background image

The Concept

The unique cabinet configuration of the Trident HG3
Close Field Monitoring System is designed to reduce
or eliminate many issues found in today's monitor sys-
tems. Some of these include:
•Limited Dispersion and Bandwidth •Doppler Distor-
tion • Phase Distortion •Inter-Modulation Distortion 
•Cabinet Resonances •Edge Diffraction and other
problems associated with traditional monitor designs. 

Bass Response  

The use of a port can extend the usable response of a
low frequency speaker, but below resonance, the
speaker becomes uncontrolled and will flap wildly in
conventional ported systems.  The Trident HG3 sys-
tem eliminated this problem by using a controlled
electronic roll-off below the speaker's usable response.  
Separate subwoofers create additional problems by in-
troducing phase cancellations at crossover, and excit-
ing unwanted room nodes - eliminating the advantages
of near field monitoring.  Separate sub-woofer place-
ment is a hit or miss proposition, guaranteed to cause
problems in poorly treated rooms

Through the use of a dual voice coil long throw sub-
woofer, in each speaker box, and optimal tuning, the
usable response is extended smoothly to 35 Hz in a
very small enclosure.  Each sub-woofer has two high
powered MOS amplifiers to insure clean, distortion
free power.  Further, the port is located outside the
path of all active speaker components to insure free-
dom from Doppler distortion at very low frequencies.  

Below 90 Hz, the HG3 bass response is essentially
omni-directional.  From 90 Hz up to the crossover
point of 320 Hz, the bass response narrows to about
180 degrees.  Above 320 Hz, any large diameter
speaker's dispersion narrows and the frequency re-
sponse becomes ragged and uneven.  Not a good
thing.

Midrange Response

The most critical range in any monitor system is the
midrange; that's where the voice resides, the bulk of
the guitar's sound, and the overall detail of the music.
It's strange that some manufacturers would split the
vocal range in the middle, and assign part of the vocal
to the woofer, and the other part of the critical vocal
range to another speaker.  It just doesn't make sense.  

Part of the vocal (in a typical two-way system) is
being modulated by pumping bass, and the other part
is bouncing off the ends of the cabinet, creating edge
diffractions.  The result is smeared midrange, bad
stereo imaging, and poor off axis response.  The Tri-
dent HG3 uses crossover points set at 320 Hz and
3,500 Hz to eliminate those problems. The unique cab-
inet design takes care of the rest.

The Cylinder  

The midrange speaker is mounted in an isolated, 6" di-
ameter, damped, cylinder, to eliminate edge diffrac-
tions and woofer/cabinet resonance interactions.  The
cylinder also houses the 1-1/8" silk dome tweeter, its
crossover, plus the mid and tweeter level controls. A
separate 60 Watt amplifier drives the cylinder mid and
treble c omponents.  

Trident HG3 Close-Field Monitor System

4

Summary of Contents for HG3

Page 1: ......

Page 2: ...h Street Gardena CA 90247 tel 310 323 9050 fax 310 323 9051 UK Unit 4 Minerva Court Woodland Industrial Estate Torquay TQ2 7BD tel 44 0 1803 612700 fax 44 0 1803 612009 email info trident audio com www trident audio com ...

Page 3: ...2 ...

Page 4: ...3 ...

Page 5: ...ker components to insure free dom from Doppler distortion at very low frequencies Below 90 Hz the HG3 bass response is essentially omni directional From 90 Hz up to the crossover point of 320 Hz the bass response narrows to about 180 degrees Above 320 Hz any large diameter speaker s dispersion narrows and the frequency re sponse becomes ragged and uneven Not a good thing Midrange Response The most...

Page 6: ... separate module is used for the mids and highs Overall Distortion is typically around 0 05 and the noise level is typically below 104 dB A unique warning LED is built into the front panel of the Tri dent HG3 that changes from green to red as you begin to approach audible distortion levels above 1 Three sets of inputs allow for both Balanced XLR and TRS and unbalanced TS and RCA connections The du...

Page 7: ... o clock position The extra 2 dB of boost lets you adjust for heavily damped rooms wider or distant cabinet spacing or as a magnifier to zoom in on critical mid or high frequency music components or as fine adjustments to compensate for your particu lar room conditions For example if your mixes sound overly bright or midrangey on other systems turn up the treble or the midrange on the HG3 s slight...

Page 8: ...may vary depending on in dividual Country Power Code Requirements Power On Off Switch The HG3 Active Monitors feature a silent Turn On Off switching circuit to prevent the possibility of transient damage and to eliminate the annoying thump heard from most powered speakers Heat Sink Warning The Heat Sink is designed to draw heat away from the amplifier It gets hot during normal operation Keep finge...

Page 9: ...s inlet socket on the back of the unit Check the fuse if the unit has been powered with the wrong voltage Check there is a power reaching the unit 2 The audio input doesn t work Is a suitable audio cable connected to the correct input on the back of the unit Is the rear Volume control is turned up Is there output from the mixer 8 ...

Page 10: ... time with the right groundbreaking ideas He considers the Trident HG3 to be his best design and its innovations will lead to stellar future products Russ Allee has designed many of the most popular musical in strument amplifiers played by music greats for 40 years As a music in dustry consultant his cir cuit wizardry is legendary in amplifiers made by Alesis Fender Gibson AMP Acoustic Con trol Ed...

Page 11: ...10 ...

Page 12: ...11 ...

Page 13: ...12 ...

Page 14: ...Estate Torquay TQ2 7BD tel 44 0 1803 612700 fax 44 0 1803 612009 email info trident audio com www trident audio com SERIES 82 HG3 TRIDENT AUDIO DEVELOPMENTS TRIDENT AUDIO TRIDENT SERIES STUDIO PROJECTS and ARANGE are all registered trademarks of PMI Audio Group 2011 Trident Audio Developments is part of PMI Audio Group ...

Reviews: