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Small Phaser

The Small Phaser effect can be used to 

reproduce the smooth, beautiful phasing 

sound much loved by countless musicians 

from the seventies onwards. In addition to 

replicating the unique undulating nature of 

this type of effect, Small Phaser is also 

capable of producing a highly distinctive 

distortion that can be adjusted using the 

Drive parameter.

Max90, Max100

Max90 and Max100 replicate the 

standard-type phasers popular with all 

musicians of all levels, right up to top-flight 

professionals. Max90 can be adjusted to 

produce a unique distortion sound using the 

Drive parameter; meanwhile, the Mode 

parameter of the Max100 can be used to 

recreate the modulation depth and feedback 

settings distinctive of that effect. 

Flanger

The Flanger modulation effect recreates 

the sound and musicality of a variety of 

flagship analog flanger units from the 

seventies. As such, it is ideally suited to all 

types of flanger-based sound creation.

Touch Wah, Pedal Wah

Touch Wah and Pedal Wah effortlessly 
reproduce the acoustic and melodic 
characteristics of many of the seventies' 
leading filter sweep effects. All of your 
wah-type effect needs – regardless of 
whether filter sweeping is to be 
controlled based on key velocity or 
pedal operation – can be easily satisfied 
using these effects.

Chorus

The Chorus modulation effect 
reproduces the clear-cut, highly 
adaptable sound of a synth-type 
chorus unit.

D Chorus

D Chorus models the sound of the 
famed rack-mounted stereo chorus unit 
that soon became a standard in 
recording studios following its release. 
Irrespective of its soft, gentle 
modulation, this effect can produce a 
wide stereo sound, and it uniquely adds 
brilliant harmonic overtones while 
emphasizing attack.

816 Chorus

Famous for combining eight DX7s in 
a single rack unit, Yamaha's TX816 
featured a thick, detuned chorus 
sound reproduced here by the 816 
Chorus modulation effect.

Symphonic

A multi-stage chorus true to the 
Yamaha tradition, Symphonic can be 
used to replicate the ensemble effect of 
the electronic organs and string 
ensemble keyboards of the seventies. 
By performing simultaneous, complex 
modulation, this effect creates a 
distinctive tone and sense of space that 
other chorus effects cannot mimic, 
deepening and widening the piano 
sound in the process. 

02

Each Modulation Effect block 

contains a versatile collection of 

modulation-type effects that will 

prove indispensable in the 

creation of piano sounds for both 

stage and recording 

environments. On this and the 

following page, you will find a 

brief introduction to each of the 

available effects.

Modulation 
Effect Block

0dB

+20dB

10Hz

100Hz

1.0kHz

10.0kHz

-20dB

0dB

+20dB

10Hz

100Hz

1.0kHz

10.0kHz

-20dB

Summary of Contents for 69Wr

Page 1: ...U R G Pro Audio Digital Musical Instrument Division Yamaha Corporation 2009 Yamaha Corporation WR95750 909 MWDH 01A0 Printed in Japan Illustrated Guide to the CP1 ...

Page 2: ...cipation in the development of pianos for stage and recording environments And against the backdrop of our continued stage piano production since introducing the CP70 and CP80 in the seventies we have remained loyal to the proud tradition of vintage electric pianos in the recreation of their unique sound Achieved through uncompromising pursuit of perfection in an instrument that surpasses the sum ...

Page 3: ... below these instruments and devices are recreated as four different types of structural block namely Piano Modulation Effect Power Amplifier Compressor and Reverb and CP1 voices are fashioned by arranging these blocks with the instrument s customization function Referred to as Performances these voices can then be optimized for the current playing environment using a common Master Equalizer affec...

Page 4: ...possible sound for the overall ensemble For this reason the acoustic piano voices of the CP1 feature microphone pre amp simulators that can be used to optimize the sound in the very same way 01 1 Acoustic Pianos 01 Each of the CP1 s Piano blocks comprises a Piano Type unit and a perfectly suited Pre Amplifier unit Whenever you choose a piano type therefore the ideal pre amplifier for that specific...

Page 5: ...ontrol and perfectly tuned to the characteristics of the CFIIIS have also been included to complete the sound of this remarkable instrument Made possible through lavish application of CFIIIS techniques and technologies the Yamaha S6B grand piano is produced at the same plant using carefully selected parts and under the strictest quality and engineering standards Its modest size allows for excellen...

Page 6: ...entic grand piano action and using pickups to convert their vibration into an electrical signal the CP80 is an electric grand piano in the true sense of the word This instrument arrived on the scene during the latter half of the seventies and soon became famous for exquisite keyboard touch rivaling that of acoustic pianos for fast compression like attack and also for its unique harmonic overtones ...

Page 7: ...ies saw remarkable progress in making instruments louder in response to the demands of the times A child of this period the Rd II electric piano employed the latest advances in technology to realize a unique brilliant sound that was free of distortion even at high volumes With plastic replacing wood in this instrument s action furthermore it was possible to achieve timbral colors that were brighte...

Page 8: ...ters for acoustic and electric piano sounds Piano Type Unit Pre Amplifier Unit Sound Enhancement Damper Resonance Level Striking Position Hammer Stiffness Bass Treble Overtone Sharing the limelight with the Rd pianos in the sixties and seventies the Wr electric piano produced its distinctive sound by striking flat steel reed resonators with hammers whose action closely resembled that of an acousti...

Page 9: ...inciple of FM tone generation the Yamaha DX Series debuted at the beginning of the eighties as the world s first digital synthesizers The number of different sounds available and their sensitivity to different playing styles left musicians around the world in awe Singled out for particular praise and quickly finding a home in many different musical scenes were the electric piano sounds of the DX s...

Page 10: ...lled based on key velocity or pedal operation can be easily satisfied using these effects Chorus The Chorus modulation effect reproduces the clear cut highly adaptable sound of a synth type chorus unit D Chorus D Chorus models the sound of the famed rack mounted stereo chorus unit that soon became a standard in recording studios following its release Irrespective of its soft gentle modulation this...

Page 11: ...lectric piano sound For a higher degree of presence power amplifier 77Wr adds a bright colorful ambience to electric piano sounds Compressor 376 emulates the acoustic characteristics of the analog compressors found in practically every recording studio This compressor is best suited to clear and crisp tones producing a thick solid sound 78Rd II 69Wr 71Rd I 73Rd I 75Rd I 77Wr Compressor 376 Power A...

Page 12: ...e in practically any situation Rich Hall Rich Plate Rich Room Inheriting the audio characteristics of the ProR3 digital reverberator the Rich Hall Rich Plate and Rich Room reverb algorithms produce a natural sounding reverberation with a smooth decay We hope that this brief introduction has provided all the information you need to start enjoying the incredible CP1 and to enrich your playing experi...

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