Toa D-5.5 Operating Instructions Manual Download Page 9

Front Panel (D-5.5)

Writing Block

The name of the source signal can be written in with
an erasable felt pen or grease pencil.

Group Fader (GROUP 1 - 4)

The 60mm fader provides continuously variable
adjustment of the group level to the stereo L and R
busses, and the group output connectors.

Cue Switch (CUE)

The cue switch is for monitoring the pre-fader signal
in each group channel through the headphones and
cue out. This function is for independent audition of
the group mixes.

Level Control for Aux 1 Return to Stereo L and R
(AUX/RET, LEVEL)

This control adjusts the signal level from the AUX 1
return and feeds it to the stereo L and R busses via
the pan control.

Pan Pot

 (PAN)

The pan control assigns the signal from the AUX 1
return to the stereo L and R busses.

Cue Switch (CUE)

The switch permits monitoring the AUX 1 signal
prior to the AUX 1 return level  control.

Level Control for Aux 2 Return to Stereo L and R
(AUX 2 RET, LEVEL)

This control adjusts the signal level from the AUX 2
return and feeds it to the stereo L and R busses via
pan control.

Pan Pot

 (PAN)

The pan control assigns the signal from the AUX 2
return to the stereo L and R busses.

Cue Switch (CUE)

The switch permits monitoring the AUX 2 signal
prior to the AUX 2 return level control.

Level Control for Reverb Return or Built-in Reverb
to Stereo L and R (REVERB RET, LEVEL)

The control adjusts the signal level from the reverb
or the built-in reverb and feeds it to the stereo L and
R busses via the pan control.

Pan Pot

 (PAN)

The pan control assigns the signal from the reverb
return to the stereo L and R busses.

Cue Switch (CUE)

The switch permits monitoring the signal prior to the
reverb  return  level  control.

Level Control for Effect Return to Stereo L and R

(EFF RET, LEVEL)

This  control  adjusts the signal level from the effects
return and feeds it to the stereo L and R busses via
the pan control.

Pan Control (PAN)

The pan control assigns the signal from the effects
return to the stereo L and R busses.

Cue Switch (CUE)

The switch permits monitoring the signal prior to the
effect return level control.

Sum Select Switch (SUM SLECT, PRE/POST)

This switch selects either the channel pre-fader or
post-fader  signals  derived from the stereo L and R
busses, and sends them to the SUM output. The
switch provides pre-fader signal in the "push"
position, and post-fader signal in the "release"
position.

Signal/Peak LED Indicator (SIG/PEAK)

The LED indicator lights green when the sum output
signal reaches more than -30dB, and turns to red
when the signal level reaches -3dB below clipping,
giving a visual reference for adjustment of the SUM
channel  fader.  (See NOTE 1)

Sum Channel ON Indicator and Channel  ON/OFF
Switch (CHANNEL ON)

The LED indicator lights orange when the channel
on/off switch  is  "on".

Writing Block

Sum Out Fader (SUM)

The fader provides continuously variable adjust-
ment of the SUM output.

Cue Switch (CUE)

The cue switch permits monitoring the pre Sum-
fader signal through the headphone and cue output.

Aux 1 / 2 Send Control (AUX SEND, AUX 1 / AUX 2)

The aux 1 and aux 2 send controls govern the overall
level of signal sent to on-stage monitor amplifiers,  or
an outboard effect device thought the aux 1 and 2
send jacks on the rear panel.

Reverb Send Control (REV/EFF SEND, REV)

This control governs the overall level of signal sent
to the built-in reverb unit or an outboard effect
device through the reverb send jack on the rear
panel.

Effect Send Control  (REV/EFF SEND, EFF)

This control governs the overall level of signal sent
to an outboard effects device through the Effect Send
jack on the rear panel.

Internal Reverb Equalizer Control  (INT REV EQ,
HIGH/LOW)

These controls alter the frequency  response of the
built-in reverb circuitry. The high EQ control pro-
vides ±10dB at 4kHz, and ±15dB at 20kHz of
continuously variable active shelving equalization.

The low EQ control provides ±10dB at 150Hz and

±15dB at 20Hz of continuously variable active

shelving equalization. The "0" detented position of

both controls provide flat audio response.

— 8 —

Summary of Contents for D-5.5

Page 1: ...ToaElectricCo Ltd Model D 5 5 D 5 5E ELECTRONIC MUSIC MIXER Operating Instruction Manual KOBE JAPAN...

Page 2: ...D 5 5E are designed to operate on local AC 50 60Hz Mains 10 2 XLR Type Audio Connector The connectors are wired as follows The pin 1 is ground shield the pin 2 cold low minus the pin 3 hot high plus...

Page 3: ...groups and Stereo L R also feature dual color signal prescence clip LED indicators an on off switch with orange LED writing block 60 mm fader and cue switch The D 5 5 rear panel features an RCA tape...

Page 4: ...t fader 2 Aux sends selectable pre EQ and fader post EQ pre fader post EQ and fader Mono reverb send and mono effects send both are post EQ and fader Headphones output with level control Push button c...

Page 5: ...computer type connector Input Channel Connections Separate pre and post accessory patch points RCA Direct Output RCA Source inputs 1 4 phone jack and electronically balanced XLR with individually swit...

Page 6: ...ls of the associated inputs are as follows a Mic input 60dB b Tape input 20dB c Phono input 50dB Input channels 7 and 8 only The trim control and input level selector of each channel should be properl...

Page 7: ...oup assign control to the group 3 and 4 busses providing equal output to the group 3 and 4 busses at the detent center position Rotating the pan control counter clockwise decreases the amount of the s...

Page 8: ...ses the signal level of the aux 1 return keeping the original level of the aux 2 return signal Return Signal Select Switch REV EFF AUX 1 AUX 2 This switch selects either the REV EFF return signals or...

Page 9: ...ssigns the signal from the effects return to the stereo L and R busses Cue Switch CUE The switch permits monitoring the signal prior to the effect return level control Sum Select Switch SUM SLECT PRE...

Page 10: ...switch is off When the cue switch is on the control adjusts the corresponding cue signal When two or more of the cue switches are on the control adjusts the corresponding combined cue signals The cue...

Page 11: ...d with a nominal level of l0dB Input jack impedance is 10k ohms and output jack impe dance is 1k ohms The Accessory jacks allow signal processing and effect devices to be inserted into the signal path...

Page 12: ...gnal Peak LED Indicator SIG PEAK Input Level Selector PAD Input Trim Control TRIM High Equalizer Control HIGH Mid Equalizer Center Frequency Control MID FREQ Mid Equalizer Control MID LEVEL Low Equali...

Page 13: ...trol up to four other MIDI synths ten when using the D 5 5E and sixteen when using the two D 5 5E s Earth Terminal Balanced XLR Microphone Input MIC Phantom Power Switches PHANTOM 9 20 1 4 Phone Chann...

Page 14: ...Block Diagrams D 5 5 BLOCK DIAGRAM D 5 5E BLOCK DIAGRAM 15...

Page 15: ...D 5 5 LEVEL DIAGRAM Level Diagrams D 5 5E LEVEL DIAGRAM 16...

Page 16: ...PIN JACK RCA PIN JACK RCA PIN JACK PHONE JACK PHONE JACK 0dB is referenced to 0 775V RMS Accessory D 5 5E ONLY BUSS LINK CABLE 6ft 1 0dB is referenced to 0 775V RMS Specifications are subject to chang...

Page 17: ...the side panels 3 The rear panel and blank panel should be inter changed to allow for easy connection when the D 5 5 and D 5 5E are rack mounted a Remove the rear panel corner frame and blank panel b...

Page 18: ...EQ controls will not affect the on stage monitor mix This is particularly desirable when the input source is a microphone Since an on stage monitor system is normally operated near acoustic feedback a...

Page 19: ...Dimensions with brackets D 5 5E Dimensions with brackets Appearance D 5 5 FREQUENCY RESPONSE INPUT EQ CHARACTERISTICS Characteristics Diagrams FREQUENCY FREQUENCY LEVEL LEVEL 20...

Page 20: ...ToaElectricCo Ltd KOBE JAPAN Printed in Japan 133 02 748 80...

Reviews: