Yamaha CP1 Brochure Download Page 8

The Pre-Amplifier unit has been provided with tone controls optimized 
for each different piano type, and the following diagrams illustrate the 
frequency characteristics corresponding to some typical parameter 
settings. 

The Hammer Stiffness parameter can be 
used to make the piano sound harder or 
softer in the same way as if the physical 
properties of the hammers were to be 
changed.

Typically occurring when an acoustic piano's 
damper pedal is depressed, sympathetic 
resonance can also be produced by 
depressing the CP1's sustain pedal, and the 
Damper Resonance Level parameter is used 
to adjust the level thereof.

The Striking Position parameter is used to 
reproduce the effect of moving the point at 
which an electric piano's hammers strike the 
resonators.

In order to allow for extremely-flexible creation of piano sounds, the 
CP1's Piano Block features a wide range of sophisticated parameters for 
each piano type and the associated pre-amp. What follows is an 
introduction to some typical examples of parameters for acoustic and 
electric piano sounds. 

Piano Type Unit

Pre-Amplifier Unit

Sound Enhancement

Damper Resonance Level

Striking Position

Hammer Stiffness

Bass, Treble, Overtone

Sharing the limelight with the Rd pianos in 

the sixties and seventies, the Wr electric 

piano produced its distinctive sound by 

striking flat steel-reed resonators with 

hammers whose action closely resembled 

that of an acoustic piano. Thanks to this 

design, light playing produced a delicate 

sound, while playing with force produced a 

thick, heavy sound with unique distortion. 

Earlier models were noted for a powerful 

sound with a slightly higher level of 

distortion; later models had a bright, clearly 

defined tone. Both of these Wr variations can 

be recreated by the CP1, as can the 

pleasant-sounding distortion of this electric 

piano and its unique tremolo effect. And with 

three-band tone control also included, a 

broad range of different sounds can be easily 

configured.

69Wr, 77Wr

Wr

0dB

0dB

+20dB

+20dB

10Hz

Hz

100Hz

Hz

1.0kHz

kHz

10.0kHz

kHz

-20dB

-20dB

0dB

+20dB

10Hz

100Hz

1.0kHz

10.0kHz

-20dB

Treble

Bass

0dB

0dB

+20dB

+20dB

10Hz

Hz

100Hz

Hz

1.0kHz

kHz

10.0kHz

kHz

-20dB

-20dB

0dB

+20dB

10Hz

100Hz

1.0kHz

10.0kHz

-20dB

Bass

Overtone

Dyno

73Rd I 

Summary of Contents for CP1

Page 1: ...U R G Pro Audio Digital Musical Instrument Division Yamaha Corporation 2009 Yamaha Corporation WR95750 909 MWDH 01A0 Printed in Japan Illustrated Guide to the CP1...

Page 2: ...ipation in the development of pianos for stage and recording environments And against the backdrop of our continued stage piano production since introducing the CP70 and CP80 in the seventies we have...

Page 3: ...below these instruments and devices are recreated as four different types of structural block namely Piano Modulation Effect Power Amplifier Compressor and Reverb and CP1 voices are fashioned by arran...

Page 4: ...ossible sound for the overall ensemble For this reason the acoustic piano voices of the CP1 feature microphone pre amp simulators that can be used to optimize the sound in the very same way 01 1 Acous...

Page 5: ...ntrol and perfectly tuned to the characteristics of the CFIIIS have also been included to complete the sound of this remarkable instrument Made possible through lavish application of CFIIIS techniques...

Page 6: ...ntic grand piano action and using pickups to convert their vibration into an electrical signal the CP80 is an electric grand piano in the true sense of the word This instrument arrived on the scene du...

Page 7: ...es saw remarkable progress in making instruments louder in response to the demands of the times A child of this period the Rd II electric piano employed the latest advances in technology to realize a...

Page 8: ...ers for acoustic and electric piano sounds Piano Type Unit Pre Amplifier Unit Sound Enhancement Damper Resonance Level Striking Position Hammer Stiffness Bass Treble Overtone Sharing the limelight wit...

Page 9: ...nciple of FM tone generation the Yamaha DX Series debuted at the beginning of the eighties as the world s first digital synthesizers The number of different sounds available and their sensitivity to d...

Page 10: ...led based on key velocity or pedal operation can be easily satisfied using these effects Chorus The Chorus modulation effect reproduces the clear cut highly adaptable sound of a synth type chorus unit...

Page 11: ...ectric piano sound For a higher degree of presence power amplifier 77Wr adds a bright colorful ambience to electric piano sounds Compressor 376 emulates the acoustic characteristics of the analog comp...

Page 12: ...in practically any situation Rich Hall Rich Plate Rich Room Inheriting the audio characteristics of the ProR3 digital reverberator the Rich Hall Rich Plate and Rich Room reverb algorithms produce a n...

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