Yamaha CP1 Brochure Download Page 10

Small Phaser

The Small Phaser effect can be used to 

reproduce the smooth, beautiful phasing 

sound much loved by countless musicians 

from the seventies onwards. In addition to 

replicating the unique undulating nature of 

this type of effect, Small Phaser is also 

capable of producing a highly distinctive 

distortion that can be adjusted using the 

Drive parameter.

Max90, Max100

Max90 and Max100 replicate the 

standard-type phasers popular with all 

musicians of all levels, right up to top-flight 

professionals. Max90 can be adjusted to 

produce a unique distortion sound using the 

Drive parameter; meanwhile, the Mode 

parameter of the Max100 can be used to 

recreate the modulation depth and feedback 

settings distinctive of that effect. 

Flanger

The Flanger modulation effect recreates 

the sound and musicality of a variety of 

flagship analog flanger units from the 

seventies. As such, it is ideally suited to all 

types of flanger-based sound creation.

Touch Wah, Pedal Wah

Touch Wah and Pedal Wah effortlessly 
reproduce the acoustic and melodic 
characteristics of many of the seventies' 
leading filter sweep effects. All of your 
wah-type effect needs – regardless of 
whether filter sweeping is to be 
controlled based on key velocity or 
pedal operation – can be easily satisfied 
using these effects.

Chorus

The Chorus modulation effect 
reproduces the clear-cut, highly 
adaptable sound of a synth-type 
chorus unit.

D Chorus

D Chorus models the sound of the 
famed rack-mounted stereo chorus unit 
that soon became a standard in 
recording studios following its release. 
Irrespective of its soft, gentle 
modulation, this effect can produce a 
wide stereo sound, and it uniquely adds 
brilliant harmonic overtones while 
emphasizing attack.

816 Chorus

Famous for combining eight DX7s in 
a single rack unit, Yamaha's TX816 
featured a thick, detuned chorus 
sound reproduced here by the 816 
Chorus modulation effect.

Symphonic

A multi-stage chorus true to the 
Yamaha tradition, Symphonic can be 
used to replicate the ensemble effect of 
the electronic organs and string 
ensemble keyboards of the seventies. 
By performing simultaneous, complex 
modulation, this effect creates a 
distinctive tone and sense of space that 
other chorus effects cannot mimic, 
deepening and widening the piano 
sound in the process. 

02

Each Modulation Effect block 

contains a versatile collection of 

modulation-type effects that will 

prove indispensable in the 

creation of piano sounds for both 

stage and recording 

environments. On this and the 

following page, you will find a 

brief introduction to each of the 

available effects.

Modulation 
Effect Block

0dB

+20dB

10Hz

100Hz

1.0kHz

10.0kHz

-20dB

0dB

+20dB

10Hz

100Hz

1.0kHz

10.0kHz

-20dB

Summary of Contents for CP1

Page 1: ...U R G Pro Audio Digital Musical Instrument Division Yamaha Corporation 2009 Yamaha Corporation WR95750 909 MWDH 01A0 Printed in Japan Illustrated Guide to the CP1...

Page 2: ...ipation in the development of pianos for stage and recording environments And against the backdrop of our continued stage piano production since introducing the CP70 and CP80 in the seventies we have...

Page 3: ...below these instruments and devices are recreated as four different types of structural block namely Piano Modulation Effect Power Amplifier Compressor and Reverb and CP1 voices are fashioned by arran...

Page 4: ...ossible sound for the overall ensemble For this reason the acoustic piano voices of the CP1 feature microphone pre amp simulators that can be used to optimize the sound in the very same way 01 1 Acous...

Page 5: ...ntrol and perfectly tuned to the characteristics of the CFIIIS have also been included to complete the sound of this remarkable instrument Made possible through lavish application of CFIIIS techniques...

Page 6: ...ntic grand piano action and using pickups to convert their vibration into an electrical signal the CP80 is an electric grand piano in the true sense of the word This instrument arrived on the scene du...

Page 7: ...es saw remarkable progress in making instruments louder in response to the demands of the times A child of this period the Rd II electric piano employed the latest advances in technology to realize a...

Page 8: ...ers for acoustic and electric piano sounds Piano Type Unit Pre Amplifier Unit Sound Enhancement Damper Resonance Level Striking Position Hammer Stiffness Bass Treble Overtone Sharing the limelight wit...

Page 9: ...nciple of FM tone generation the Yamaha DX Series debuted at the beginning of the eighties as the world s first digital synthesizers The number of different sounds available and their sensitivity to d...

Page 10: ...led based on key velocity or pedal operation can be easily satisfied using these effects Chorus The Chorus modulation effect reproduces the clear cut highly adaptable sound of a synth type chorus unit...

Page 11: ...ectric piano sound For a higher degree of presence power amplifier 77Wr adds a bright colorful ambience to electric piano sounds Compressor 376 emulates the acoustic characteristics of the analog comp...

Page 12: ...in practically any situation Rich Hall Rich Plate Rich Room Inheriting the audio characteristics of the ProR3 digital reverberator the Rich Hall Rich Plate and Rich Room reverb algorithms produce a n...

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