8.
CLEAN CHANNEL MASTER VOLUME-
Adjusts the output level of
the clean channel.
9.
LEAD CHANNEL SWITCH-
Sends the instrument signal through the
lead circuit, adding extra stages of gain to the signal and enabling the
lead gain and lead master controls. To enable foot switch control of this
function, switch must be in the down position.
10.
BYPASS SWITCH-
Increases the mid-range response. To enable foot
switch control of this function, switch must be in the down position.
11.
LEAD GAIN-
Adjusts the input level (gain) of the lead channel. At
lower settings, a slightly overdriven tone can be achieved. As the control
is adjusted clockwise, the overdrive effect increases.
12.
LEAD MASTER-
Adjusts the output level of the lead channel.
13.
DWELL SWITCH-
Defeats an internal feedback circuit. The effect is
subtle; you will notice a slight increase in high-frequency response and a
decrease in dimensionality and articulation.
14.
REVERB-
Mixes the dry signal with a high quality spring-type
reverberation effect. This effect is defeated with the control in the full
counter-clockwise position.
15.
PRESENCE CONTROL-
Adjusts the contour of high-frequency
response. The high-frequency response will increase as you advance the
control counter-clockwise.
16.
STAND-BY SWITCH-
Should be in the “down” or “stand-by” position
when you apply power to the unit. After a few seconds, place the switch
in the “up” position to use the amplifier. You may leave the unit
“powered up” and place this switch in the “stand-by” position to mute the
output.
17.
POWER SWITCH-
Turns the power on.
18.
INDICATOR LAMP-
This lamp will illuminate when the power switch
is in the “up” position, indicating the unit is receiving A/C power.
NOTE: All switches are ON in the “up” position.
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