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A simple example of what you can achieve using the dropdown Modulation Matrix :
The LFO1 control both filter’s Cut Off ( Negative ) and
Resonance ( Positive) parameters with a 40% amount.
The Mod Wheel controls the VCF Resonance ( Negative ),
the VCF Cut Off ( Positive ), and finally the LFO 1 rate
( or frequency ) ( Positive ) with a 70% amount.
Please note that the last Modulation Matrix, the PolyMYX is fully described in section 7.5.3 of this
manual.
7.1.7 Main level and keyboard settings
OUTPUTS
: The knob
Outputs
beneath the arpeggiator section controls the general output level of
the PolyKB,
Stereo ON
: This switch enables or disables the DynMYX voice spacing effect (see below).
Bend
: set the amount of the pitch bend in semi-tone.
Velocity
: set the level of the velocity used by the Main Matrix Modulation section.
Pressure:
Set the level of the polyphonic after touch used by the modulation section.
Drift
: Each voice gets differences in their settings depending to this knob: Turn left, all the voices
are set with the same values. Turned right, the voices are set with a random noise, emulating what
we might find in an analogue synthesizer where voices are built with different components.
The available number of voices can be set thanks to the menu displayed
on the right of the OUPUTS knob. This number, form 1 to 16 is useful
to limit the CPU usage when long decay or release is needed.
Please note that this number also determines and affects the settings of
the PolyMYX and DynaMYX tools. ( These functions are detailed later
in this manual ) and can therefore affect the Stereo Scene and/or the
PolyMyx Modulation Matrix features.
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