Valeton CP-200, User Manual

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DST
FX Title Type Description Parameter Description
TaiChi OD OD
Hermida® Zendrive® rose to fame because of its tube-like tone.
To get the perfect balance of saturation and harmonics required
to result in all of the 'in-tangibles' that make a pedal overdrive
sound like a real amp overdrive. Things like touch sensitivity
and response to guitar tone and volume control changes.
Gain: Controls the overdrive amount
Tone: Controls the e ect tone
Volume: Controls the e ect output
Voice: Controls the upper harmonics
character
Timmy OD OD
Paul Cochrane® Timmy* overdrive was one of the original
boutique overdrive pedals, generating a dedicated following
based on its open, un-compressed drive tone and good EQ
options.
Gain: Controls the distortion amount
Volume: Controls the e ect output
Bass/Treble: 2-band EQ that controls the
e ect tone
Mode(I,II,III): Distortion type selection
Lazaro Fuzz
Based on legendary Electro-Harmonix®Big Mu
Pi®*fuzz/distortion pedal. It is very individual, warm and thick
sound wall, restless but full of beauty.
Sustain: Controls the gain amount
Tone: Controls the e ect tone
Volume: Controls the e ect output
Famous users: Jimi Hendrix, Santana, Pink Floyd, Jack White
Red Haze Fuzz
Based on legendary Dallas-Arbiter® Fuzz Face®* fuzz pedal.
Dallas Arbiter conjured the sound of rock and roll for half a
century in 1966 with a few simple transistors. The sound of
Fuzz Face was heavy and sharp, and its sound influenced
countless famous musicians.
Fuzz: Controls the gain amount
Volume: Controls the e ect output
Famous users: Jimi Hendrix, Santana, Pink Floyd, Jack White
Sora Fuzz Fuzz
For fans of the aggressive germanium fuzz tones that could be
wrought from those early units, there’s nothing quite like the
Sola Sound® Tone Bender*. The Tone Bender’s circuit became
massively popular, and over the following years its design
rapidly evolved, making for a tangled and winding history that
is intertwined with some of the most formative music made in
the U.K. from the mid 1960s to the early ’70s.
Fuzz: Controls the gain amount
Volume: Controls the e ect output
SM Dist Distortion
It is based on a classic orange three-knob distortion e ector,
which can be used to easily get the timbre characteristics of the
70s-80s.
Gain: Controls the distortion amount
Tone: Controls the e ect tone
Volume: Controls the e ect output
Darktale Distortion
Based on legendary ProCo™ The Rat* distortion (early LM308
OP-amp version). The Rat* has come to life thanks to its wide
range of Filter knob, bright and compact sound head, full end
and strong plasticity, making it a favorite of many musicians.
Gain: Controls the distortion amount
Filter: Counterclockwise controls the e ect
tone
Volume: Controls the e ect output
Famous users: Je Beck, Kurt Cobain
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*
The manufacturers and product names mentioned above are trademarks or registered trademarks of their respective owners.
The trademarks were used merely to identify the sound character of the products
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