM5D V2 in a number of ways You can for example use the added I O capability to connect to and remotely control high perfor...

Page 5: ...e the mute groups to which the corresponding channel is assigned RCL and MUTE SAFE Indicators The RCL SAFE LED lights when the channel is set to the recall safe mode so that it will not be affected by scene recall operations The MUTE SAFE mode prevents the channel from being affected by mute group operations Channel Fader These very smooth and quiet 100mm motorized faders control and display the c...

Page 6: ...ys to turn the corresponding send on or off TO STEREO and TO MTRX LEDs to indicate assignment to the stereo and matrix busses PAIR LEDs that indicate paired mix sends and CUE and SEL keys that assign the corresponding MIX signal to the SELECTED CHANNEL controls when the MIX MASTER mode is engaged When an odd even numbered pair of mix bus sends is assigned as a stereo pair the odd numbered encoder ...

Page 7: ...er to http www ethersound com technology compatibility php DSP5D and DCU5D utilize EtherSound technologies But because bandwidth is fixed exclusively for DSP5D and DCU5D they cannot be controlled by ES monitor ST IN Connectors Master Phantom On Off Switch Input Connectors ST IN Connectors MIX OUT Connectors OUTPUT Connectors MONITOR CUE STEREO A B MATRIX POWER INPUT Connector Expansion Slots for m...

Page 8: ...tely from the other 24 keys next to the FADER MODE buttons and is conveniently assigned to scene increment operation but you can reassign it to perform any function you require DIRECT RECALL MUTE MASTER These eight keys can be used either to directly recall assigned scene numbers or to mute the corresponding mute groups The DIRECT RECALL and MUTE MASTER LEDs indicate which function the keys are cu...

Page 9: ...of the sound distortion and saturation characteristics REV X Reverb Programs Effect No 46 48 The REV X programs feature the richest reverberation and smoothest decay available based on the REV X algorithms first introduced in Yamaha s SPX2000 Professional Multi Effect Processor The Hall and Room programs have a very open sound while Plate delivers a brighter tonality that is ideal for vocals Note ...

Page 10: ...ual mixer this window shows all PM5D V2 input channel parameters in line as they might appear on an analog console This is a comprehensive overview designed for fast efficient editing of the most essential mix elements Master Windows Mix Matrix DCA Stereo These windows provide an informative overview of fader levels as well as other parameters including EQ compressor gain reduction delay and more ...

Page 11: ... supply integrated into each channel that can be turned on and off by remote control The filter s cut off frequency is also remotely adjustable This Head Amp Remote Control function makes it possible for the AD8HR to be used as a stage box In addition to the many advantages that this offers digital connection of the AD8HR and PM5D using an AES EBU cable reduces analog wiring requirements to the ba...

Page 12: ...T Sampling frequency 88 2kHz or 96kHz Frequency Response PM5D 0 5 1 5dB 20Hz 20kHz 1kHz into 600Ω INPUT 1 48ch to STEREO A B OUT Sampling frequency 44 1kHz or 48kHz 0 0 6 o t n i z H k 1 z H k 0 4 z H 0 2 B d 2 5 0 Ω INPUT 1 48ch to STEREO A B OUT Sampling frequency 88 2kHz or 96kHz PM5D RH 1 0 3 0dB 20Hz 20kHz 1kHz into 600 Ω INPUT 1 48ch to STEREO A B OUT Sampling frequency 44 1kHz or 48kHz 1 0 ...

Page 13: ... AD24 ANALOG IN 8 IN 4 MY8 AD96 ANALOG IN 8 IN 4 MY4 DA ANALOG OUT 4 OUT 4 MY8 DA96 ANALOG OUT 8 OUT 4 MY8 AE96 AES EBU 8 IN 8 OUT 4 MY8 AE96S AES EBU 8 IN 8 OUT 4 PM5D V2 PM5D RH V2 DIGITAL INPUT CHARACTERISTICS Terminal Format Data Length Level Connector 2TR IN 1 AES EBU AES EBU 24bit RS422 XLR 3 31 Type Balanced 1 DIGITAL 2 AES EBU AES EBU 24bit RS422 XLR 3 31 Type Balanced 1 2 3 COAXIAL IEC 60...

Page 14: ...y CASCADE OUT ON OFF Lch METER Rch METER 1 AD GAIN ST IN 1 4 L AD GAIN ST IN 1 4 R SIGNAL PEAK SIGNAL PEAK ST IN L ST IN R INPUT 48V TO TALKBACK SELECT SIGNAL PEAK GAIN OFF ON AD 48V MASTER ON OFF ON INPUT 1 48 FX7 OUT L R FX8 OUT L R FX1 OUT L R FX4 OUT L R FX6 OUT L R FX2 OUT L R FX3 OUT L R FX5 OUT L R INPUT PATCH 16 16 16 16 FX7 IN L R FX8 IN L R FX1 IN L R FX4 IN L R FX6 IN L R FX2 IN L R FX3...

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