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sALut

Thank  you  for  purchasing  this  Xaoc  Devices 
product. Belgrad is our first all-analog voltage 
controlled  filter  module  which—on  par  with 
our other modules—brings something new to 
the table. While it can be used as a traditional 
VCF  for  “academic”  subtractive  synthesis,  we 
guarantee countless hours of exciting timbral 
explorations  thanks  to  its  unique  character, 
flexibility,  and  features.  The  most  prominent 
feature is that it offers a multitude of frequency 
responses with two resonant peaks.

instALLAtiOn

The module requires 14hp worth of free space 
in the eurorack cabinet. The ribbon type pow-
er  cable  must  be  plugged  into  the  bus  board, 
paying  close  attention  to  polarity  orientation. 
The  red  stripe  indicates  the  negative  12V  rail 
and is supposed to point in the same direction 
on both the bus board and the unit. The module 
itself is secured against reversed power connec-
tion, however reversing the 16-pin header 

may 

cause serious damage

 to other components 

of your system, because it will short-circuit the 
+12V and +5V power rails. The module should 
be fastened by mounting the supplied screws be-
fore powering up. To better understand the de-
vice, we strongly advise the user to read through 
the entire manual before using the module.

cOntROLs AnD OPERAtiOn

Belgrad  features  a  pair  of  state  variable 
filter  cores  whose  inputs  and  outputs  can 
be  combined  in  various  serial  and  parallel 
configurations. The 
mode rotary switch 

16

selects one of ten unique filter responses. Turn-
ing  the  knob  from  its  leftmost  position  to  its 
rightmost position consecutively selects modes 
that  gradually  change  from  lowpass  to  high-
pass with several more exotic responses in the 
intermediate positions.

Different filter responses vary in overall am-
plitude gain and resonance behaviour. There-
fore, you should not be surprised by varying 
volume levels after changing modes, especial-
ly when switching from a narrow bandpass to 
a narrow notch response. Detailed mode de-
scriptions can be found on pages 5 to 7.

The level knob 

1

 (fig. 1) controls the am-

plitude of the signal fed into the filter from 
the main 
input 

2

 up to some degree of in-

put overdrive. The processed signal is avail-
able at the main 
output socket 

3

 

The  big  freq  knob 

4

  sets  the  center  fre-

quency  of  both  filter  cores  in  the  approxi-
mate range of 4Hz to 28kHz. This frequency 
can be voltage controlled through the 
v

·

oct 

input 

5

 and modulated by the fm input 

6

 

(attenuated by the illuminated slider 

7

). 

Furthermore, both filter cores may be symmet-
rically detuned with respect to the center cutoff 
frequency,  resulting  in  a  range  of  interesting 
responses,  including  vocal  formants.  The  de-
tuning is controlled by the deliberately non-lin-
ear 
span knob 

8

 as well as the corresponding 

bipolar (-5V to +5V) span control voltage in-
put 

9

, additionally scaled by the illuminated 

attenuator 

10

 

2

module  

explained

Summary of Contents for BELGRAD

Page 1: ...BELGRAD dual peak multimode state variable filter Model of 1976 operator s manual rev 1976 1 0...

Page 2: ...s and outputs can be combined in various serial and parallel configurations The mode rotary switch 16 selects one of ten unique filter responses Turn ing the knob from its leftmost position to its rig...

Page 3: ...3 fig 1 6 9 7 5 10 4 16 1 15 11 13 8 12 2 14 3 front panel overview...

Page 4: ...cillate In such state it behaves like one or two sine wave VCOs musically con trolled by the v oct input When tuned right it is expected to track about five octaves and be reasonably stable with tempe...

Page 5: ...en the least interesting signal can be brought to life fattened up processed elegantly or severe ly mangled beyond expectation Have fun with Belgrad just as we do FILTER MODES DETAILED dESCRIPTION CHA...

Page 6: ...nce controls peaks are mixed offering a typical two formant response particularly suitable for synthesizing vocal or bowed string timbres LH 5 lowpass highpass mode Offers variable width depending on...

Page 7: ...er frequency of the highpass section BH 9 bandpass highpass mode The characteristic is of a 2 pole highpass but the first core is operating in band pass mode thus offering an additional formant bump i...

Page 8: ...IF SOMETHING WENT WRONG WITH A XAOC PRODUCT AFTER THE WARRANTY PERIOD IS OVER NO NEED TO WORRY AS WE RE STILL HAPPY TO HELP THIS APPLIES TO ANY DEVICE WHEREVER AND WHENEVER ORIGINALLY ACQUIRED HOWEVER...

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