*. FINGERED MODE
Under this mode, the left keyboard(In Style mode, the split point always lays at key no. 54)
plays the accompaniment chord. The following chords listed are recognizable. (Take C
chords for example, n
)
otes in parentheses can be omitted.
FINGERED
Caug
C
Cm
Cmadd
9
CmM
9
C sus
7
4
C
9
7
C aug
7
CM
6
C
6
9
CM
7 11
CM
7
CM
9
CMadd
9
Cm
6
Cm
9
Cdim
C
9
7
C
13
7
Csus
4
Cm
7
Cm
11
Cdim
7
C
11
7
C
9
7
C
1+2+5
Cm
5
7
CmM
7
C
7
C
13
7
CM aug
7
CHORD NAME
MAJOR
MAJOR SIXTH
MAJOR SEVENTH
MAJOR SEVENTH
SHARP ELEVENTH
MAJOR ADD NINTH
MAJOR SIXTH ADD NINTH
AUGMENTED
MINOR
MINOR SIXTH
MINOR SEVENTH
MINOR SEVENTH
FLATTED FIFTH
MINOR ADD NINTH
MINOR ADD NINTH
MINOR MAJOR ELEVENTH
MINOR MAJOR NINTH
DIMINISHED
DIMINISHED SEVENTH
MAJOR NINTH
SEVENTH
SEVENTH SUSPEND FOURTH
SEVENTH NINTH
SEVENTH SHARP ELEVENTH
SEVENTH THIRTEENTH
SEVENTH FLATTED NINTH
SEVENTH FLATTED
THIRTEENTH
SEVENTH SHARP NINTH
MAJOR SEVENTH
AUGMENTED
SEVENTH AUGMENTED
SUSPEND FOURTH
ONE PLUS TWO PLUS FIVE
M
M6
M7
M7#11
Madd9
M9
69
aug
m
m6
m7
m7b5
madd9
m9
m11
mM9
dim
dim7
7
7sus4
79
7#11
713
7bg
7b13
7#9
M7aug
7aug
sus4
1+2+5
1-3-5
1-3-5-6
1-3-(5)-7
1-(2)3#4-(5)-7
1-2-3-5
1-2-3-(5)-7
1-2-3-(5)-6
1-3-#5
1b3-5
1b3-5-6
1-b3-(5)-7
1-3-5-7
1-2-3-5
1-2-3-5
1-3-(5)-7
1-2-3-(5)-7
1-3-5
1-3-5-6
1-3(5)-7
1-4-5-7
1-2-3-(5)-7
1-(2)3-#4-(5)-b7
1-3-(5)-7
»ò
2-3-5-6-7
1-2-3-(5)-7
1-3-5-6-7
(1)-#2-3-(5)-7
1-3#-5-7
(1)-3-#5-7
1-4-5
1-2-5
NOTE:
Notes in parentheses can be omitted.
Playing two same root keys in the adjacent octaves produces accompaniment based only on the root.
A perfect fifth (1+5) produces accompaniment based only on the root and fifth which can be used with both major
and minor chords.
The chord fingerings listed are all in
root
position, but other inversions can be used with the following
exceptions: m7, m7
5, 6, m6, sus4, aug, dim7, 7
5, 6(9), 1+2+5.
Inversion of the 7sus4 and m7(11) chords are not recognized if the notes shown in parentheses are omitted.
The auto accompaniment will sometimes not change when related chords are played in sequence (e.g. some
minor chords followed by the minor seventh).
Two-note fingerings will produce a chord based on the previously played chord.
ABBREVIATION
20
