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10.5 Network settings menu

The Network settings menu become available when the 
AESOP board is installed (ref. FIGURE 20).

Many of the menus in this section require the user to select 
one functioning mode from a set of possible alternatives. 
These alternatives are all presented in a list. A black diamond 
shape next to a specific item in the list indicates that is the 
selected option.
• 

Device mode: this parameter sets the amplifier mode 
with respect to the AES3 stream (ref. Chapter  10 : 2.
AESOP repeater mode and Chapter  10 : 3.EASOP 
forward mode). Available options are:

• 

Repeater (default); Forward to AES3-A; 

• 

Forward to AES3-B;

• 

Forward to both.

Note: when an amplifier is in forward mode (either to AES3-A, 
AES3-B or both) the amplifier can only accept the AES 
signal coming from the AES3-XLR connector. AES3 streams 
incoming from any other RJ45 port are ignored.
• 

Addressing Mode: this parameter controls the IP 
addressing assignment strategy:

• 

Manual: requires the user to set a valid static 
address and subnet mask (and, optionally, the 
default gateway). The PC should be on the same 
subnet of the amplifier if no routers are present 
between the PC and amplifier.

• 

Automatic: lets the amplifier ask and obtain 
a network configuration from a DHCP server. 
Starting from power-on, the amplifier tries to 
obtain a valid IP address from a DHCP server. After 
a timeout of 30 seconds, if an IP address is not 
obtained, the amplifier takes an automatic private 

address in the range 169.254.x.y, but continues 
to search for a DHCP server. When the DHCP 
becomes available, the address is updated. If no 
DHCP server is available, the amplifier obtains an 
IP address by Automatic IP (local link addressing 
or ZeroConf).

The amplifier behaviour complies with RFC 3927, 
guaranteeing the interoperability with any host PC supporting 
this standard.
• 

Set address: this menu allows to manually set the 
amplifier’s IP address, subnet mask and default 
gateway.

• 

Show net config: this menu shows the current 
networking configuration, either set by the user via the 
“Set address” menu or obtained automatically if the 
automatic addressing mode is selected.

• 

Audio

• 

Source selection: this menu allows the user to 
select the AES3 stream source to feed the output 
power stage. The AES3 signal can come from 
either: AES3-XLR, AES3-A or AES3-B.

• 

Source mode: this menu allows to selects the 
channel(s) contained the selected AES stream to 
be forwarded to the output power stage of the 
amplifier. The possibilities are: Parallel from L (the 
left channel from the selected AES3 stream is 
forwarded to both amplifier channels), Parallel from 
R (the right channel from the selected AES3 stream 
is forwarded to both amplifier channels), Stereo 
(the right channel from the selected AES3 stream 
goes to channel 1 or the amplifier; the right channel 
from the AES3 stream goes to the amplifier’s left 
channel).

• 

Gain trim: this parameter trims the digital level of 
the AES3 stream. The gain trim scale goes from 
+5 dB to -40 dB with 0.5 dB steps with respect 
to 0 dB equivalent of +13.5 dBu. A 0 dBFS level 
in the AES3 stream corresponds to an absolute 
analog level of +18.5 dBu when a +5 dB gain trim 
level is applied.

• 

If no link: this parameter allows the user to choose 
the behaviour of the amplifier when the digital audio 
stream is missing and the “Input selection” is set 
as AESOP 

 OUT (or AESOP 

 DSP 

OUT). The 

two possible alternatives are: Mute and Analog. In 
Analog mode the amplifier automatically switches 
to CH1/CH2 analog input if the digital stream is 
missing, returning to the digital stream in case 
this should become available again. This mode 
could be used to implement an analog backup 
connection for the digital stream (ref. Chapter 
10 : 4.4. Two degree redundant daisy chain).

10.4.4 Two degree redundant daisy chain

If the amplifiers in the daisy chain are fed with mono signal 
and the channel of each unit are linked – so that to use the 
same input signal (ref. Chapter 9 : 10.1. Source selection) 
–, a two degree redundant connection topology can be 
achieved.

Taking advantage of the “if no link” features in the Network 
settings menu (ref. Chapter 10 : 5.Network settings menu), 
the K Series can switch to the analog input when the AESOP 
stream fails. Bearing this in mind, it is possible to achieve 
high degree of redundancy exploiting both digital and analog 
inputs.

Remember that when operating with digital inputs – i.e. AES3 
and AESOP – channel link must be achieved via software: do 
not switch the link pushbutton.

The network topology is described in FIGURE 46.

Bias Series User Guide V1.0

Page 31

Summary of Contents for Bias V3

Page 1: ...Bias V3 V9 User Guide V1 0...

Page 2: ...com Void Acoustics and the Void logo are registered trademarks of Void Acoustics Research Ltd in the United Kingdom USA and other countries all other Void trademarks are the property of Void Acoustics...

Page 3: ...15 9 3 Amplifier settings Input select 15 9 4 Amplifier settings Max output voltage 15 9 5 Amplifier settings Max mains current 16 9 6 Amplifier settings Clip limiter CH1 CH2 16 9 7 Amplifier settings...

Page 4: ...Save to an empty slot 33 12 4 2 Overwriting an existing preset 33 12 5 Local preset Change lock code 33 12 6 Local preset Erase all presets 33 13 Setup 34 13 1 Setup Hardware info 34 13 2 Setup Hardw...

Page 5: ...or moisture does not operate normally or has been dropped WARNING TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT ATTEMPT TO OPEN ANY PART OF THE UNIT NO USER SERVICEABLE PARTS INSIDE REFER SERVICING TO Q...

Page 6: ...ld type waste the volume of waste sent to incinerators or land fills will be reduced and natural resources will thus be conserved The Waste Electrical and Electronic Equipment Directive WEEE Directive...

Page 7: ...formance of the amplifier at high levels of out put and avoids mains voltage collapses typical of standard and switching power supplies Another great advantage of this technology is that its performan...

Page 8: ...4 Mechanical drawings FIGURE 2 Bias V3 mechanical drawings Bias Series User Guide V1 0 Page 2...

Page 9: ...FIGURE 3 Bias V9 mechanical drawings Bias Series User Guide V1 0 Page 3...

Page 10: ...alog input in analog mode or AES3 input in AES3 mode according to the position of the switch in 5 D Smart Card slot E Multifunction buttons F LED bar signal metering channel 2 G Main switch 7 Line out...

Page 11: ...in 5 7 Link button link input from channels 1 and 2 8 Input 1 channel 1 analog input 9 Speaker connector output channel 1 10 Speaker connector output channel 2 Bias V9 rear panel 1 2 4 3 5 6 10 7 8 9...

Page 12: ...ct minimum Should however the amplifier be subject to an extreme ther mal load the fan will force a very large volume of air through the heat sink In the extremely rare event that the amplifier should...

Page 13: ...etween the mains connections and the amplifier must be installed inside the rack cabinet Suggested device is 32A 250VAC C or D curve 10kA With Bias V3 provide a sectioning breaker between the mains co...

Page 14: ...uple of XLR jack hybrid combo connectors in Bias V9 amplifiers Signal polarity for XLR and TRS plugs is shown in FIGURE 8 7 3 Analog line output Line out is provided in Bias V3 via a couple of XLR con...

Page 15: ...NG Output terminals are hazardous wiring connection to these terminals require installation by an instructed person and the use of ready made leads Take care to secure the output terminal before switc...

Page 16: ...used to remotely manage the DSP in Bias Series DSP amplifier and enable remote on off Bias Series provided with a AESOP board have a dedicated 2 pin Phoenix connector MCV 1 5 2 G 3 81 1803426 located...

Page 17: ...d PROT 2 With respect to the output clipping threshold TABLE 2 LED chart 8 2 Front display When the amp is turned on the main screen appears after a short presentation The first line of the screen wil...

Page 18: ...ew of the structure of the Main menu FIGURE 20 and DSP settings menu FIGURE 21 accessible via the front panel on Bias Series amplifiers Max Mains Current back fast 22 A rms Max Mains Current back fast...

Page 19: ...ation Input gain sens Inuput select Max output voltage Max mains current Clip limiter CH1 Clip limiter CH2 Gate CH1 Gate CH2 Mute at Power on Idle Mode see DSP Settings diagram Device mode Addressing...

Page 20: ...Mode Soft knee Thresh W Attack ms Release ms Mode Equiv Rout Aux Dly ms Diagnostics Tone in alarm Tone in freq Tone in Vmin Tone in Vmax Tone out gen Tone out ampl Tone out freq Tone out alarm Tone o...

Page 21: ...B 19 0 21 9 35 dB 15 6 18 6 TABLE 4 Maximum balanced input signal vs gain 1 kHz sine wave input before clipping occurs at the output stage These values are reported with respect to the ampli fier s ga...

Page 22: ...57 55 32 dB 60 58 35 dB 63 61 TABLE 6 Gate threshold vs gain 9 8 Amplifier settings Mute at power on This functions allows the user to automatically mute all channels when the amplifier is turned on T...

Page 23: ...he gain trim parameter or by adjusting the analog signal level AES3 from ASEOP the primary audio signal for this configu ration is an AES3 fed via the RJ45 port AESOP DSP Out ref Chapter 7 4 Digital I...

Page 24: ...cific parameter affects both channels the top right hand corner will report this as 1 2 9 11 1 EQs This menu gives access to the parametric output equalizer interface This menu lists the 16 parametric...

Page 25: ...dB point The slope is freely selectable from a minimum of 6 dB octave 1st order filter to 48 dB octave 8th order filter The FIR filters can be selected as normal FIR Linear Phase or enhanced Hybrid F...

Page 26: ...n larger that allowed It acts by re ducing the amplifier gain in order to reduce the measured output peak voltage To limit the dangers of dangerous very fast transient signals all limiters implement a...

Page 27: ...60 500 3000 2 midange 30 100 500 3000 3 midbass 50 150 1000 5000 4 woofer 100 200 2000 5000 4 woofer 150 250 4000 8000 6 woofer 250 500 6000 10000 TABLE 9 Filters parameters Empirical observation yiel...

Page 28: ...is done to obtain the desired damping factor with any cabling used For this end the virtual series resistor can also have a negative value to compensate cabling resistance For example using a 10 mete...

Page 29: ...t test is based on the detection of a pure tone generated by an external tone generator on any input line The output test relies on the measurement of the im pedance at a well defined frequency the am...

Page 30: ...ut section This function disables all output EQ limiters and damping functions Warning this operation may potentially damage connected speakers Pay special attention to shutting down any audio source...

Page 31: ...osing an intermediate device or having a faulty cable link without compromising the ring integrity The AESOP board detects bad quality connections by counting errors on the Ethernet control Faulty con...

Page 32: ...is the default device mode setting This applies to both AES3 A stream and AES B stream indepen dently If an AES3 stream A or B is present as input at both RJ45 ports this can happen when a ring netwo...

Page 33: ...m The AES3 XLR stream will be routed to the AES3 B stream on both primary PORTS 1 and 2 FIGURE 37 The AES3 A stream if present will be repeated from to primary RJ45 ports 1 and 2 10 3 3 Forward to bot...

Page 34: ...ed together in sequence i e in series FIGURE 40 and FIGURE 41 show the diagrams of daisy chain connections of 4 amplifiers with four and two AESOP ports respectively In both configuration only the fir...

Page 35: ...ble failure at a time one degree of redundancy If two or more connections should fail one or more amplifiers depending on where the interruption occurs would be muted 10 4 3 Daisy chain with AES3 and...

Page 36: ...ES3 A from PORT 2 to PORT 1 Repeat AES3 A from PORT 2 to PORT 1 Repeat AES3 A from PORT 2 to PORT 1 Forward to AES3 A 1 2 3 4 Port 4 secondary FIGURE 43 Daisy chain with AES3 and Ethernet redundancy f...

Page 37: ...select the AES3 stream source to feed the output power stage The AES3 signal can come from either AES3 XLR AES3 A or AES3 B Source mode this menu allows to selects the channel s contained the selecte...

Page 38: ...n the other hand is the sum of each single channel s RMS current level The bottom line of the screen displays the load impedance as Zload The minimum output voltage is stored internally and available...

Page 39: ...lly stored presets that cannot be overwritten Either all 50 or none 0 of the presets can be locked After entering the correct lock code select the number of presets to be write protected 12 3 Local pr...

Page 40: ...emote control voltage VAUX indicates if the power supply auxiliary voltage is correct IGBTCONV indicates the DC DC converter monitor status VBOOST internal post PFC voltage 192KHZ system clock frequen...

Page 41: ...restore it to full functioning mode The red LED will be turned off and the amplifier will return to normal operating conditions only when the output current draw returns to acceptable levels 14 3 Ther...

Page 42: ...systems as well as a single hub and linear daisy chaining A looped Ethernet topology is also permissible which will provide redundancy in the event of a network failure An amplifier system using an RS...

Page 43: ...qualified technical personnel In addition to hav ing an in house service department Powersoft supports a network of authorized service centres If your amplifier needs repair contact your Powersoft dea...

Page 44: ...point Latency 6 0 ms fixed latency architecture Memory Presets 8 MB RAM plus 2 MB flash for presets 50 stored locally 150 stored on SmartCard Delay 4 s input 32 ms output for time alignment Equalizer...

Page 45: ...g point Latency 6 0 ms fixed latency architecture Memory Presets 8 MB RAM plus 2 MB flash for presets 50 stored locally 150 stored on SmartCard Delay 4 s input 32 ms output for time alignment Equalize...

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Page 48: ...Research Ltd Unit 15 Dawkins Road Industrial Estate Poole Dorset BH15 4JY England 44 0 1202 666 006 sales voidacoustics com Registered in England Wales No 07533536 North America Void Acoustics North...

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